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pf1965 wrote:All guitars? And "backing vocals" my ass! I thought J.C. got to play some guitar on Eclipse? Boy Fro wanted all the spotlight on himself with this one huh? Still love Eclipse but just noticed this in the liner notes.
pf1965 wrote:All guitars? And "backing vocals" my ass! I thought J.C. got to play some guitar on Eclipse? Boy Fro wanted all the spotlight on himself with this one huh? Still love Eclipse but just noticed this in the liner notes.
conversationpc wrote:pf1965 wrote:All guitars? And "backing vocals" my ass! I thought J.C. got to play some guitar on Eclipse? Boy Fro wanted all the spotlight on himself with this one huh? Still love Eclipse but just noticed this in the liner notes.
Whoop-de-doo...What difference does it make if it says "guitars" or "all guitars"? Means the same thing if no one else has "guitars" listed next to them.
Saint John wrote:My guess is that Neal played lead, rhythm and bass on this album.
Saint John wrote:My guess is that Neal played lead, rhythm and bass on this album.
San Diego Gary wrote:Saint John wrote:My guess is that Neal played lead, rhythm and bass on this album.
That's kinda what I was thinking. And if you think about it, when you have Neal around, why the HELL would you have anyone else doing it?
Saint John wrote:My guess is that Neal played lead, rhythm and bass on this album.
pf1965 wrote:All guitars? And "backing vocals" my ass! I thought J.C. got to play some guitar on Eclipse? Boy Fro wanted all the spotlight on himself with this one huh? Still love Eclipse but just noticed this in the liner notes.
strangegrey wrote:pf1965 wrote:All guitars? And "backing vocals" my ass! I thought J.C. got to play some guitar on Eclipse? Boy Fro wanted all the spotlight on himself with this one huh? Still love Eclipse but just noticed this in the liner notes.
These sorta things (album jacket credits) may not be as scrutinized by the band as much as you think. For all we know, some poor schmuck working as an intern slapped the album art file together and just assumed Fro did all of the guitar work and that Friga did none. Moreover, the various proof reading cycles it went through may have not included anyone else in the know.
Also, it could have been by design...for reasons we can only speculate (which I'm sure will be continued to do in this thread) ....
Personally, I scratch my head at anyone taking credit for the guitar work on this record. I've not heard worse playing from Schlong and I wouldn't want to advertised it...
RocknRoll wrote:I'm scratching my head here, since these guitars were done in the studio and probably nitpicked to death. I'd say that's how Schon wanted them to sound. I read one comment on Schon making mistakes, there are no mistakes in the studio. That's what he wanted the sound to be!! Now whether you like it is a different story, I'm not a musician so it's OK with me.
strangegrey wrote:RocknRoll wrote:I'm scratching my head here, since these guitars were done in the studio and probably nitpicked to death. I'd say that's how Schon wanted them to sound. I read one comment on Schon making mistakes, there are no mistakes in the studio. That's what he wanted the sound to be!! Now whether you like it is a different story, I'm not a musician so it's OK with me.
That's the point I'm trying to make....but maybe I didn't explain myself.
I think Neal's playing on this record is fucking awful. There's parts where he sounds out of time. There are parts where he's pick attack is sloppy....it's like the guy is suffering from arthritis.
Also, one of Fro's calling card was very structured solos, which have a beginning, middle and ending. His solos were works of art. Songs within songs....Not so much on this record, where it's just senseless jerking off on the guitar, without any structure. Very little of his solo work on eclipse complements the songs. Granted, the songs are fucking awful to begin with....but if they didn't let Neal ruin the songs with these extended solo sections, we might have had a better overall record and better solos, to boot.
Giving someone free reign in the studio to be creative, sometimes is a double edged sword. In this case, Fro wasn't held in check on this record. They found some no name guy (to replace Shirley) that didn't tell Fro to dial it back.....and the result is a fucking mess. Poor playing, all over the place, no structure to the songs and solo sections that take away from the quality of the record.
This is the first record Fro has released, where I actually cringe at his crappy playing, instead of listen, jaw on the floor, awe-struck by what he's playing.
strangegrey wrote:RocknRoll wrote:I'm scratching my head here, since these guitars were done in the studio and probably nitpicked to death. I'd say that's how Schon wanted them to sound. I read one comment on Schon making mistakes, there are no mistakes in the studio. That's what he wanted the sound to be!! Now whether you like it is a different story, I'm not a musician so it's OK with me.
That's the point I'm trying to make....but maybe I didn't explain myself.
I think Neal's playing on this record is fucking awful. There's parts where he sounds out of time. There are parts where he's pick attack is sloppy....it's like the guy is suffering from arthritis.
Also, one of Fro's calling card was very structured solos, which have a beginning, middle and ending. His solos were works of art. Songs within songs....Not so much on this record, where it's just senseless jerking off on the guitar, without any structure. Very little of his solo work on eclipse complements the songs. Granted, the songs are fucking awful to begin with....but if they didn't let Neal ruin the songs with these extended solo sections, we might have had a better overall record and better solos, to boot.
Giving someone free reign in the studio to be creative, sometimes is a double edged sword. In this case, Fro wasn't held in check on this record. They found some no name guy (to replace Shirley) that didn't tell Fro to dial it back.....and the result is a fucking mess. Poor playing, all over the place, no structure to the songs and solo sections that take away from the quality of the record.
This is the first record Fro has released, where I actually cringe at his crappy playing, instead of listen, jaw on the floor, awe-struck by what he's playing.
