OT - Surf Ballroom - The Day the Music Died

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OT - Surf Ballroom - The Day the Music Died

Postby StoneCold » Tue Feb 03, 2009 4:03 pm

The Surf rocks again, 50 years after Buddy Holly's fateful concert

Clear Lake, Ia. — The same emcee who stood on the Surf Ballroom stage here in 1959 and introduced Winter Dance Party musicians Buddy Holly, Ritchie Valens and J.P. “the Big Bopper” Richardson grabbed the microphone in front of an audience of 1,800 fans at the start of tonight’s “50 Winters Later” concert.

“This has been a poignant week for all of us,” Bob Hale said.

Fifty years ago, the $1.25 tickets to the Surf concert were snapped up by local teenagers who wanted to dance. This time, fans from Britain, Switzerland, Canada and other far-flung locales purchased $85 tickets online.

The 1959 Winter Dance Party at the Surf marked the final performances by Holly, Valens and the Bopper, who died Feb. 3, 1959, in a plane crash north of town.

Tonight’s star-studded concert was a starkly different event: a Rock and Roll Hall of Fame production with a rotating cast of A-list musicians who either performed with Holly and his peers, such as the Crickets, or were inspired by them, including Graham Nash, Los Lobos, Joe Ely and Bobby Vee.

The ballroom’s 2,000-person capacity was reduced by about 200 to accommodate six high-definition cameras, two cranes and all the cables, barricades and operators that come with it .

And yet it was a festive, relaxed atmosphere dominated by those who could remember the ’50s, but also infused with a sense of anticipation: Would Eric Clapton, Paul McCartney, Bruce Springsteen or another rock giant put in an appearance? So far, none appeared.

The audience sang an impromptu “Happy Birthday” to Nash, co-founder of the Hollies and Crosby, Stills & Nash, who turned 67 during his first trip to the Surf.

The song “Wishing” began the night, sung by Kevin Montgomery, whose father, Bob, formed the Buddy & Bob rockabilly duo with Holly and co-wrote the tune.

Wanda Jackson belted out “Brown-Eyed Handsome Man,” the Chuck Berry song that Holly performed on tour in 1959. Texas troubadour Ely tore through “Oh Boy,” complete with a screaming sax solo.

Delbert McClinton cranked out a bluesy cover of “Chantilly Lace,” the Bopper’s signature hit.

Two of the night’s highlights came courtesy of songwriters performing their own tunes with guests: Dave Mason of Traffic cranked out “Feelin’ Alright” with help from Delbert McClinton and Kevin Montgomery, while Joe Ely tore through “Are You Listening Lucky” with Los Lobos as his backing band.

Later, Los Lobos was joined on stage by the extended Ritchie Valens family – decked out in matching “La Bamba Boys” and “La Bamba Ladies” T-shirts – and Holly’s widow, Maria Elena, for the anticipated “La Bamba” sing-along.

Des Moines City Councilwoman Christine Hensley and her husband, Steve, have attended Winter Dance Party reunions at the Surf for 20 years. On Monday, Hensley was decked out in a ’50s waitress costume, complete with order notepad.

“I’m totally out of character!” she laughed.

Christopher and Ing-Mari Vock, who live in the mountains of Switzerland, attended Monday’s show.

“In 1957, I was in school in Worcester, Massachusetts, and New York,” said Christopher, 66. “That was the first time I heard American music.”

Today’s house band included Chuck Leavell, veteran keyboardist for the Rolling Stones. The man on drums was Kenny Aronoff, who rose to fame in John Mellencamp’s band .

Many performers and fans planned to make a post-show pilgrimage to the crash site. The Surf's president, Jeff Nicholas, planned to build a bonfire near the site to help keep observers warm.

“This is what we’ve all been waiting for,” said Tommy Allsup, Holly’s guitarist from the original 1959 tour.
Last edited by StoneCold on Thu Feb 05, 2009 4:02 am, edited 1 time in total.
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Postby Angiekay » Tue Feb 03, 2009 5:18 pm



50 years....amazing. If you've never been to the Surf, it's nothing to look at. A run down little building in the middle of Iowa, but once you walk in the doors, you feel the spirit of those who played there that night. I saw Styx there ten years ago and Glen sang True Love Ways during their acoustic set. Goosebumps.

Long live the memory of those who rocked there and those who were inspired by the day the music died.








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Postby StoneCold » Tue Feb 03, 2009 5:30 pm

Thanks Angie, here's a good video about the Surf.

Surf Ballroom with guitar player for Buddy Holly.
http://www.youtube.com/watch?v=4r4_8pjJPxo&

good LIVE clip, Buddy Holly - Peggy Sue
http://www.youtube.com/watch?v=lhgO8rZs1Fg

True Love Ways - Buddy Holly
http://www.youtube.com/watch?v=5x9PPtPmoy4

Not Fade Away - Buddy Holly
http://www.youtube.com/watch?v=Fd6zBMZ423g

Chantilly Lace - Big Bopper
http://www.youtube.com/watch?v=6TcC_ni0ojo

La Bamba - Ritchie Valens
http://www.youtube.com/watch?v=74C_gVCT2wU
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Postby brywool » Wed Feb 04, 2009 6:59 am

very cool. Thanks for sharing this.
NO. He's NOT Steve F'ing Perry. But he's Arnel F'ing Pineda and I'm okay with that.
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Postby The Sushi Hunter » Wed Feb 04, 2009 8:01 am

