Rick wrote:Pelata wrote:AR wrote:Some good songs, but sonically it sounds like it was recorded in a bathroom. I have audience recorded bootlegs that sound clearer.
It's not as bad as all that, IMO...I've never had any complaints about the sound.
Coming from a musician, such as yourself, that's a statement I didn't expect. I think that album sounds very muddy and one dimensional. I love quite a few tracks on it though.
I guess it's a perspective thing. When I get a new record, I pay attention to the songs/melodies, etc. That's why I buy the albums. I don't buy them because I am a fan of brilliant production.
I see so many opinions online when it comes to the sound of albums. Present company excluded (so I don't get lynched

), most of them have no idea what they're talking about. I've been making albums and writing songs since I was 20 years old. I've made records that sound bad and records that sound good. I know when something sounds amazing, when it sounds decent, and when it sounds bad (personal taste aside...sometimes I think a record sounds good but don't like the drum tones or something for example).
I see people make comments like "unlistenable" and "pure shit" about records that, honestly, sound good. They may not sound amazing or mind blowing, but they sound good. Records like
What If..., Worlds Collide, Generations & several others just get ram-rodded because of how they sound and, to put it bluntly, I just think some people need something to complain about. Most of the time, it would be better to just stop at "I don't like it" because, in reality, that's all they know. They don't know why, they have never made a record, they don't know what goes into it.
They don't have to like it, that's personal perogative and you can't please everybody. But when it turns into "sounds like shit", "the mix is muddy", "unlistenable", "I could mix a better album coming in off the street" (I've seen that one), I just have to laugh. That's like me walking into a house, and then making comments about how the construction of the house was shitty just because I did not like the paint color. All I know is I don't like the paint, I don't know a thing about construction. Would I not sound silly making that comment?
Now, I realize that there are people in the world who are audio-engineers with ultra-perfect pitch and work in acoustically perfect rooms with pristine million dollar gear. Then they go home and listen to music on CD through Bose surround sound systems in their acoustically tuned home theaters and can detect the slightest fluxuation in tone or sound or tune...and I'd hate to be one of those people. I would think that would affect my enjoyment of music because I would always be obsessing about the EQ of the keyboards or that it rose 2db in the verse or that I didn't like the "S" sound in the vocals. That's the kind of guy you want producing you, but not reviewing an album.
Most people, however, are not that. They're regular people who know what they like and don't like. The internet, however, has turned us all into "armchair engineers" and rock critics. We like to pick apart things we know nothing about. Just say you don't like it. That cannot be contested and nobody can fault that.
That said, while the sound on
Generations might be a little rough around the edges, it's certainly worlds away from "unlistenable shit". That is just ludicrous. If your ears are that sensitive, then you have my sympathy...I don't know how you enjoy anything. The instruments are audible, nothing too loud or too low, a large chunk of it sounds almost live, it's got good, warm "thump" in the car...I'm puzzled. It's OK that others don't like the sound, I just don't get what's not to like. It's not perfect, but it's not basement, jambox, cassette demo either.