Jeremey wrote:kgdjpubs wrote:Jeremey wrote:On the subject of using Pro Tools live, let me just share that we shared the stage with an AMAZING Billy Joel tribute in CT this summer called Big Shot. The band carried a Digi VENUE board, which is basically a mixing board with a Pro Tools computer built into it. It was amazing as even the guitarist's effects were changed and adjusted mid song by their engineer. They sounded fantastic, though I'm not a fan of the Digi reverbs those things have.
I wonder how well that does for a less than perfect vocal outing? It's a slippery slope when you start messing with vocals that only has one final destination, but if used in moderation with someone professional enough to work around a bad night, I wonder how effective it is.
You would be surprised at the level of bands both big and small that use prerecorded tracks for nearly everything coming off the stage, running out of a PT rig from the side of the stage. People's expectation have changed from the days of the 70's and 80's where there was no internet, people only heard (for the most part) a band live and left the venue feeling great about the show, mistakes and all. Now you have bands and performers who have nearly every performance end up on multiple angles on YouTube for both fans and haters to pore over, critique, and decide whether or not to spend money on a show based on some horrible cell phone cam recording. IMHO the evolution of live sound and production has been at the demand of the audience even as much as the talent or lack thereof of the artist themselves.
no, I am not surprised at all, unfortunately. I think we are worse off for it also. Live is where magic can happen because of what happens at that one particular show, and when you have so much technology running that you give the band no room to experiment or extend something that's really clicking, you lose that magic. You eliminate (or at least lessen) the possibility of a bad show, but you do the same for a transcendent one.
I've seen two shows in the past few years where the lead singer put the microphone down, and did the song with just his voice and an acoustic guitar or piano by the band backing him--and one of those was in a 5k seat theatre. One performer in a small club with general admission (no seats) on the last song of the evening came into the audience totally unplugged, sat on the floor with everybody sitting around him singing like a group of friends around a campfire. No magic--just that connection with the audience. That is where live music is at its most pure.
When it gets to the point where very little if any is live, why do I want to spend the money when I have the cd already? It's not like I'm missing much... I'm sure it's there already on a lot of the younger pop acts, and I have a feeling it is getting worse.