Moderator: Andrew
Rockin'Deano wrote:Robert Plants ass is mine. Give me time to start up the blog,
Lip Zeppelin: The Song Remains the Same, literally.
conversationpc wrote:I can understand that some live recordings need to be remixed to bring certain instruments or vocals up or down in the mix but it really drives me nuts when bad notes or timing is fixed in the studio or even re-recorded in the studio, for that matter. If it's supposed to be a live album, then it should really be live.
JeremyP wrote:conversationpc wrote:I can understand that some live recordings need to be remixed to bring certain instruments or vocals up or down in the mix but it really drives me nuts when bad notes or timing is fixed in the studio or even re-recorded in the studio, for that matter. If it's supposed to be a live album, then it should really be live.
Agree.
On this performance of "Africa" by Toto, you can clearly hear that they used the original vocals from the album on the chorus. http://www.youtube.com/watch?v=5-W3hVbH_Rg
I don't get why they'd do that on a dvd where it's so easy to spot.
Rockin'Deano wrote:
Hahaha. I TOLD you, Andrew. Those flaming dicklickers DO lip!
TNC told me, and TNC is always right.
Suck on this one! TOTO should be banished to MR Hell!
AR wrote:Read about the fakery done on the Led Zeppelin "How the West Was Won" DVD and many other Zep live releases
http://www.simplyled.net/thegardentapes.html
Abitaman wrote:As I have said in the past, nearly all bands, performers use some extend to vocal or tape help. Some more than others, some are used as background. This is nothing new-ERIC
conversationpc wrote:Abitaman wrote:As I have said in the past, nearly all bands, performers use some extend to vocal or tape help. Some more than others, some are used as background. This is nothing new-ERIC
It may be nothing new but if they're not telling the audience about it, then they're not being honest. They're pretending to sing the chorus when they're really not. If it's not such a big deal, then why don't they just close their mouths during the chorus and let the music play by itself?
Red13JoePa wrote:The Zep thing is a fascinating research piece....
There's similar evidence that the Stones' Get Yer Ya Yas Out is also like this, purporting to having be taped over 2 shows @ MSG, but really likely being a hodgepodge of MSG, Baltimore, and Oakland from the Let It Bleed tour as well as studio overdubs.
Still one of my favortie live or "live" records.
Captured sparked some debate a while back, I think when Shirley levied the accusation that it was loaded w/ overdubs and Neal dissmissed it.
Myself I always factor in some overdubs to any live release.
JeremyP wrote:Red13JoePa wrote:The Zep thing is a fascinating research piece....
There's similar evidence that the Stones' Get Yer Ya Yas Out is also like this, purporting to having be taped over 2 shows @ MSG, but really likely being a hodgepodge of MSG, Baltimore, and Oakland from the Let It Bleed tour as well as studio overdubs.
Still one of my favortie live or "live" records.
Captured sparked some debate a while back, I think when Shirley levied the accusation that it was loaded w/ overdubs and Neal dissmissed it.
Myself I always factor in some overdubs to any live release.
Captured is full of vocal overdubs. Listen to "Lights" and "Stay Awhile" from the soundboard Japan 1980 show, and then listen to the same songs on Captured.
In my opinion, when you do things like that, it makes the record sound overly slick. It's not supposed to be slick and polished, it's supposed to be raw and energetic and LIVE. (In the case of live albums that is. On studio albums I prefer the slick, polished, and worked-very-hard-on feel in most cases.)
JrnyScarab wrote:I agree about wanting live albums to sound raw and exciting but I would be disappointed if all the playing was wonderful and the vocals were out of tune. Especially a great vocal band like Journey. Other bands that don't emphasize the vocals can get away with being a little out of tune. Like AC/DC or something for example.
Red13JoePa wrote:I thought I saw Neal swore every note of Captured and GHL both are all live. He even pointed to parts where the guitars and keys were out of tune on GHL saying why wouldn't we have fixed that?
conversationpc wrote:I don't see why they would think they had to do any overdubs for "Captured". I've heard enough boots from that era to know they would've had plenty of material to choose from that didn't have any major flubs or out-of-tune vocals.
conversationpc wrote:JrnyScarab wrote:I agree about wanting live albums to sound raw and exciting but I would be disappointed if all the playing was wonderful and the vocals were out of tune. Especially a great vocal band like Journey. Other bands that don't emphasize the vocals can get away with being a little out of tune. Like AC/DC or something for example.
I don't see why they would think they had to do any overdubs for "Captured". I've heard enough boots from that era to know they would've had plenty of material to choose from that didn't have any major flubs or out-of-tune vocals.
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