Sound's like it was a really cool party to have attended. I remember back in 72' when I could count all my b-days on just one hand, I loved to stand in front of the wall mirror at home and sing American Pie and Long Cool Woman In A Black Dress when the two songs would come on the radio. Until the 80's I never realized what the song American Pie was all about. Sometime between 86' and 87' I only learned the some was primarily about the plane crash and the three musicians who were killed in it (Buddy Holly, Valens and J.P. Richardson. Over the years I've always wanted to know what the entire song was about, cause it's a long song, has to be about 8 minutes long at least. I was told once that it was just what was in the news paper on the day it happened and then what is in the news on all the anniversaries that had followed the crash up to the time the song was written. I'd like to know how true that is or if there is more to it then that. Anyone know?
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Postby Tito » Thu Feb 05, 2009 1:18 am

It was a tragedy but it was also a good career move for the guys that passed. Also, was the inspiration to an American classic song, American Pie.
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Postby StoneCold » Thu Feb 05, 2009 3:01 am

Tito wrote:It was a tragedy but it was also a good career move for the guys that passed.


Dying is never a good career move.
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Postby Tito » Thu Feb 05, 2009 3:18 am

StoneCold wrote:
Tito wrote:It was a tragedy but it was also a good career move for the guys that passed.


Dying is never a good career move.


I disagree. Ask Kurt Cobain and Janis Joplin for starters.
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Postby StoneCold » Thu Feb 05, 2009 3:23 am

Tito wrote:
StoneCold wrote:
Tito wrote:It was a tragedy but it was also a good career move for the guys that passed.


Dying is never a good career move.


I disagree. Ask Kurt Cobain and Janis Joplin for starters.


You've reinforced my point. Where can we go to ASK them? :)
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Postby Tito » Thu Feb 05, 2009 3:25 am

It's better burn out (or die) than fade away.
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Postby Blueskies » Thu Feb 05, 2009 3:25 am

Tito wrote:It was a tragedy but it was also a good career move for the guys that passed. Also, was the inspiration to an American classic song, American Pie.
:shock: A good career move????? Dude you come off as one warped and twisted individual with some of the things you say sometimes.... I mean, for real...you're messed up in your thinking..I don't know if you say outlandish things because you think it's funny and you're that starved for attention and it's your weird way of getting some or if it's because you were born that way or maybe your momma dropped you on your head when you were a wee one, but man, you are a mess.
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Postby Tito » Thu Feb 05, 2009 3:35 am

Blueskies wrote:
Tito wrote:It was a tragedy but it was also a good career move for the guys that passed. Also, was the inspiration to an American classic song, American Pie.
:shock: A good career move????? Dude you come off as one warped and twisted individual with some of the things you say sometimes.... I mean, for real...you're messed up in your thinking..I don't know if you say outlandish things because you think it's funny and you're that starved for attention and it's your weird way of getting some or if it's because you were born that way or maybe your momma dropped you on your head when you were a wee one, but man, you are a mess.


I'm being serious. No one would care about these guys if they didn't die. Therefore it was good for the careers. Grant it, it wasn't good for their lives. Career and lives aren't always the same. This is one of those times.
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Postby StoneCold » Thu Feb 05, 2009 3:42 am

Tito wrote:
I'm being serious. No one would care about these guys if they didn't die. Therefore it was good for the careers. Grant it, it wasn't good for their lives. Career and lives aren't always the same. This is one of those times.


Valens was 17 years old, Buddy Holly was 22.

You're gonna stand by your statements this was the best thing that could've happened to them?
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Postby Blueskies » Thu Feb 05, 2009 3:47 am

Tito wrote:
Blueskies wrote:
Tito wrote:It was a tragedy but it was also a good career move for the guys that passed. Also, was the inspiration to an American classic song, American Pie.
:shock: A good career move????? Dude you come off as one warped and twisted individual with some of the things you say sometimes.... I mean, for real...you're messed up in your thinking..I don't know if you say outlandish things because you think it's funny and you're that starved for attention and it's your weird way of getting some or if it's because you were born that way or maybe your momma dropped you on your head when you were a wee one, but man, you are a mess.


I'm being serious. No one would care about these guys if they didn't die. Therefore it was good for the careers. Grant it, it wasn't good for their lives. Career and lives aren't always the same. This is one of those times.
How do you know that no one would still care about them? Maybe they would have had long careers if they had not DIED!! and I'm sure that people would still care for them if they were living..especially their familys! and look how many people still care about Espee and he hasn't been in the limelight for a long time....which hasn't seemed to damper people's memories or love for the music that he did create...geesh, people still have fond memories of one hit wonder songs and will inquire and seek out information on the one's they like to see what happened to them....people still want to hear some older acts and individual artists perform even though they didn't have any "hit songs" since they started or maybe never did have a big hit. Hey, death especially an accidental death can not be defined as a "career move"....maybe some remain fonder in peoples memories because they passed but dying is not a "career move". :roll:
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Postby StoneCold » Thu Feb 05, 2009 3:55 am

This vid starts with pics of Buddy Holly.

