Music review: Journey and Night Ranger
By Melissa Ruggieri
Published: September 16, 2009
http://www2.timesdispatch.com/rtd/enter ... le/JOUR1...
Let us all pause for a moment and hoist our lighters.
No, not our cell phones. That's so cold and impersonal and . . . 2009.
Instead, let's relish the guilty pleasure rock brought to the Richmond Coliseum last night by Journey and Night Ranger.
Between them, the bands churned out about 30 hits in the '70s and '80s -- and Journey is still romping around adult contemporary radio with new singer Arnel Pineda and topping the iTunes charts with its rediscovered "Don't Stop Believin'."
But last night wasn't about being hip or musically adventurous. It was simply a chance to reminisce and sing your vocal cords raw.
Headliners Journey launched their 100-minute set with guitarist Neal Schon, bassist Ross Valory, keyboardist Jonathan Cain and drummer Deen Castronovo taking the stage to the instrumental "Majestic" before Cain, a key band member since 1980, touched those twinkling opening notes of "Separate Ways" (and a real one, too, not that fake air synthesizer from the video).
That was all this crowd of 5,000 needed to be transported to 1983 along with, no doubt, a pool of memories that included Corvettes and badly feathered hair.
Initially, it was jarring to hear what is essentially Steve Perry's voice coming out of the pint-sized Filipino package that is Pineda. A member of Journey since 2007 -- the third replacement singer since Perry's departure in 1998 -- Pineda proved an energetic and engaging frontman who also can handle those huge, sustained notes that inform most of the band's catalog.
"Only the Young" and "Stone in Love" soared under the direction of Schon's guitar, as seven light towers tucked between curtains designed to look like stucco blinked and rotated in an excited frenzy.
Schon, the curlyhaired original Journey-man who is one of rock's finest guitarists, broke into an early solo that alternated between nuanced and finger-bleeding. Also impressive was Castronovo's singing -- the rangy drummer, a Journey member for 11 years, handled lead vocals on the propulsive "Keep on Runnin'" and demonstrated how his upper register has barely diminished.
Throughout, the well-mixed sound helped every song filter through the venue with a crisp ring -- particularly those lovely, layered power ballads "Send Her My Love" and perennial first-dance favorite "Open Arms," which Pineda delivered with smooth muscularity.
But, of course, it was the Best Arena Anthem Ever, "Don't Stop Believin,'" that had this crowd -- a combo of parents with tweens, long-haired throwbacks and 40-somethings -- stomping and shouting along, not caring how hoarse they might be this morning.
Openers Night Ranger, meanwhile, oscillated between cheesy paint-by-numbers rock ("This Boy Needs to Rock," "Eddie's Comin' Out Tonight") and the richly melodic tunes that illustrated how the band evolved throughout the'80s.
Though primarily remembered for the cult favorite "Sister Christian," it's hardly the band's best song: That declaration belongs to the sweetly constructed verses of "Four in the Morning" and the sublime "When You Close Your Eyes."
But, even with a few too many "Spinal Tap" memories (it's obvious that the new guitarist, the lanky, metal-haired Joel Hoekstra, spends his off nights playing in the house band for Broadway's'80s rock musical "Rock of Ages"), Night Ranger provided its own hour of nostalgic fun.
Frontman/bassist Jack Blades, an effervescent chatterbox, traded vocals with drummer Kelly Keagy, while Hoekstra stampeded through the band's twin guitar attack with original member Brad Gillis.
As the band's signature sign-off commands, "You Can Still Rock in America" -- and last night, several thousand people readily complied.
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Contact Melissa Ruggieri at (804) 649-6120 or
mruggieri@timesdispatch.com