NoMoreTails wrote:I agree it is way below what Journey should expect. But if the number of units sold indicates the quality of the music, does ROR really stand up as one of Journey's great albums as you've argued previously? I don't think so, it might compare to a Perry solo album, which it essentially is anyway.
Sure, all kinds of crap can sell million of copies - but in Journey's case the creative success of a record does seem to be appropriately reflected in the buying patterns of its fan base.
I reckon ROR is Journey's third best album. Perhaps coincidentally it is the third highest selling too. I'd also say that Escape is the best (it sold the most) followed by Frontiers (the second highest selling).
ROR sold 2.5 million and Arrival sold 250,000. Does this gap reflect the difference in quality? Even allowing for the changing times...I think it roughly does.
As for ROR as Perry solo album...well, if I hear a song sung by Perry with a solo by Schon it sounds like Journey to me. The 'mechanical' or 'electronic' production? Schon and Cain were totally excited about the new technology. It's a myth that Perry 'forced' this on them. Schon and Cain co-wrote two-thirds of that album and were in the studio more consistently than Perry was, as well.
So all in all it was very much a Journey record. Perhaps I love it too much and you respect it too little...maybe nostalgia has clouded my judgement...but the fact remains it was still the third highest selling record in Journey's history and deservedly so - and on that criteria alone it ranks as one of Journey's great albums.