Don McLean's "American Pie"
http://www.youtube.com/watch?v=DazyCJNdZ8U
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Postby StoneCold » Thu Feb 05, 2009 4:06 am

The Sushi Hunter wrote:Sound's like it was a really cool party to have attended. I remember back in 72' when I could count all my b-days on just one hand, I loved to stand in front of the wall mirror at home and sing American Pie and Long Cool Woman In A Black Dress when the two songs would come on the radio. Until the 80's I never realized what the song American Pie was all about. Sometime between 86' and 87' I only learned the some was primarily about the plane crash and the three musicians who were killed in it (Buddy Holly, Valens and J.P. Richardson. Over the years I've always wanted to know what the entire song was about, cause it's a long song, has to be about 8 minutes long at least. I was told once that it was just what was in the news paper on the day it happened and then what is in the news on all the anniversaries that had followed the crash up to the time the song was written. I'd like to know how true that is or if there is more to it then that. Anyone know?


It's a great song to decipher. The video I posted above has clues matching the lyrics.

"While the king was looking down, the jester stole his thorny crown".

Elvis and Dylan? or was Buddy Holly the jester?
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Postby StoneCold » Thu Feb 05, 2009 4:25 am

Can't verify for accuracy but some ideas of the meanings.
(found here http://www.whrc-wi.org/americanpie.htm)

AMERICAN PIE

A long, long time ago...
American Pie was written in 1971 and the time McLean is going to talk about is the 1950's.
This seems like a long time ago 'cause of all the turmoil that occurred in the 60's.

I can still remember how that music used to make me smile.

McLean's favorite music was that of the 50's.

And I knew if I had my chance, that I could make those people dance,
and maybe they'd be happy for a while.

In the 50's, the major purpose of music was for dancing (sock hops). He wanted to play rock & roll so people could have a good time.

But February made me shiver
Buddy Holly died on February 3, 1959 in a plane crash in Iowa. He was McLean's hero.

With every paper I'd deliver

Donny boy's only other job besides songwriting was a paper boy.

Bad news on the doorstep, I couldn't take one more step
This story was obviously on the frickn' front page and made McLean freeze in his tracks.

I can't remember if I cried

He can't remember if he cried.

When I read about his widowed bride

Holly's wife was pregnant when the accident occurred and soon after had a miscarriage.

But something touched me deep inside
I don't even wanna know!

The day the music died.

The crash took the lives of three current rock legends: Holly, Richie Valens and the Big Bopper, so now Feb. 3, 1959 is called "The day the music died." The music that died is considered the standard rock & roll songs. The crash was the final blow («--keyword) to this music 'cause these three were that only major artists left. Elvis was drafted, Little Richard (or "Little Dick") turned gospel, and Chuck Berry was arrested for screwin' a prostitute.

Verse 2

Did you write the book of love?

"The Book of Love" was a hit in 1968 by the Monotones.

And do you have faith in God above, if the Bible tells you so?

In 1955, Don Cornell wrote "The Bible Tells Me So" and there is a Sunday School song "Jesus Loves Me," with the line "For the Bible tells me so."

Now do you believe in rock & roll?

This is from the great song "Do You Believe in Magic?" by the Lovin' Spoonful, written by John Sebastin in 1965. One of the lines is like trying to teach a stranger 'bout rock & roll," and another is "the magic's in the music and the music's in me." The "magic" this Johnny was talking about is the ability of a song to stick in your head. Often times songs bring back memories of the past, this is what the magic is. This magic is especially in rock & roll, 'cause you experience it without thinking about it or trying to analyze the bloody lyrics (like some asshole is right now). Another lyric is "so just blow your mind." (Don't think about it).

Can music save your mortal soul?
Given all that, can music help you get though life? I'm sorry I can't answer that. All of these questions ask about life and if God exists.

And, can you teach me how to dance real slow?
Dancing in the 50's wasn't like it is today. If you danced with someone, you then were committed to them.

Now I know that you're in love with him, 'cause I saw you dancing in the gym.

Like I said, dancing was serious shit. McLean caught his love cheating on him.

You both kicked off your shoes

Reference to a "sock hop."

Man, I dig those rhythm and blues

He's depressed, and you listen to that kinda of music. There's a style of music for every feeling.

I was a lonely teenage broncin' buck

ummmm.....yeah, so was I......

With a pink carnation and a pickup truck
A pickup truck was a symbol of sexual freedom (and it rhymes with "buck" and "luck"), and Marty Robbins had a hit with "A White sport Coat (And a Pink Carnation) in 1957.

But I knew I was out of luck, the day the music died.

These old crazy things that worked in the fifty's no longer work, 'cause the 60's brought a new social revolution. Peace Out!

Verse 3

Now for ten years we've been on our own
The music died 1959, McLean more than likely started writing this song around 1969.

And moss grows fat on a rolling stone
The great Bob Dylan wrote "Like a Rolling Stone" in 1965. This was his first MAJOR change from folk music. In late 1966, Dylan was involved in a motorcycle accident, and hid in his house in Woodstock, NY for a good year, hence the "fat," and the moss shows the time change. Dylan didn't really get his muse back till 1975.

but that's not how it used to be.

McLean liked Dylan as a folk singer in the early sixties more than his folk-rock style in the mid sixties. (I wonder what he thinks of Dylan's religious phase!)

When the jester sang for the king and queen
Ok, the jester's Bob Dylan. The king is Peter Seger and the queen is Joan Baez. These were the two big names in folk at the time early '60's). During the Newport Folk Festival in 1963, Dylan was honored to play his own set and then combine with these two legends to sing his song "Blowin' in the Wind."

