Moderator: Andrew
jaxmanjoe wrote:Can someone from the Survivor camp please post some type of update on what's going on with the new record? How many songs are in the can? How many left to finish? Release date?
We know you are still playing gigs but throw us a bone already. How long until the website is back? What's the current line up? Who is producing the album? Any guests on the album?
It's been months since we've heard anything about new material. It takes one minute to post 50 words on Twitter or Facebook. If you can't post an update for legal reasons let us at least know that.
Are you playing any of the new songs in upcoming dates?
I'm starting to feel like Old Mother Hubbard's dog. This message board is bare.
mrsromek wrote:Other than the die-hards, would anyone really care if they made a new album? Go ask 10 people you know about Survivor. I bet 7 of the 10 think they broke up in the mid 80's after Burning Heart.
Eyeof wrote:..the music was solid...it is the complete ineptness of the band to do any pr, promotion and/or help themselves that make that the case...you know?
Eyeof wrote:You know if you think about it...the two releases off of WSC could not have been worse for them....maybe two of the most pop sounding Survivor songs EVER! (Is This Love and How Much Love)...Hell the fact they both had the word love should have told someone something!
There actually are a couple of songs on the album that rocked. The point is, they should have jumped more towards the hair metal, harder edge sound at that time, not complete keyboard pop...but I regress...
All I know is that I can listen to their body of work up against Journey and Reo Speedwagon any day, but that is not the perception. I actually prefer Survivor...You go back and take a listen to some of the early stuff, CITG, the OTHER songs on EOTT...damn it, this band rocked and should have been HUGE!
I don't think Scotti Bros helped much...thought John Cafferty should have been bigger as well...
Hell, I'm on a roll!..
Like it our not, Moment of Truth should have been a HUGE, HUGE hit...The movie was BIG. The song was perfect....Hell, you could not get the damn thing. I had to special order it from a local record store. How can that be a hit, when you can't get it? It's better than the songs from the next two Karate Kid movies, and both were hits!
I even remember that THTS was out for six months before I even knew it!
ahhhh
I
Eyeof wrote:You know if you think about it...the two releases off of WSC could not have been worse for them....maybe two of the most pop sounding Survivor songs EVER! (Is This Love and How Much Love)...Hell the fact they both had the word love should have told someone something!
Eyeof wrote:There actually are a couple of songs on the album that rocked. The point is, they should have jumped more towards the hair metal, harder edge sound at that time, not complete keyboard pop...but I regress...
Eyeof wrote:All I know is that I can listen to their body of work up against Journey and Reo Speedwagon any day, but that is not the perception. I actually prefer Survivor...
Eyeof wrote:You go back and take a listen to some of the early stuff, CITG, the OTHER songs on EOTT...damn it, this band rocked and should have been HUGE!
kgdjpubs wrote: Premonition might be the best album in the catalog (and is certainly a rocking record!), and nobody other then the diehards have ever heard it.
Slander wrote:kgdjpubs wrote: Premonition might be the best album in the catalog (and is certainly a rocking record!), and nobody other then the diehards have ever heard it.
Premonition has some real gems on it. I just listened to it the other day.
Slander wrote: By the way, I think Tiger is an underrated album. Their is some great music on their and nothing I consider filler. "The One That Real Matters" real sticks out for me. That got airplay on a couple of stations where I lived. Damn that song cooks.
kgdjpubs wrote: The change is very noticeable between Eye of the Tiger and Caught in the Game.
MarcelJordan wrote:kgdjpubs wrote: The change is very noticeable between Eye of the Tiger and Caught in the Game.
I agree with this.
As far as personal point of view goes, I loved the Eye album Dave was impeccable. Not so much for CITG or that level that Dave reached in Premonition. But the saving grace was it was guitar centric.
MJ
kgdjpubs wrote:Eyeof wrote:You know if you think about it...the two releases off of WSC could not have been worse for them....maybe two of the most pop sounding Survivor songs EVER! (Is This Love and How Much Love)...Hell the fact they both had the word love should have told someone something!
the songs were no more pop than anything released up to that point. It was the PRODUCTION that was pop with the keyboard-based sound and burying the guitars. Live, the songs were much closer to a rock band.Eyeof wrote:There actually are a couple of songs on the album that rocked. The point is, they should have jumped more towards the hair metal, harder edge sound at that time, not complete keyboard pop...but I regress...
The B-side of the record (Rebel Son onwards) is trying it's best to be a rock album under a pop production. Much heavier lyrically and instrumentally than the first half of the record. Makes me wonder how something like Can't Let You Go would have done on rock radio at the time. How Much Love with audible guitars would had stood at least a little bit of a chance.Eyeof wrote:All I know is that I can listen to their body of work up against Journey and Reo Speedwagon any day, but that is not the perception. I actually prefer Survivor...
Being a big Journey fan also, I think the Survivor catalog is stronger overall than the Journey one. Some of the big-big Journey songs might have peaked at a higher level, but they usually had a few fillers also. Survivor overall was pretty consistent, with a pretty even quality across the cds.Eyeof wrote:You go back and take a listen to some of the early stuff, CITG, the OTHER songs on EOTT...damn it, this band rocked and should have been HUGE!
Unfortunately, the band got pigeon-holed into two sounds. Eye of the Tiger, the song....and Vital Signs. One was a song written especially for a movie, which sounded little like the rest of the album....and the other was a very lightweight pop sound that was never repeated again. Neither really captured the true sound of Survivor.
The singles would argue against it, but if you listen to a fair representation of the whole catalogue, Survivor was much more of a hard rock band than Journey was. Too bad the radio choices made them out to be lightweight pop-rock instead. I think the same thing happened to Journey to a lesser extent, but at least they got some rock songs on radio. Survivor didn't get the rock side shown with the exception of the Rocky songs and maybe I Can't Hold Back. It was all pop and ballads.
The Bickler era, the B-side of When Seconds Count (ie Rebel Son onwards) and Too Hot to Sleep show rock band. Problem is, unless you have the catalogue, you'd never know it. Premonition might be the best album in the catalog (and is certainly a rocking record!), and nobody other then the diehards have ever heard it.
Eyeof wrote:Based on your post I went back and listened to a boot of the WSC tour and it seems like an overall direction of the band. Even Tiger and CITG seem more keyboard driven in that era. Granted, it's not a great boot and maybe I'm just not hearing the lead guitar as I should, but I can sure hear the synth...
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