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Saint John wrote:What the hell happened to this guy? Is it just me or has he lost the drive, passion and soul that made his playing so good. All That I hear now is a guy replacing emotive playing with speed. His guitar used to "talk" to you. There was interaction between him and the singer. Where did that go? Is it really all about the "Dirty Dozen" and cashing the checks that Steve Perry made possible? If so, that's sad. He's as small now in stature in the music world as he's ever been. What happened?
Saint John wrote:What the hell happened to this guy? Is it just me or has he lost the drive, passion and soul that made his playing so good. All That I hear now is a guy replacing emotive playing with speed. His guitar used to "talk" to you. There was interaction between him and the singer. Where did that go? Is it really all about the "Dirty Dozen" and cashing the checks that Steve Perry made possible? If so, that's sad. He's as small now in stature in the music world as he's ever been. What happened?
Saint John wrote: All That I hear now is a guy replacing emotive playing with speed. His guitar used to "talk" to you. There was interaction between him and the singer.
Saint John wrote:What the hell happened to this guy? Is it just me or has he lost the drive, passion and soul that made his playing so good. All That I hear now is a guy replacing emotive playing with speed. His guitar used to "talk" to you. There was interaction between him and the singer. Where did that go? Is it really all about the "Dirty Dozen" and cashing the checks that Steve Perry made possible? If so, that's sad. He's as small now in stature in the music world as he's ever been. What happened?
larryfromnextdoor wrote:Saint John wrote: All That I hear now is a guy replacing emotive playing with speed. His guitar used to "talk" to you. There was interaction between him and the singer.
i think he wants to show , sometimes, what he can do,, ya know.. hang with the big boys.. from what i
heard on the last tour,, he sounded dynamite.. he sounded great at the beginning of Augeri's time as
well,, he certainly needs to feed off a hot singer ... when the singer pushes themselves then schon really
starts to experiment and man can he shine.. the album of jss/journey that i wanted so badly might have
really pushed him to redefine modern day rock guitar ... he will always be remembered as a
singers (perfect) guitar player.. very much a compliment ... guys with his talent really do get bored
with 20 year old songs......yet,, he aint the brightest tool in the shed..
NealIsGod wrote:Neal's playing is better than ever. You're just pissed at him.
NealIsGod wrote:Neal's playing is better than ever. You're just pissed at him.
Saint John wrote:NealIsGod wrote:Neal's playing is better than ever. You're just pissed at him.
On what? Red 13? Generations? He's all but lost his ability to interact with the singer. He shreds and plays for himself. he's no longer part of a team. None of these guys are and the last 2 products MORE than reflect that.
PS Little Lenny, you missed the WHOLE point. Covering the Dirty Dozen songs doesn't count. That is from a great era when he DID have soul and passion in his playing. That era has come and gone.
Saint John wrote:NealIsGod wrote:Neal's playing is better than ever. You're just pissed at him.
On what? Red 13? Generations?
Saint John wrote:What the hell happened to this guy? Is it just me or has he lost the drive, passion and soul that made his playing so good. All That I hear now is a guy replacing emotive playing with speed. His guitar used to "talk" to you. There was interaction between him and the singer. Where did that go? Is it really all about the "Dirty Dozen" and cashing the checks that Steve Perry made possible? If so, that's sad. He's as small now in stature in the music world as he's ever been. What happened?
conversationpc wrote:Saint John wrote:NealIsGod wrote:Neal's playing is better than ever. You're just pissed at him.
On what? Red 13? Generations?
Yes, there is some fine melodic and bluesy, soulful playing on both of those albums. Particularly on tracks like "The Time", "Faith in the Heartland", "A Better Life", etc.
conversationpc wrote:Saint John wrote:NealIsGod wrote:Neal's playing is better than ever. You're just pissed at him.
On what? Red 13? Generations?
Yes, there is some fine melodic and bluesy, soulful playing on both of those albums. Particularly on tracks like "The Time", "Faith in the Heartland", "A Better Life", etc.
larryfromnextdoor wrote:.. from what i heard on the last tour,, he sounded dynamite..
.. the album of jss/journey that i wanted so badly might have really pushed him to redefine modern day rock guitar ... guys with his talent really do get bored with 20 year old songs..
Rick wrote:I would guess that he is just burned out. He's been doing this for 40 years now. How long can you do something without getting tired of doing it.
conversationpc wrote:Yes, there is some fine melodic and bluesy, soulful playing on both of those albums. Particularly on tracks like "The Time", "Faith in the Heartland", "A Better Life", etc.
Saint John wrote:conversationpc wrote:Saint John wrote:NealIsGod wrote:Neal's playing is better than ever. You're just pissed at him.
On what? Red 13? Generations?
Yes, there is some fine melodic and bluesy, soulful playing on both of those albums. Particularly on tracks like "The Time", "Faith in the Heartland", "A Better Life", etc.
Good points, Dave. The fact that Red 13 sold 122 copies and that they had to extort money from fans to move Generations really reflects that great playing by Neal.
Liam wrote:DAVE(PC)..."The Time" SUCKS. The only worthwhile track on Red 13 is State Of Grace. The only EMOTION (guitar wise)on that EP was Walking Away.
conversationpc wrote:Saint John wrote:conversationpc wrote:Saint John wrote:NealIsGod wrote:Neal's playing is better than ever. You're just pissed at him.
On what? Red 13? Generations?
Yes, there is some fine melodic and bluesy, soulful playing on both of those albums. Particularly on tracks like "The Time", "Faith in the Heartland", "A Better Life", etc.
Good points, Dave. The fact that Red 13 sold 122 copies and that they had to extort money from fans to move Generations really reflects that great playing by Neal.
Interesting point since I never claimed Neal's playing had anything to do with sales or lack thereof.
Saint John wrote:Just reinforcing my point that every aspect of those two albums sucked and the general disinterest by the Journey buying public reflected that.
Liam wrote:The production of the whole EP was HORRIBLE. Think what you want, dude.
conversationpc wrote:Liam wrote:The production of the whole EP was HORRIBLE. Think what you want, dude.
That's what I said...It sounds like it was recorded with styrofoam encased microphones.
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