House of Blues Show Review

Whew! What a long weekend. Drove 7 hours to MB on Friday then had to get up Saturday and drive to Columbia SC to lend vocals to a CD being recorded down there, then just got back in Roanoke last night in time for the Fox Sunday night lineup.
Anyway, had some time for some perspective on the Myrtle Beach House of Blues show - First off, what a great venue to see a show in. Not a bad spot in the house, from what I could see. It was extremely crowded though and I think they probably sold too many tickets for the show. Went with my wife and Barry (Frontiers guitarist), and it was our 3rd time seeing the band, and Barry's first. We paid an extra $10 for the HOB "Crash the Gate" which was great, we got into a VIP room an hour before the doors opened, and had food and a few beers, then got in a line of about 150 people to get into the venue first. We first went down to the front of the stage in front of Neal, but it progressively got more and more crowded. A real classy lady informed me when we went up there "Hey - There's a whole group of people coming up here, so you're going to have to make some room for my husband and his friends (hic)." After her husband, brother, and 3rd cousin once removed got there, she started accusing me of bumping into her (um, there were only about 400 people in a 350 SF area), so we said screw it, and went back to directly behind the console where some Charlotte Frontiers buds spotted us earlier. A much better place to see the show, and overall the sound was fantastic.
I don't remember a whole lot of details about the show, but here are some overall impressions...First, the set list was quite odd. It was a good combination of the greatest hits show and the 30 years of Journey show, with several pre-Perry tracks (Im Gonna Leave You, Mystery Mountain) and a good chunk of Generations (enough for everyone to sing one - Every Generation, Faith in The Heartland, Gone Crazy, and In Self Defense). FITH was fantastic live and pure old-school Journey, but the other 3 tracks in my opinion are quite nearly the worst on the whole CD, so it seemed as though they were selected solely to give Steve some time to rest up and give the other guys a chance to sing. Several Greatest Hits-type tracks were noticeably absent. Whos Cryin Now, Girl Can't Help It, I'll Be Alright Without You, Send Her My Love, and possibly a few others were not played. Not that I missed them, but I would have liked to have seen a few other Perry era songs from the summer's tour, such as Mother Father, Patiently, etc.
All in all, a very great show, but a very sterile show...Not sure if that makes sense, but it seemed very well rehearsed and clean, and almost a little flat on the emotional side of things. Neal especially seemed subdued for most of the show. Jonathan seemed to play guitar almost as much as he played keyboards, and it seemed like Steve only sang a total of about 45 minutes or so...With all the pre-Perry and Generations numbers, then Just the Same Way, Feelin' That Way, and Anytime, then Still They Ride being handled by Deen and Escape being a duet, it almost seemed like Steve was kind of a jack of all trades type guy, playing a little guitar here and there, a bit of tambourine, and then being trotted out for the big numbers. Only singing for 45 minutes to an hour has greatly improved his voice from the last time I had seen them. He absolutely nailed his songs, though I did miss a little of the vocal improvisation we all got used to hearing Perry live, though that's just a matter of preference. As a showman, Steve did a great job...He looked great, and despite that irritating Augeri Shuffle he does, he owned the stage and really played to the audience.
All in all, probably the best show I've seen Journey give out of the 3 shows, but I did think the 2002 Under The Radar show was more experimental musically. We didn't get to meet anyone before the show, but afterwards we hung out by the busses and Ross was gracious enough to walk the line before the band took off....Unfortunately I had had more than a few beers, and yelled out "Ross, you bass--playing muthafucka!" when he shook my hand, so he grimaced and moved down the line. Don't meet rock stars when you've had too much to drink.
Anyway, it really psyched me up for our HOB show in Cleveland next month. What a great venue, and overall a really enjoyable show....
Jeremey
Anyway, had some time for some perspective on the Myrtle Beach House of Blues show - First off, what a great venue to see a show in. Not a bad spot in the house, from what I could see. It was extremely crowded though and I think they probably sold too many tickets for the show. Went with my wife and Barry (Frontiers guitarist), and it was our 3rd time seeing the band, and Barry's first. We paid an extra $10 for the HOB "Crash the Gate" which was great, we got into a VIP room an hour before the doors opened, and had food and a few beers, then got in a line of about 150 people to get into the venue first. We first went down to the front of the stage in front of Neal, but it progressively got more and more crowded. A real classy lady informed me when we went up there "Hey - There's a whole group of people coming up here, so you're going to have to make some room for my husband and his friends (hic)." After her husband, brother, and 3rd cousin once removed got there, she started accusing me of bumping into her (um, there were only about 400 people in a 350 SF area), so we said screw it, and went back to directly behind the console where some Charlotte Frontiers buds spotted us earlier. A much better place to see the show, and overall the sound was fantastic.
I don't remember a whole lot of details about the show, but here are some overall impressions...First, the set list was quite odd. It was a good combination of the greatest hits show and the 30 years of Journey show, with several pre-Perry tracks (Im Gonna Leave You, Mystery Mountain) and a good chunk of Generations (enough for everyone to sing one - Every Generation, Faith in The Heartland, Gone Crazy, and In Self Defense). FITH was fantastic live and pure old-school Journey, but the other 3 tracks in my opinion are quite nearly the worst on the whole CD, so it seemed as though they were selected solely to give Steve some time to rest up and give the other guys a chance to sing. Several Greatest Hits-type tracks were noticeably absent. Whos Cryin Now, Girl Can't Help It, I'll Be Alright Without You, Send Her My Love, and possibly a few others were not played. Not that I missed them, but I would have liked to have seen a few other Perry era songs from the summer's tour, such as Mother Father, Patiently, etc.
All in all, a very great show, but a very sterile show...Not sure if that makes sense, but it seemed very well rehearsed and clean, and almost a little flat on the emotional side of things. Neal especially seemed subdued for most of the show. Jonathan seemed to play guitar almost as much as he played keyboards, and it seemed like Steve only sang a total of about 45 minutes or so...With all the pre-Perry and Generations numbers, then Just the Same Way, Feelin' That Way, and Anytime, then Still They Ride being handled by Deen and Escape being a duet, it almost seemed like Steve was kind of a jack of all trades type guy, playing a little guitar here and there, a bit of tambourine, and then being trotted out for the big numbers. Only singing for 45 minutes to an hour has greatly improved his voice from the last time I had seen them. He absolutely nailed his songs, though I did miss a little of the vocal improvisation we all got used to hearing Perry live, though that's just a matter of preference. As a showman, Steve did a great job...He looked great, and despite that irritating Augeri Shuffle he does, he owned the stage and really played to the audience.
All in all, probably the best show I've seen Journey give out of the 3 shows, but I did think the 2002 Under The Radar show was more experimental musically. We didn't get to meet anyone before the show, but afterwards we hung out by the busses and Ross was gracious enough to walk the line before the band took off....Unfortunately I had had more than a few beers, and yelled out "Ross, you bass--playing muthafucka!" when he shook my hand, so he grimaced and moved down the line. Don't meet rock stars when you've had too much to drink.
Anyway, it really psyched me up for our HOB show in Cleveland next month. What a great venue, and overall a really enjoyable show....
Jeremey