Ehwmatt wrote:Burton Cummings in his heyday was every bit the singer Steve Perry was. Listen to These Eyes and Laughing - he's hitting some deceivingly high notes there. And his voice is unbelievably unique. I've heard plenty of people do a very convincing Perry. I've heard NO BODY do a convincing Burton Cummings. Not even close.
Your long distance runner and sprinter analogy really makes no sense at all. All parties involved are singing on tour - the same activity. The fact that some can do it at their original level (or at least do their voices justice in the original key) at an older age is all that matters in the comparison. Range is all relative.
If you want a better sports analogy, think of a knuckleballer vs a fastball/heat thrower. The fact that the knuckleballer can keep winning well into his 40s and the fastball thrower burns his arm out quicker doesn't diminish the knuckleballer's ability to stay at the top of his game. It works for the knuckleballer. It doesn't work for the fastball thrower once he can't break 90 MPH anymore. Similarly, downtuning works for some bands and fails miserably for others.
Journey music just involves too many happy, major key sounding songs with lots of open chords on the guitar. Eb tuning doesn't work.
And actually, I don't really recall criticizing Arnel in this thread at all. Interesting how your fanboy zeal colors your reading comprehension. Arnel's vocals don't necessarily bother me downtuned. I don't really like his delivery at all. But the instruments are what bother me more in this tuning.
One of my personal faves! He was playing the Coca-Cola stage a few years back at the Calgary Stampede. I had forgotten he was going to be playing and happened to walk by at the right time and hearing that song, stopped us in our tracks, we stood there and watched the rest of his set. Gawd, I love that song from way back! http://www.youtube.com/watch?v=7ZvLGwZ_-fg