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Rockn'deano wrote: Maybe he said, "Screw this." It's useless.
Abitaman wrote: One of the reason I hated music in the early 90's was the sound was rough, was lacking production values.-ERIC
The_Noble_Cause wrote:Jon Cain helped produced Journey's Red 13.
Although I had no qualms with the sound, the consensus of many online fans was that the results were less than satisfactory.
Monker wrote:And, Kevin Elson produced Generations and completely ruined Augeri's vocals.
And, BTW, Neal did an AWESOME job with Hardline. Neal and Jonathan can both produce, IMO...
Monker wrote:The_Noble_Cause wrote:Jon Cain helped produced Journey's Red 13.
Although I had no qualms with the sound, the consensus of many online fans was that the results were less than satisfactory.
And, Kevin Elson produced Generations and completely ruined Augeri's vocals.
Monker wrote:And, Kevin Elson produced Generations and completely ruined Augeri's vocals.
The_Noble_Cause wrote:Monker wrote:And, Kevin Elson produced Generations and completely ruined Augeri's vocals.
Your stereo is a piece of shit.
Try playing it on something else.
Augeri has never sounded better.
On Arrival he was always muddled.
Well, we worked hard...and fast on this record. It was tracked on analog tape, then transferred to ProTools, where we did all the overdubs. The glitches you hear on "Butterfly" was due to the fact that we loved the Demo vocal so much we used that for the record. It took a little manipulation to get the vocal the to fit the new track. All these vocals were done in a two week period, Raised on Radio took six months.
Cheers,
Tom Size
I have to say, I'm not wild about the overall sound of this record. I think the songs are great with some really good performances, but the mixing just doesn't have the depth that it should, and I'm not talking reverb. Sonic space. The basic tracks ( Drums, Bass, Guitars,and Keys) were recorded by Mike Fraser. I did the vocal overdubs and some other additional parts, then Mike mixed it. Bottom line, good CD...could be better.
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