Zan wrote:
And...as much as I hate to admit this, I *like* "CarrieAnn," even though I admit it has a high creepiness factor that I can't shake. I do like the melody and I think Denny's vocals are spot-on fantastic.
Yeah, to be fair it's more of a "meh" to me than an active irritant. I once heard it played on solo piano and in that context, it does have a nice melody, but with the full band, lyrics, and vocals it's just sooooo sappy. Fortunately I avoided the creep factor as a first impression, not understanding about the name and all.
Zan wrote:
"Goodbye to Roseland?"
Really?
Yes, really. Don't care what an inspired or heartfelt watershed it's supposed to be for DDY (and in fact that sort of makes me dislike it even more, "great expectations" and whatnot) it's still dull and flaccid. It's not a power ballad, it's not a simple piano thing, it ends up in this weird nowhere-ville in between and doesn't reach me at all. And the meta-implications of the tune (substitute the band for the old neighborhood) just make me
On a similar note, I'm kinda surprised I haven't taken more flak over naming "Superstars" in 75-84 other thread, which I've noticed is a real sacred cow to some folks...