yandtguy wrote:Journey would get zero air time with a song like "Resonate."
Not buying it. As one of those young'uns, my friends have really enjoyed the alternative-feel and heavy rhythm of 'Resonate'.
yandtguy wrote:You will only hear Journey on AC or Top 40 that plays hits of the past 3 decades here in America.
That's more or less because the band is keen on releasing singles that harken back to the days of yore, when Perry was in the band. Essentially, they get radio play on AC stations because they release
AC songs.
yandtguy wrote:Plus, "Resonate" has a weak chourus for a radio single and no real hook. It's a cool rock song, but it would flop at radio.

Our agreement begins and ends with "it's a cool rock song." Respectfully, I don't hear what you're hearing. 'Resonate' definitely doesn't have a weak chorus; it's catchy and somewhat haunting (though not like 'Chain of Love'). Structurally and musically, it's the youngest and most modern Journey's ever dared to sound. There aren't any synthesizers and a wall of blaring, wailing, high-pitched guitar solos. Instead, it relies on a very moody, heavy rhythm and some of Neal's hardest rhythm work. Lyrically, Journey is 85% more masculine and abandons most of the saccharine that would be found in, say, 'Open Arms' or in 'The Eyes of A Woman'.
Anecdotes really aren't high on the totem pole of proof because they can hardly be quantified, but all I know is that while I've had considerable success in converting many of my friends and loved ones to Journey,
Eclipse has (pardon the pun) resonated with most of them far quicker than say,
Escape or
Raised on Radio. All of the celebrated Journey elements are there in a new composition that makes them sound fresh, exciting, and young.
yandtguy wrote:Just look at the chart positions for the rock singles the band has releases since ROR.
Like I said, that's what happens when you release Adult Contemporary songs. 'Resonate' might be many things, but it definitely ain't AC.
'Nothing was bigger for Journey than 1981’s “Escape” album. “I have to attribute that to Jonathan coming in and joining the writing team,” Steve Perry (Feb 2012).'