Moderator: Andrew
SusieP wrote:The venues we play in the UK already have the restrictions but it isn't being policed strictly yet.
Many venues have decibel meters installed and if you exceed 85db you get the power on stage cut off.
mikemarrs wrote:very surprised they didn't start doing this years ago including america.
Duncan wrote:I can't make up my mind about this. Part of me thinks that this another example of the nanny state and if people want to listen to loud music then let them. On the other hand I am 40 years old a deaf as a post through listening to loud music.
I wonder how many decibels are produced by the crowd when there is a goal or a touchdown at a major football game.
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Now playing: Bobby Caldwell - Coming Down for Love
Duncan wrote:Just found this on Wiki about the loudest band.
"The Who were the last band listed as the record holder, at 126 decibels, measured at a distance of 32 metres from the speakers at a concert at Charlton Athletic Football Ground on 1976-05-31."
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Now playing: Santana - Hoy Es Adios
SusieP wrote:Duncan wrote:I can't make up my mind about this. Part of me thinks that this another example of the nanny state and if people want to listen to loud music then let them. On the other hand I am 40 years old a deaf as a post through listening to loud music.
I wonder how many decibels are produced by the crowd when there is a goal or a touchdown at a major football game.
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Now playing: Bobby Caldwell - Coming Down for Love
Obviously it has come about because some people insist on having their volume at "11" when 9 or 10 is plenty loud enough.
As far as I know, the legal figure is 85db but there seems to be some leeway to have them set above that, because I think 85 is a suggested level rather than a written in stone figure, BUT when the Health & Safety people set these levels they test the bloody things when the room is empty. That gives a false reading because when the room fills up with people, they soak up the sound and the audience can hardly hear you playing at the volume you did the sound check at, so you end up totally remixing the sound as you go along.
If the H & S set the things with a room full of people I don't think there would be too much of a problem.
Some venue's meters go off when you slam the van door OUTSIDE! Or cough!
Some don't go off no matter how loud you play.
So I don't know how they work out the setting, I really don't.
Personally I hate the effing things.
To get a sound mix that won't set the meter off you have to take most of the Bass out of the mix going out front and have your wedge monitors on effing candle power.
So it sounds like you are using a bloody Tandy micro stereo sysyem.
Or as if you are hearing the music through somebody's headphones while they sit across from you on a train.
Did I tell you I hate the effing things????????????????????
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Duncan wrote:85db(A) is the level at which employers have to provide hearing protection for their employees.
Duncan wrote:SusieP wrote:Duncan wrote:I can't make up my mind about this. Part of me thinks that this another example of the nanny state and if people want to listen to loud music then let them. On the other hand I am 40 years old a deaf as a post through listening to loud music.
I wonder how many decibels are produced by the crowd when there is a goal or a touchdown at a major football game.
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Now playing: Bobby Caldwell - Coming Down for Love
Obviously it has come about because some people insist on having their volume at "11" when 9 or 10 is plenty loud enough.
As far as I know, the legal figure is 85db but there seems to be some leeway to have them set above that, because I think 85 is a suggested level rather than a written in stone figure, BUT when the Health & Safety people set these levels they test the bloody things when the room is empty. That gives a false reading because when the room fills up with people, they soak up the sound and the audience can hardly hear you playing at the volume you did the sound check at, so you end up totally remixing the sound as you go along.
If the H & S set the things with a room full of people I don't think there would be too much of a problem.
Some venue's meters go off when you slam the van door OUTSIDE! Or cough!
Some don't go off no matter how loud you play.
So I don't know how they work out the setting, I really don't.
Personally I hate the effing things.
To get a sound mix that won't set the meter off you have to take most of the Bass out of the mix going out front and have your wedge monitors on effing candle power.
So it sounds like you are using a bloody Tandy micro stereo sysyem.
Or as if you are hearing the music through somebody's headphones while they sit across from you on a train.
Did I tell you I hate the effing things????????????????????
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85db(A) is the level at which employers have to provide hearing protection for their employees.
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Now playing: Jim Peterik - The God In You
SusieP wrote:Duncan wrote:SusieP wrote:Duncan wrote:I can't make up my mind about this. Part of me thinks that this another example of the nanny state and if people want to listen to loud music then let them. On the other hand I am 40 years old a deaf as a post through listening to loud music.
I wonder how many decibels are produced by the crowd when there is a goal or a touchdown at a major football game.
----------------
Now playing: Bobby Caldwell - Coming Down for Love
Obviously it has come about because some people insist on having their volume at "11" when 9 or 10 is plenty loud enough.
As far as I know, the legal figure is 85db but there seems to be some leeway to have them set above that, because I think 85 is a suggested level rather than a written in stone figure, BUT when the Health & Safety people set these levels they test the bloody things when the room is empty. That gives a false reading because when the room fills up with people, they soak up the sound and the audience can hardly hear you playing at the volume you did the sound check at, so you end up totally remixing the sound as you go along.
If the H & S set the things with a room full of people I don't think there would be too much of a problem.
Some venue's meters go off when you slam the van door OUTSIDE! Or cough!
Some don't go off no matter how loud you play.
So I don't know how they work out the setting, I really don't.
Personally I hate the effing things.
To get a sound mix that won't set the meter off you have to take most of the Bass out of the mix going out front and have your wedge monitors on effing candle power.
So it sounds like you are using a bloody Tandy micro stereo sysyem.
Or as if you are hearing the music through somebody's headphones while they sit across from you on a train.
Did I tell you I hate the effing things????????????????????
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85db(A) is the level at which employers have to provide hearing protection for their employees.
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Now playing: Jim Peterik - The God In You
Aah so that's where they conjured up the magic figure from.
Crank your rig up in an empty room with the faders up to ten and it sounds deafening.
Crank it up to ten with loads of people in the audience and it doesn't.
Having a decibel meter set at a written in stone figure buggers up your sound 'cause you have to knock a load of Bass off to keep the meter from going into the red. Then as I said, when the audience come in, everything changes.
And another thing...................the meter has a traffic light system so when you are on stage you are forever tempted to keep looking at the thing instead of your audience.
I hate the things.
Did I tell you I hate the things?
SusieP wrote:Duncan wrote:Just found this on Wiki about the loudest band.
"The Who were the last band listed as the record holder, at 126 decibels, measured at a distance of 32 metres from the speakers at a concert at Charlton Athletic Football Ground on 1976-05-31."
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Now playing: Santana - Hoy Es Adios
I think Lemmy from Motorhead would argue that one.
Rick wrote:Duncan wrote:85db(A) is the level at which employers have to provide hearing protection for their employees.
That's the level of street traffic. It takes 8 hours of exposure to 85db of sound to do damage to the ear.
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