Moderator: Andrew
Spike wrote:Interesting experiment. How did you determine which 10 CDs to feature - I noticed that Infinity was missing from your selection. And ROR, but I can understand how you would not consider that entirely a representative choice.
I'd hazard a guess that the big changes will be detected in percussion (both drums and keyboards) and vox. Dunbar, Smith and Castronovo are all excellent masters of their instrument, but their styles are different, and this does affect the Journey sound. I wouldn't like to underestimate how each of these men have influenced the Journey sound of their 'era'. Similarly, keyboards. Rolie and Cain are superb exponents of keyboards, but in the Rolie 'era' there was far more emphasis on the B3 rather than the acoustic piano which became a trademark of Journey with Cain.
I'm wimping out on a comparison of the vox. I think we can agree there were differences in execution by the various lead singers Journey have enjoyed throughout their career.
Red13JoePa wrote:Still vehemently but respectfully disagree about ROR. Check Neal and Larry londin out on that one again. THE VOICEis on fire, too.
Red13JoePa wrote:i don't refer to him as "THE VOICE." I refer to him as THE VOICE.
cubby69 wrote:I'm enjoying it quite a bit. And its not a bad way to get ready for the concert on Aug 2nd, right Dave?
Red13JoePa wrote:Check Neal and Larry londin out on that one again.
jrnyman28 wrote:Red13JoePa wrote:Check Neal and Larry londin out on that one again.
Neal sounded good, what little he played. The problem is he sounded like an afterthought to the songs. The songs were written a certain way and could have been complete without Neal (as Perry may have wanted...) but then Perry says "OK Neal, here is your part". Neal took it an ran with it, but the songs should have utilized Neal's talents a little more.
As for Larrie...BORING! I could have played his drum parts. And I don't play drums. Perry wanted a drum machine and he got one.
Red13JoePa wrote:Positive Touch (Neal and the sax solo)
It Could Have Been You
Once You Love Somebody
among others are but a few of my highlights of the record. I like Neal in the somewhat bluesy mode.
Rock'ndeano wrote:Red13JoePa wrote:Positive Touch (Neal and the sax solo)
It Could Have Been You
Once You Love Somebody
among others are but a few of my highlights of the record. I like Neal in the somewhat bluesy mode.
Of all the ROR songs, don't laugh, I like I'll Be Alright Without You " live the best. The bluesy guitar, and the superb vox...
Red13JoePa wrote:I think his bluesy ass outro on that track is his finest, if most subtle hour.
NealIsGod wrote:Rock'ndeano wrote:Of all the ROR songs, don't laugh, I like I'll Be Alright Without You " live the best. The bluesy guitar, and the superb vox...
HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA!
Users browsing this forum: No registered users and 7 guests