In a coat he borrowed from James Dean

In the Dean movie "Rebel Without A Cause," he wears a red windbreaker. On the cover of the Dylan's "Freewheelin'," he is seen also in a red windbreaker. This cover also resembles a famous picture of Dean. This ties in with the previous line 'cause this album is were Dylan really took off, with such songs as "Blowin' in the Wind" and "A Hard Rain's A-Gonna Fall."

And a voice that came from you and me.
This means two things. 1. Dylan was the spokesman for the 60's (and he was) and 2. He didn't have the best singing voice in the world, and even you and me could sing like him (but you could write like him if Shakespeare «he's in the alley» himself told you what to say!)

Oh, and while the king was looking down

This could mean two things; Pete Seger remained a traditional folk singer, while Dylan was constantly reinvented himself and therefore became unbelievably popular. This could also be a reference to Elvis (the King of rock and roll), because he joined the U.S. Army and reportedly dropped his soap everyday in the shower.

The jester stole his thorny crown
While Elvis was in the army, Dylan took his spotlight and changed the whole music business. The thorny crown is the price of fame, and is referenced with Jesus's thorny crown before he was murdered.

The courtroom was adjourned, no verdict was returned
This deals with the Kennedy assassination. Lee Harvey Oswald was never convicted because he was murdered.

And while Lennon read a book of Marx
This is about the Beatles music becoming political. Songs like "Revolution" (1968) (which actually mentions Chairman Mao) were much different then "Love Me Do" (1963). Many American adults thought the Beatles were bad for the American youth, especially after Lennon's remark in 1966 about Christianity. He said "Christianity will go. It will vanish and shrink. I needn't argue with that; I'm right and I will be proved right. We're more popular than Jesus now; I don't know which will go first: rock 'n' roll or Christianity." This started anti-Beatles burnings and such.

The quartet practiced in the park

The quartet was the Beatles (there were four, not including if Paul McCartney is really dead!) and the park thing is Candlestick Park, the place of their last concert. It was practicing 'cause their music would grow after they stopped touring (their first project after this was "Sgt. Pepper" which is considered the best album of all time).

And we sang dirges in the dark, the day the music died.

A dirge is a funeral song. These songs were for the Kennedy's (John and Robert) and Martin Luther King, all who died in the mid 60's. And remember- "Dark" rhythms with "Park"

Verse 4

Helter Skelter in a summer swelter
Charles Manson is one of the most dangerous cereal killers ever (his favorite was coco-puffs). In the summer of 1968, he massacred an entire family 'cause of the Beatles song "Helter Skelter," which appeared on the white album. He thought that the Beatles were warning America about the racial conflict and it was "coming down fast." He thought the Beatles were the four angels mentioned in the Book of Revelation in the Bible. Manson wrote the title of the song on the wall in blood after committing the murders. Also, he thought in "Revolution 9" that Lennon was saying "rise" instead of "right," thought the line "They need a damn good wacking" from "Piggies" was telling him to kill people and the "Hollywood Song" in "Honey Pie" was about him 'cause he lived near Hollywood. He was dropping too much acid and thought the Beatles were talking directly to him and told him to kill those people.

The Byrd flew off with to a fallout shelter

The Byrd's were a popular folk-rock group, with the huge cover of Dylan's "Mr. Tambourine Man," in 1965. One of the members was arrested for possession of marijuana and a fallout shelter was another name for a rehab program. A strange note is that Dylan's "Mr. Tambourine Man" appeared on his "Bringing It All Back Home" record, and on the lower left corner of the cover is a fallout shelter sign.

Eight miles high and falling fast.

"Eight Miles High" was the first ever psychedelic song (it was written while high on speed, and the sound of the guitar was supposed to sound like a saxophone). The falling fast part is probably about the fact that the Byrd's abandoned folk-rock for country music with the album "Sweetheart of the Rodeo," in 1967

Then landed in the foul grass
Foul grass meaning marijuana.

The players tried for a forward pass

Here the football metaphor starts. The players are the protesters in the 60's. The forward pass was their movement to change the situation they were in, full of government corruption.

With the jester, on the sidelines in a cast.

remember jester=Dylan. In late 1966, while riding near his house in Woodstock, NY, he briefly glanced into the sun and lost control of his bike. When he went to brake, they locked up on him and sent him flying off the motorcycle. It took him about 9 months to recover (or was he just pregnant and trying to hide it from the world????), in which time he very rarely left the house, hence the cast.

Now the half time air was sweet perfume

Flower Power, groovy baby! Drugs, man, drugs.

While sergeants played a marching tune
Sgt. Pepper, Beatles, 1967, recently named the most influencal album of all time. First ever concept album. First to have lyrics printed on the back. First to have a design on the protector of the record. Included an elaborate cover design and cut-outs. As far as the music goes, it had drug references in Lucy in the Sky with Diamonds, sitars, animal sounds and studio trickery. In the song "Being for the Benefit of Mr. Kite!" at one point in the sound the engineer was instructed to cut the tape into small pieces, scatter them around, then tape them back together. In "A Day in the Life" (which was banned from the radio 'cause of the drug reference line "I'd Love to Turn You On"), after the piano cords die out, there is a minute of silence, followed by a high pitched sound (by the request of John Lennon, especially to annoy the family dog), then a loop of Beatles gibberish to make the owners of the LP think that the needle had stuck! What was I talking about again?

