JrnyScarab wrote:ProgRocker53 wrote:Matthew wrote:And not forgetting Deadwing...which is the best rock album of 2005. Saw this band late last year and they've got inspiration to burn. Their drummer Gavin Harrison is now on a par with Neal Peart, I reckon. He's unbelievably good on the Nil Recurring E.P. which is just a load of songs that didn't make the cut for the Fear of a Blank Planet Abum...and ended up being possibly their best ever release. Harrison is on fire on that record....
Harrison is a BRUTAL drummer, love it... Edwin is an amazing bassist who can both groove like hell and play melodically... Barbieri is a wizard on the atmospheric keys and Wilson is one of the most underappreciated guitarists out there. From heavy metal to soft acoustic ballads, the fucker can do anything.
You're damn fuckin right about these statements! One of the best new (or not so new, depending on how far you go back with them) bands in a long, long time. Creating new & interesting music is getting more & more difficult thanks to the know nothing music industry, but these guys make it sound easy! Could have been as big as Pink Floyd if the music industry cared about music anymore.
Oh, by the way, Steven Wilson's other band "Blackfield" is also amazing. Mellower than Porcupine Tree but just incredible soundscapes & songs.
I'd agree that PT could have been a multi-platinum supergroup had they been around in the 1970s - but even now they are doing pretty well for themselves. They are signed to Atlantic in the US. They earn good money from touring. Their last three albums have sold around 100.000 a piece. And that have total creative freedom...from the songs, production, right down to the brilliant artwork.
Sure, they deserve to be much bigger - but I get the feeling that they aren't looking for huge mainstream acceptance in any case and are happy doing whatever they like knowing that they have a fanatical, niche audience.
This is all a far cry from those acts who blame their creative and commercial failures on the industry, on Britney, or whoever else as long as it's not the band themselves. PT have found a way to make it work for them and ought to be a big inspiration to up and coming acts and the veterans too - and to anyone who feels they can't do what they like because of corporate culture.
Just a last obscure question...anyone into Wilson's Bass Communion stuff?