Eclipse review - classic metal

http://pitriff.com/news/classic-metal/i ... ag/journey
Journey
ECLIPSE
Chris Akin
I respect Andrew McNeice of MelodicRock.com a great deal. In fact, I consider Andrew to be one of my very few friends in the rock journalism world. I think what Andrew does for the melodic, AOR genre (a genre, which quite frankly I love) is vitally important because without the power of MelodicRock.com backing a lot of these bands, I simply think this genre would die. More than any other style of rock and metal, I think a great deal of bands that get signed and sell releases in that genre do so because of Andrew and his tireless work to publicize the Lionsville, Tall Stories and like bands of the world. I really do believe that. With this said though, there are times when Andrew's fanboy attitude really, really is painful to read. Now, anyone that has ever visited MelodicRock.com knows that Andrew McNeice's favorite band in the world is Journey. Why not, right? Great band, great history, great songs. Even haters of corporate rock will admit than an album like ESCAPE is pretty damn good. That said though, there's a time for being a fan and a time that it just sounds silly. I read this on his PERFECT review of the new Journey - ECLIPSE. "This is a classic album. Journey or otherwise, this is a masterpiece of musical genius. It joins Escape and Frontiers as classic ground breaking albums in Journey history." Simply, I just couldn't agree less with Mr. McNeice on this one.
ECLIPSE is solid, without a doubt. "A masterpiece of music genius" - not even close. My read on ECLIPSE, for whatever it's worth, is far different. I think that far too many times people mistake longer songs with musical intellect instead of what it truly is, which is a lack of discipline to write tight, concise moments of musical explosion that grabs the listener for a few minutes before releasing them. If done correctly, a short great song will almost demand that you run out and purchase the full album so that you can have that experience again and again. There's a reason why every poll of the top 50 songs of all time is always filled by songs that, 95% of the time, are shorter than 5 minutes in length. For ECLIPSE, Journey has all but done away with their ability to write short, memorable songs with big, memorable hooks. Instead, ECLIPSE is a mish mosh of somewhat pompous songs that simply don't accentuate the sound that people have grown to love and expect from Journey. Songs like "Chain Of Love" are a prime example. Is it a decent song - sure. But it's just too long and orchestrated for what you want to hear from Journey. This band was dead on in their writing for their last album, REVELATION, and just so focused elsewhere on ECLIPSE. "Tantra" is one of the worst songs in the band's history; a big, operatic almost Queen-like number that simply doesn't fit their defined style.
Musically, they sound fine to be fair. Arnel Perry or Steve Pineda or whatever his name is (Arnel Pineda) does his imitation of the greatest singer ever well once again. He shines on "Anything Is Possible" and "City Of Hope". On the latter, he sounds like he's having fun for one of the few times of the album. That's another whole issue of this release. It's darker than you would expect, or want from a band like Journey who's job is to create feel-good anthems. Songs like "Resonate" just seem to have a dark, desperate feel to them (this one seems to have a positive message, but the tone and the vocal delivery are just empty of positive energy).
Without any question, ECLIPSE is the Journey album that Neal Schon has wanted to record for a very long time. This album is one of the most guitar intensive albums of the band's history, and you have to assume that's all Schon. His solo in "Anything Is Possible" and his big riffs on "Edge Of The Moment" are as full as anything he's done within Journey. In many ways, the playing leans a touch more stylistically to what he did with Soul Sirkus than past Journey releases.
PITRIFF RATING - 65/100 - Hardly a masterpiece, ECLIPSE sits firmly next to releases like RED13 and GENERATIONS in my assessment of their catalog, far behind simpler yet far more appealing releases like RAISED ON RADIO, TRIAL BY FIRE, REVELATION and ARRIVAL. I think I understand what they were going for here, but I'm just not feeling it. I wish I was because this was the singular release i was really anxious for this year. Expectations not reached.
Journey
ECLIPSE
Chris Akin
I respect Andrew McNeice of MelodicRock.com a great deal. In fact, I consider Andrew to be one of my very few friends in the rock journalism world. I think what Andrew does for the melodic, AOR genre (a genre, which quite frankly I love) is vitally important because without the power of MelodicRock.com backing a lot of these bands, I simply think this genre would die. More than any other style of rock and metal, I think a great deal of bands that get signed and sell releases in that genre do so because of Andrew and his tireless work to publicize the Lionsville, Tall Stories and like bands of the world. I really do believe that. With this said though, there are times when Andrew's fanboy attitude really, really is painful to read. Now, anyone that has ever visited MelodicRock.com knows that Andrew McNeice's favorite band in the world is Journey. Why not, right? Great band, great history, great songs. Even haters of corporate rock will admit than an album like ESCAPE is pretty damn good. That said though, there's a time for being a fan and a time that it just sounds silly. I read this on his PERFECT review of the new Journey - ECLIPSE. "This is a classic album. Journey or otherwise, this is a masterpiece of musical genius. It joins Escape and Frontiers as classic ground breaking albums in Journey history." Simply, I just couldn't agree less with Mr. McNeice on this one.
ECLIPSE is solid, without a doubt. "A masterpiece of music genius" - not even close. My read on ECLIPSE, for whatever it's worth, is far different. I think that far too many times people mistake longer songs with musical intellect instead of what it truly is, which is a lack of discipline to write tight, concise moments of musical explosion that grabs the listener for a few minutes before releasing them. If done correctly, a short great song will almost demand that you run out and purchase the full album so that you can have that experience again and again. There's a reason why every poll of the top 50 songs of all time is always filled by songs that, 95% of the time, are shorter than 5 minutes in length. For ECLIPSE, Journey has all but done away with their ability to write short, memorable songs with big, memorable hooks. Instead, ECLIPSE is a mish mosh of somewhat pompous songs that simply don't accentuate the sound that people have grown to love and expect from Journey. Songs like "Chain Of Love" are a prime example. Is it a decent song - sure. But it's just too long and orchestrated for what you want to hear from Journey. This band was dead on in their writing for their last album, REVELATION, and just so focused elsewhere on ECLIPSE. "Tantra" is one of the worst songs in the band's history; a big, operatic almost Queen-like number that simply doesn't fit their defined style.
Musically, they sound fine to be fair. Arnel Perry or Steve Pineda or whatever his name is (Arnel Pineda) does his imitation of the greatest singer ever well once again. He shines on "Anything Is Possible" and "City Of Hope". On the latter, he sounds like he's having fun for one of the few times of the album. That's another whole issue of this release. It's darker than you would expect, or want from a band like Journey who's job is to create feel-good anthems. Songs like "Resonate" just seem to have a dark, desperate feel to them (this one seems to have a positive message, but the tone and the vocal delivery are just empty of positive energy).
Without any question, ECLIPSE is the Journey album that Neal Schon has wanted to record for a very long time. This album is one of the most guitar intensive albums of the band's history, and you have to assume that's all Schon. His solo in "Anything Is Possible" and his big riffs on "Edge Of The Moment" are as full as anything he's done within Journey. In many ways, the playing leans a touch more stylistically to what he did with Soul Sirkus than past Journey releases.
PITRIFF RATING - 65/100 - Hardly a masterpiece, ECLIPSE sits firmly next to releases like RED13 and GENERATIONS in my assessment of their catalog, far behind simpler yet far more appealing releases like RAISED ON RADIO, TRIAL BY FIRE, REVELATION and ARRIVAL. I think I understand what they were going for here, but I'm just not feeling it. I wish I was because this was the singular release i was really anxious for this year. Expectations not reached.