We all got up to dance, but we never got the chance
Oh yeah, American Pie!! That's a good song...anyway, the Beatles helped to start a new kind of music that was meant to be listened and not danced to (how do you dance to "Within You and Without You"?).

'Cause the players tried to take the field

Players=Protesters. In 1968, at the Chicago Democratic convention, protesters rioted, and some were beaten by the police. It is now known as the days of rage. Also in 1970, at Kent State University, four students were killed by the National Guard in response to their anti-Vietnam protests, which inspired the song "Ohio" by CSN & Neil Young.

The marching band refused to yield

The Beatles had some anti-violence songs that made protesters think twice about the way they were acting. "All You Need is Love" (1967) says there is a better way then violence, and in "Revolution" (1968) one of the lines is "But when you talk about destruction, don't you know that you can count me out." The beatles were in no way pro-government (as seen in 1968's "Piggies," which is about Congressmen), but they were against violence.

Do you recall what was revealed, the day the music died.
So what was revealed? ...well look at today, the president gets more ass then a toilet seat. As Dr. Evil says in Austin Powers, "Face it, freedom failed" or more accurately, the protests failed. The government is more corrupt now then ever before. McLean wasn't a big 60's fan and here is putting down the efforts of the failed generation.


Verse 5

And then we were all in one place

Woodstock Performing Arts Festival took place in August in 1969. 400,000 of McLean's generation were there. It took place at Woodstock (actually Bethel) because that's were Dylan was hiding, and they were hoping he would come out and play. Unfortunately he turned it down for the "Isle of Wright" concert.

A generation lost in space

The moon landing was of course in 1969, David Bowie's "Space Oddity" was released (which was about 'major Tom' who got lost in space), there was a TV show called "Lost in Space" and this is a drug reference, the 60's are generalized by saying everyone in the entire world was on acid.

With no time left to start again

It took them a whole decade to get to this point, the generation's time was quickly fading. McLean thinks they wasted most of there time on drugs.

So come on Jack be nimble, Jack be quick, Jack flash sat on a candlestick

"Jumpin' Jack Flash" was a hit for the Rolling Stones. In this song, McJagger compares himself with Jesus. This line comes from the nursery rhyme that has the line "Jack be nimble, Jack be quick, Jack jumps over a candlestick."

'cause fire is the devil's only friend.

The Stones sold out to the devil. Their only comeback to the Beatles "Sgt. Pepper" was their album "Their Satanic Majesties Request." Seeing that you've probably never heard of this, you can imagine that it pretty much sucks. Also, their song "Sympathy for the Devil," proves that they were desperate to sell their records (the Beatles were SOOOOO much better!). Was it really worth celebrating the devil?

Oh, and as I watched him on the stage

No, it wasn't. In December of 1969, the Stones attempted another Woodstock, this time at Altamont Speedway. This time it was a free concert, with the Hell's Angel's handling the security. The biggest mistake was paying them in advance, but instead of money, with beer and handfuls of acid. While the stones were singing "Sympathy for the Devil," a black man was beaten and stabbed to death by the Hell's Angels. They soon began beating everyone, include a member of the Jefferson Airplane.

My hands were clenched in fists of rage
He was pissed.

No angel born in hell could brake that Satan's spell
"angels born in hell" a.k.a. the "Hell's Angels!" When you have sympathy for the devil, you're asking for trouble.

As the flames climbed high into the night, to light the sacrificial rite

The stones were helicoptered out of there it became so crazy, hence the "climbed high." It's like the Stones started the living hell, and left in the middle of it...what's up with that? The sacrifice to the devil was the man's life.

I saw Satan laughing with delight, the day the music died.
This was the definitive ending of the sixties. The generation that was lost in space was now lost on earth. Before the only violence was between the hippies and the police, now it was amongst themselves. Satan had won, in one final blow.


Verse 6

I met a girl who sang the blues
and I asked her for some happy news,
but she just smiled and turned away.

Janis Joplin is most the girl who sang the blues. Her big hits were "Piece of My Heart" and "Me and Bobby McGee." She died of an accidental heroin overdose on October 4, 1970. McLean is still trying to find happiness like in the beginning of the song "Maybe they'd be happy for a while," "That music used to make me smile." (Note the tone of the song is very similar in these to verses) But this time the smile isn't for happiness but regret.

I went down to the sacred store
Here he's talking about record stores that sold 50's albums.

Where I heard the music years before, but the man said the music wouldn't play
By the 70's, the 50's music was almost ignored by everyone. Hundreds of great albums were released in the 60's, and it seems that everyone has forgot about the 50's.

And in the streets the children screamed
The youth of America were beaten in the streets especially at the end of the decade. (Like I said earlier, the Kent State murders and the Chicago Democratic Convention)

The lovers cried and the poets dreamed
In Dylan's "A Hard Rain's A-Gonna Fall," he says: "I met one man he was wounded in love, I met another man he was wounded in hatred," showing that love hurts sometimes as much as hate.

But not a word was spoken. The church bells all were broken.

