I was listening to So This Is Eden from Bad English's Backlash CD on my IPOD today. I love Neal's playing on that track. What does everyone else think about Neal's guitar work on the two BE's releases?
Happy Thanksgiving all
Jim
Moderator: Andrew
Bad English were great. It's a shame they only ever put out those two albums. Weren't they ex-babys and ex-journey? And yeah, Neil was great.
SuiteMadameBlue wrote:Oh, I really like Bad English's music and I love the music by The Baby'sGreat thread
Penny says:Bad English were great. It's a shame they only ever put out those two albums. Weren't they ex-babys and ex-journey? And yeah, Neil was great.
Penny,
Here's the line up of Bad English:
A. John Waite (vocals), Jonathan Cain (keyboards), and Ricky Phillips (now with Styx) (bass) from The Babys, Neal Schon (guitar) from Journey (in which Jon Cain was also a member) and newcomer Deen Castronovo (drums). Deen had been in bands such as Wild Dogs, Armageddon, Enemy, and the Tony McAlpine Band before being asked to join Bad English by Neal Schon.
USELESS BAD ENGLISH INFORMATION ALERT
Q. Where did the name "Bad English" come from?
A. Jonathan Cain was reading a book on pool strategies. He was trying to teach the other guys the shots he was reading about. There was right english and left english. But when Neal Schon hit the ball it went in the total opposite direction of what the book said. Thus Jonathan Cain coined the term "bad english."
Q. Why did Bad English break up?
A. This explanation was given by bass player Ricky Phillips in an interview with Andrew McNeice:
"Too many cooks. Nobody was willing to bend anymore. Everyone forget what the beauty of being in a band was all about, and at some point there has to be some degree of a democracy, or all the parties have to agree that one person is the dictator. It can't be both, and er, when you've got four great writers in one band, somebody's got to give. The first record we all kind of pitched in and did our job. First off I was really involved in the songwriting, then Neal came into the situation, and I pushed him forward. He would come over to my house and I would record his ideas one after another, cause they were so brilliant. But after awhile everyone forgot what the chemistry was, everyone was fighting for their ideas, instead of finding where the most natural flow was.
"And people started keeping score, and that's where the dissatisfaction started cropping up. Quite frankly Jonathan Cain and John Waite tried to take over during the second record, and run it, and that's when Neal Schon and I basically said at one point - Let's finish this record, but this is not really what I'm here for. And slowly but surely I didn't change, it got worse and we really fell apart and split up during the making of that second record. It was at that point he record company kinda lost interest in putting anything behind it. Which is a shame, because there are some really classy pieces of music on that record. You could feel that tension, which in a way is kinda cool, I mean I can really feel the tension in the recording of those songs, and I like that."
Some of it is his fault, but shows how the music bus is, you go against the tied and you get blamed, go with the tied and you get blamedPenny wrote:Yeah, I like the Babys too. John Waite has gotten quite a bit of bad press but he's a great vocalist.
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