Behshad wrote:Even if the cameras had the
clarity 4 times HD cams(which is not true) you'd still need a TV that could show the clarity of HD x 4 .
No words on the release date though , so maybe by the time it comes out, there will be TVs that can give us the FullFullFullFull HD
I think this will help on what kind of camera they use to filmed the Journey show in MANILA , a review from Steve Gibby:
www.reduser.net
Great work was done on this Journey concert by the entire team! It was a pleasure to work with them as a DP and one of the stage front shoulder held cameramen. This was truly a "no jerks" crew - everyone really knew their craft, was tenacious in figuring out the production needs, and had a good sense of humor!
I've worked with a lot of crews in my career - but I have to say this was one of my very favorite crews! Everyone, the EP (Dan Barnett), director (Eli Tishberg), and all other crew are way cool people who have a passion for their craft - and it showed.
The Journey management watching the show over the director's shoulder in video village kept saying how stunned they were with the quality of footage from the RED cameras - and how they were impressed with the professionalism of the crew. Beyond recording each camera to RED Drives, we also piped a hardlined 720p feed from each camera into the control room to be switched live to the giant iMag screen, on the stage behind the band - eye candy for the 35,000 stoked fans. Very cool I'd say...
Oli Laperal, who started this thread, is a great guy who owns an unbelievably well stocked film & TV production equipment company in Manila, RSVP Films. His staff is very professional, and really know their work well - a pleasure to work with for sure. I recommend RSVP Films highly for anyone looking for production crew and equipment in Asia.
I helped the DIT guys backup and verify the footage for the concert - all operators serious cranked out killer footage. We shot in 4k HD - and the footage is simply stunning!
My wife Pam was the staff stills photographer. With her Canon 5D she nailed some seriously cool shots of the pre-production, Journey performing, and our crew at work. I'll be writing a magazine article about the production, and her pics will really enhance it. She did 35mm stills for Ketch's Las Vegas production and did really well there too.
The crew on this production was from Florida, New York, California, and the Philippines - great diversity.
Journey absolutely rocked the place! I've always liked their music. It was really cool to shoot them with RED. The energy of their set was unreal! Everything came together for a truly surreal experience. I've been involved with TV and film production of many bands over the years (3 Dog Night, War, Common Sense, Burning Spear, and many others), but I have to say this is now my new favorite music production I've been involved with.
I believe the DVD of this concert will start selling sometime later this year. Check it out!
Some gigs you remember for a long time - and this was definitely on of those - and me and Pam were way stoked to be a part of it. We return from Manila to California tomorrow, but we can't wait to return to the Philippines sometime to do some more production. The Filipinos are genuinely friendly...
__________________
Steve Gibby
RED #8 plus two other REDs
www.cut4.tv (Production & consulting)
http://redconnector.com/user/gibby (Equipment & Bio)
www.mammothhd.com/MHD_RED1.html (Stock footage shot using RED One
Here's the photo of the camera team:
Posted: Wed Mar 18, 2009 9:29 am
Who in the Hell goes to 