Again in "A Hard Rain...," the line is "I saw ten thousand talkers whose tongues were all broken." Simon and Garfunkel had a hit with "Sound of Silence." The church bells all were broken shows that people have forgotten God. All things are are so sacred are gone, love, faith, happiness, peace. In Dylan's "It's Alright Ma (I'm Only Bleeding)," one verse goes: Disillusioned words like bullets bark . As human gods aim for their mark . Made everything from toy guns that spark . To flesh-colored Christs that glow in the dark . It's easy to see without looking too far. That not much Is really sacred. McLean isn't the only one that feels this way. He was obviously a religious man, and is very disappointed that they have abandoned God.

And the three men I admire most, the Father, Son and Holy Ghost

The trinity of God, McLean was Catholic.

They caught the last train for the coast.
God has left. Time magazine even featured a cover story "Is God Dead?" The generation has failed, and "with no time left to start again." It was now up to the next generation to put things right (and they did a terrible job might I add).

The day the music died. And we were singing....

This last verse is the hardest to explain...Remember, McLean never would talk about what what the lyrics definitely mean, so it's not perfectly clear. Some people believe there were more references to the Kennedy's (him being the king and his wife the queen), but I feel his presence is felt though the songs from the 60's better. Ps, this took me forever.

Refrain

So bye, bye Miss American Pie

Pimp Daddy McLean was dating one of the Miss America contestants during one of the pageants. Also the "American Pie" part is a symbol of the American Dream (at least of the 50's), it was also the name of the plane that crashed and killed Holly (or so goes the rumor).

Drove my Chevy to the levee but the levee was dry

The American automobile was the Chevy. The levee business shows that America wasn't fertile anymore (at least in the sense of music). "Chevy" rhymes with "levee."

And them good old boys were drinking whiskey and rye
singing "This will be the day that I die, this will be the day that I die."

The traditional Americans are depressed with the current lifestyle (60's). The song comes from Buddy Holly's "That'll be the day," that eventually says "that I die."
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Postby Blueskies » Thu Feb 05, 2009 4:39 am

Thanks Stonecold, that's an interesting read. McLean was a heck of a songwriter...I love Starry Night and how he captured the essence of Van Gogh and was able to understand him and describe the artist as the person he was and in capturing his art even and describing the sad beauty of it in song form. He's a song writer that could paint a picture of people and tell their story like he also did with American Pie. I think of them as moving tribute biography songs. With American Pie he also captured the feeling of the loss that others felt as well. Some of the takes on verses in what you posted are certainly argueable that they are correct in what he meant but it is an interesting read.
Last edited by Blueskies on Thu Feb 05, 2009 4:51 am, edited 1 time in total.
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Postby StoneCold » Thu Feb 05, 2009 4:47 am

Blueskies wrote:Thanks Stonecold, that's an interesting read. McLean was a heck of a songwriter...I love Starry Night and how he captured the essence of Van Gogh and was able to understand him and describe the artist as the person he was and in capturing his art even and describing the sad beauty of it in song form.

He's a song writer that could paint a picture of people and tell their story like he also did with American Pie. I think of them as moving tribute biography songs. With American Pie he also captured the feeling of the loss that others felt as well.


Don McLean - Vincent
http://www.youtube.com/watch?v=dipFMJckZOM
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Postby Blueskies » Thu Feb 05, 2009 4:55 am

StoneCold wrote:
Blueskies wrote:Thanks Stonecold, that's an interesting read. McLean was a heck of a songwriter...I love Starry Night and how he captured the essence of Van Gogh and was able to understand him and describe the artist as the person he was and in capturing his art even and describing the sad beauty of it in song form.

He's a song writer that could paint a picture of people and tell their story like he also did with American Pie. I think of them as moving tribute biography songs. With American Pie he also captured the feeling of the loss that others felt as well.


Don McLean - Vincent
http://www.youtube.com/watch?v=dipFMJckZOM
Opps!!...I said Starry Night..I was thinking about the song and had the painting in mind when I was typing. Thanks for posting the song to let people hear it if they haven't and to know the song I was referring to was Vincent. :wink: :)
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Postby Tito » Thu Feb 05, 2009 5:06 am

Blueskies wrote:
Tito wrote:
Blueskies wrote:
Tito wrote:It was a tragedy but it was also a good career move for the guys that passed. Also, was the inspiration to an American classic song, American Pie.
:shock: A good career move????? Dude you come off as one warped and twisted individual with some of the things you say sometimes.... I mean, for real...you're messed up in your thinking..I don't know if you say outlandish things because you think it's funny and you're that starved for attention and it's your weird way of getting some or if it's because you were born that way or maybe your momma dropped you on your head when you were a wee one, but man, you are a mess.


I'm being serious. No one would care about these guys if they didn't die. Therefore it was good for the careers. Grant it, it wasn't good for their lives. Career and lives aren't always the same. This is one of those times.
How do you know that no one would still care about them? Maybe they would have had long careers if they had not DIED!! and I'm sure that people would still care for them if they were living..especially their familys! and look how many people still care about Espee and he hasn't been in the limelight for a long time....which hasn't seemed to damper people's memories or love for the music that he did create...geesh, people still have fond memories of one hit wonder songs and will inquire and seek out information on the one's they like to see what happened to them....people still want to hear some older acts and individual artists perform even though they didn't have any "hit songs" since they started or maybe never did have a big hit. Hey, death especially an accidental death can not be defined as a "career move"....maybe some remain fonder in peoples memories because they passed but dying is not a "career move". :roll:


Perry burnt out and hasn't done anything in 20+ (excluding his brief comeback in the mid 90's). He apparently follows the saying, it's better to burn out than fade away. Fading away is what Journey is now and for the last 10 years according to the naysayers, who usually are the Perry fans. Hence they believe in that logic too.

