I know at least ONE of those guys that hasn't done a Journey tribute show since 2012 ...
Why did I do a Journey tribute show instead of trying to "make it" as an original act?
Personally, I played in bar bands since I was 16 years old, and when I hit 30, I got tired of playing shitty music for the same 150 people that wanted to hear "Hemorrhage" or "Cumbersome" or "Get Down On It" every weekend.
People always said I sounded just like Steve Perry, so we added a shitload of Journey songs in our set, and one day decided to just do a whole Journey show to see how it went over.
I didn't want to keep playing in bars into my 30s and because we could pull it off well, and because the songbook was so strong and so beloved, we got more and more bookings for the Journey tribute gig. It wasn't about getting famous or making money, it was about having fun performing songs that genuinely moved people.
Within 5 years, Jon Cain heard us performing "Lights" on YouTube and 5 weeks later I was in California with the band, being introduced to everyone as the "New lead singer of Journey," and writing songs with the band.
Everyone knows things didn't work out between Neal and myself ... the internet called me a cover band singer who couldn't hack performing on the road and had no ability to write music on my own.
So I was misguided and wanted to prove people wrong - Neal Schon, the people online who said I couldn't have hacked it in Journey, the people who said I couldn't write any original music ... so I basically sunk my life savings into touring with Frontiers full time, paid all the members out of my pocket, and set out to prove that I could hack it on the road.
That's why I did what I did. It was misguided and done for the wrong reasons - to prove things to people who mattered so very little to anything in my life ... just to say I could hack touring and performing on the road 18 days a month, 12 months a year, all over the country. And while we were playing some of the top rooms in the country, we also did a lot of small, shitty gigs that didn't make any money at all just to stay "full time," with inadequate equipment, ridiculous routing decisions, and where getting stiffed for even one gig "should" have sent us home for good. I was so tied into it financially it reached a point that I had no idea how I would ever get out of it.
"Luckily," I got gassed by a chemical fog machine at the start of a 9 day stretch on July 1st, 2011. Performing for the next month with hemorrhaged vocal cords led to permanent sulcus and multiple surgeries.
Thankfully when I recovered from surgery I didn't sound like Steve Perry anymore. My voice was different - fundamentally changed forever from the combination of the hemorrhaged vocal cord and 2 surgeries within a 6 week period.
So in the end, I pretty much "did" what I set out to do ... prove that I could leave my family and tour (Neal), proof that I could perform endless concerts on end in any condition (internet naysayers) and proof through my contribution to Revelation and the critical success of my solo CD that I could write (having written with Neal Schon, Jon Cain, and John Spinks of The Outfield) ... so at the end of it I realized I achieved all that, and it really didn't mean a fucking thing in the big picture.
So now I own my own successful business doing something I've loved my entire life, and I still have fun playing music, singing, playing guitar, and messing around with one of the greatest songbooks in American rock and roll history (Tom Petty & The Heartbreakers) with absolutely no pressure at all.
So that's the end game - the "win" for me, out of all of it.
Can't speak for anyone else on that list though.