If you think we would talking about Buddy Holly and Valens today or any day on MR without this incident, you're wrong. We are only talking about them because of the anniversary. No one would start talking about them because of their music (whether it was good or bad) on this day or any day, they are only talked about because of how they died.
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Postby StoneCold » Thu Feb 05, 2009 5:14 am

Blueskies wrote:
StoneCold wrote:
Blueskies wrote:Thanks Stonecold, that's an interesting read. McLean was a heck of a songwriter...I love Starry Night and how he captured the essence of Van Gogh and was able to understand him and describe the artist as the person he was and in capturing his art even and describing the sad beauty of it in song form.

He's a song writer that could paint a picture of people and tell their story like he also did with American Pie. I think of them as moving tribute biography songs. With American Pie he also captured the feeling of the loss that others felt as well.


Don McLean - Vincent
http://www.youtube.com/watch?v=dipFMJckZOM


Opps!!...I said Starry Night..I was thinking about the song and had the painting in mind when I was typing. Thanks for posting the song to let people hear it if they haven't and to know the song I was referring to was Vincent. :wink: :)


No sweat. You reminded me of another for the haunting melodies thread.
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Postby Blueskies » Thu Feb 05, 2009 5:27 am

Tito wrote:
Blueskies wrote:
Tito wrote:
Blueskies wrote:
Tito wrote:It was a tragedy but it was also a good career move for the guys that passed. Also, was the inspiration to an American classic song, American Pie.
:shock: A good career move????? Dude you come off as one warped and twisted individual with some of the things you say sometimes.... I mean, for real...you're messed up in your thinking..I don't know if you say outlandish things because you think it's funny and you're that starved for attention and it's your weird way of getting some or if it's because you were born that way or maybe your momma dropped you on your head when you were a wee one, but man, you are a mess.


I'm being serious. No one would care about these guys if they didn't die. Therefore it was good for the careers. Grant it, it wasn't good for their lives. Career and lives aren't always the same. This is one of those times.
How do you know that no one would still care about them? Maybe they would have had long careers if they had not DIED!! and I'm sure that people would still care for them if they were living..especially their familys! and look how many people still care about Espee and he hasn't been in the limelight for a long time....which hasn't seemed to damper people's memories or love for the music that he did create...geesh, people still have fond memories of one hit wonder songs and will inquire and seek out information on the one's they like to see what happened to them....people still want to hear some older acts and individual artists perform even though they didn't have any "hit songs" since they started or maybe never did have a big hit. Hey, death especially an accidental death can not be defined as a "career move"....maybe some remain fonder in peoples memories because they passed but dying is not a "career move". :roll:


Perry burnt out and hasn't done anything in 20+ (excluding his brief comeback in the mid 90's). He apparently follows the saying, it's better to burn out than fade away. Fading away is what Journey is now and for the last 10 years according to the naysayers, who usually are the Perry fans. Hence they believe in that logic too.

If you think we would talking about Buddy Holly and Valens today or any day on MR without this incident, you're wrong. We are only talking about them because of the anniversary. No one would start talking about them because of their music (whether it was good or bad) on this day or any day, they are only talked about because of how they died.

Sadly I don't think a thing I said registered with you.
1.) It is never better that someone die rather then fade out. In saying burn out instead, I think a case can be made that Perry did burn out and stop abruptly a couple of times and did not gradually fade away. Journey was just on television around the globe and had good album sells and toured last year so I wouldn't describe them as fading out at this point at all.
2.) No we would not be talking about Holly or Valens on this board on a daily basis because this is mainly a JOURNEY board. I'm sure their fans still think of them and talk about them on occasion and still play their music often. I'm sure that the gravesite is not flowerless and tribute museum of Holly in Lubbock is not sitting empty...seems many do still care even if you don't. Yes, even on here they have been mentioned before aside from an anniversary....and it was about the music. Of course the deaths would be discussed on the anniversary of the tragedy....along with the music.
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Postby The Sushi Hunter » Thu Feb 05, 2009 5:50 am

Blueskies wrote:Thanks Stonecold, that's an interesting read. McLean was a heck of a songwriter...I love Starry Night and how he captured the essence of Van Gogh and was able to understand him and describe the artist as the person he was and in capturing his art even and describing the sad beauty of it in song form. He's a song writer that could paint a picture of people and tell their story like he also did with American Pie. I think of them as moving tribute biography songs. With American Pie he also captured the feeling of the loss that others felt as well. Some of the takes on verses in what you posted are certainly argueable that they are correct in what he meant but it is an interesting read.


Thanks Stonecold for posting that. I had always thought he was making references to Joe Namath being on the sidelines in a cast, for some reason. Very intense and interesting lyrics in my opinion.
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Postby Rockindeano » Thu Feb 05, 2009 5:52 am

How's your old ladies mouth Sushi Hunter? Still smell like a rotten tuna?
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Postby Blueskies » Thu Feb 05, 2009 8:16 am

The Sushi Hunter wrote:
Blueskies wrote:Thanks Stonecold, that's an interesting read. McLean was a heck of a songwriter...I love Starry Night and how he captured the essence of Van Gogh and was able to understand him and describe the artist as the person he was and in capturing his art even and describing the sad beauty of it in song form. He's a song writer that could paint a picture of people and tell their story like he also did with American Pie. I think of them as moving tribute biography songs. With American Pie he also captured the feeling of the loss that others felt as well. Some of the takes on verses in what you posted are certainly argueable that they are correct in what he meant but it is an interesting read.


Thanks Stonecold for posting that. I had always thought he was making references to Joe Namath being on the sidelines in a cast, for some reason. Very intense and interesting lyrics in my opinion.
Yes, in American Pie he spoke of loss of a more innocent time and the turmoil and change in America and in music and musicians that was going on after their deaths..he was not only mourning their passing but the passing of innocence and a more peaceful time as he saw it.

Listen closely to Vincent...it is very poignant as well. He describes the man and what he saw in his paintings..that Van Gogh was tortured because he not only struggled in life to find the deep and passionate unconditional lasting love in a relationship that he felt himself and longed to receive from someone else but also struggled with trying to convey what he felt in his work and the beauty that he saw around him..he never felt like he had achieved to express it in life to another or that he was able to get it out of himself and express it in his work so that others could truly see life as he saw it.
He felt that others couldn't see him for who he really was inside...that they couldn't see his soul.
So McLean was saying that he understood and could see not only the struggle the man had in his life and with his art and what he was trying to say with it ..but that he could relate to him....so he was telling Vincent that he had achieved what he tried so desperately to show.
He also spoke a message in the song that it is sad that others could not see the same and that maybe they would never understand and see the same beauty in the simplest things in the world around them and not experience or possess the same passion, love and understanding of the life around them...to be able to see things and people on a deeper level then what appears on the surface...to be able to feel and embrace it or to express it and live it and see the beauty in it all ...around us and in each other.
Anyway, thats my take on it. McLean was similar to someone like Vincent and was a deep thinker so there is depth to these songs if they are really listened to and not just heard at the surface...just like Vincents paintings if they are really looked at and not just glanced at. McLean was afraid that others would not understand and expressed his regret that they wouldn't or couldn't.
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Postby StoneCold » Thu Feb 05, 2009 11:42 am

Tito wrote:
StoneCold wrote:
Tito wrote:It was a tragedy but it was also a good career move for the guys that passed.


Dying is never a good career move.


I disagree. Ask Kurt Cobain and Janis Joplin for starters.


Cobain was a loser for offing himself after having a kid. Regardless that he's left her millions. Don't feel like playing? Quit playing. Go hang out at the beach, park, tv, or maybe.... with your kid.
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Postby The Sushi Hunter » Thu Feb 05, 2009 5:46 pm

Rockindeano wrote:How's your old ladies mouth Sushi Hunter? Still smell like a rotten tuna?


She's o.k, thanks for asking. I'm the one whose breath smells like tuna now though. 8)
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Postby The Sushi Hunter » Thu Feb 05, 2009 5:51 pm

StoneCold wrote:
Tito wrote:
StoneCold wrote:
Tito wrote:It was a tragedy but it was also a good career move for the guys that passed.


Dying is never a good career move.


I disagree. Ask Kurt Cobain and Janis Joplin for starters.


Cobain was a loser for offing himself after having a kid. Regardless that he's left her millions. Don't feel like playing? Quit playing. Go hang out at the beach, park, tv, or maybe.... with your kid.


Maybe he was fucked up on drugs and/or alcohol when he shot himself, to this day I'm unsure of the exact circumstances surrounding his death. My father used to tell me that when he was a youngin, he would drink until he was 12 foot tall and bullet proof. Lots of shit can go wrong when someone thinks that about themself. Maybe that's what happened to Cobain. Or perhaps he had some sort of underlying mental disorder like OCD or something. Either way, something is seriously wrong when someone can point a loaded gun to their head and pull the trigger.
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Postby StoneCold » Thu Feb 05, 2009 6:05 pm

The Sushi Hunter wrote:
StoneCold wrote:
Tito wrote:
StoneCold wrote:
Tito wrote:It was a tragedy but it was also a good career move for the guys that passed.


Dying is never a good career move.


I disagree. Ask Kurt Cobain and Janis Joplin for starters.


Cobain was a loser for offing himself after having a kid. Regardless that he's left her millions. Don't feel like playing? Quit playing. Go hang out at the beach, park, tv, or maybe.... with your kid.


Maybe he was fucked up on drugs and/or alcohol when he shot himself, to this day I'm unsure of the exact circumstances surrounding his death. My father used to tell me that when he was a youngin, he would drink until he was 12 foot tall and bullet proof. Lots of shit can go wrong when someone thinks that about themself. Maybe that's what happened to Cobain. Or perhaps he had some sort of underlying mental disorder like OCD or something. Either way, something is seriously wrong when someone can point a loaded gun to their head and pull the trigger.


I read about a disorder that's really hard to notice but its where a person doesn't want close friends and can be in a crowd and still feel alone but is content. On all other levels they interact fine with everyone just don't form close personal relationships.

I can't remember the name of it but after I read "Into The Wild" some discussions indicated that the guy Chris McCandless may have been suffering from it which caused him to leave everything behind and go to his death in Alaska.

I've read Cobain's childhood/teens were lonely and he married Courtney 'cause she was pregnant. Also read she basically chased him down from when they met so he may've had this disorder as well.
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