RocknRoll wrote:strangegrey wrote:RocknRoll wrote:I'm scratching my head here, since these guitars were done in the studio and probably nitpicked to death. I'd say that's how Schon wanted them to sound. I read one comment on Schon making mistakes, there are no mistakes in the studio. That's what he wanted the sound to be!! Now whether you like it is a different story, I'm not a musician so it's OK with me.
That's the point I'm trying to make....but maybe I didn't explain myself.
I think Neal's playing on this record is fucking awful. There's parts where he sounds out of time. There are parts where he's pick attack is sloppy....it's like the guy is suffering from arthritis.
Also, one of Fro's calling card was very structured solos, which have a beginning, middle and ending. His solos were works of art. Songs within songs....Not so much on this record, where it's just senseless jerking off on the guitar, without any structure. Very little of his solo work on eclipse complements the songs. Granted, the songs are fucking awful to begin with....but if they didn't let Neal ruin the songs with these extended solo sections, we might have had a better overall record and better solos, to boot.
Giving someone free reign in the studio to be creative, sometimes is a double edged sword. In this case, Fro wasn't held in check on this record. They found some no name guy (to replace Shirley) that didn't tell Fro to dial it back.....and the result is a fucking mess. Poor playing, all over the place, no structure to the songs and solo sections that take away from the quality of the record.
This is the first record Fro has released, where I actually cringe at his crappy playing, instead of listen, jaw on the floor, awe-struck by what he's playing.
You're one of the guys on this forum, I've always respected a lot. but you're saying Neal was in the studio and Neal deliberately put out piss poor music?
strangegrey wrote:RocknRoll wrote:strangegrey wrote:RocknRoll wrote:I'm scratching my head here, since these guitars were done in the studio and probably nitpicked to death. I'd say that's how Schon wanted them to sound. I read one comment on Schon making mistakes, there are no mistakes in the studio. That's what he wanted the sound to be!! Now whether you like it is a different story, I'm not a musician so it's OK with me.
That's the point I'm trying to make....but maybe I didn't explain myself.
I think Neal's playing on this record is fucking awful. There's parts where he sounds out of time. There are parts where he's pick attack is sloppy....it's like the guy is suffering from arthritis.
Also, one of Fro's calling card was very structured solos, which have a beginning, middle and ending. His solos were works of art. Songs within songs....Not so much on this record, where it's just senseless jerking off on the guitar, without any structure. Very little of his solo work on eclipse complements the songs. Granted, the songs are fucking awful to begin with....but if they didn't let Neal ruin the songs with these extended solo sections, we might have had a better overall record and better solos, to boot.
Giving someone free reign in the studio to be creative, sometimes is a double edged sword. In this case, Fro wasn't held in check on this record. They found some no name guy (to replace Shirley) that didn't tell Fro to dial it back.....and the result is a fucking mess. Poor playing, all over the place, no structure to the songs and solo sections that take away from the quality of the record.
This is the first record Fro has released, where I actually cringe at his crappy playing, instead of listen, jaw on the floor, awe-struck by what he's playing.
You're one of the guys on this forum, I've always respected a lot. but you're saying Neal was in the studio and Neal deliberately put out piss poor music?
I didn't say that. I don't know how you're inferring that from what i'm writing. He obviously thinks its good....judging by the piss poor record sales of eclipse, most people disagree with him.
I really do believe that some musicians out there can fuck up the creative process if left to their own devices. Especially ones that have a monster ego and don't listen to other people....and Fro has viewed Journey since the Perry days, as something that he could've made better if "Perry, Cain, another singer or a damn producer didn't get in his fucking way."
In fact, I firmly believe that was the reason he wanted Arnel over say, a Jeremy Hunsicker.....(Jeremy who is just as much the singer Arnel is) is a creative guy, who as we all know, isn't afraid to speak his mind. Take one look at Arnel in my avatar, and his body language shows you all you need to know with how he defers to Neal. Neal wants full control....a true Napoleonic character he is.
So in this context, Neal thinks its great. In a true Michael Eisner/Jeff Skilling kind of way, he eliminated anyone who would have creative dissent (i.e. singers, producers, etc) ....or neutralized them (i.e. Friga) and forced this album into a wank-fest....the problem being, his wanking isn't what it used to be...and appears he's refused to allow Friga to structure these songs into more palatable entities.
Saint John wrote:My guess is that Neal played lead, rhythm and bass on this album.
The_Noble_Cause wrote:Saint John wrote:My guess is that Neal played lead, rhythm and bass on this album.
That was my hunch.
strangegrey wrote:Wow....
If that indeed is the case, then Fro has sunken to an all time low, equalled only by Eddie Van Halen...I often wondered outloud why you didn't see evh and Schon together in pictures....now I know why....there isn't a camera lense in the world wide enough to capture Fro, evh and both their egos all at once....
TNC, just curious...how do you know Fro recorded the bass tracks too?
jrnyjetster wrote:Saint John wrote:My guess is that Neal played lead, rhythm and bass on this album.
It gives credit to Ross on bass
RocknRoll wrote:strangegrey wrote:RocknRoll wrote:I'm scratching my head here, since these guitars were done in the studio and probably nitpicked to death. I'd say that's how Schon wanted them to sound. I read one comment on Schon making mistakes, there are no mistakes in the studio. That's what he wanted the sound to be!! Now whether you like it is a different story, I'm not a musician so it's OK with me.
That's the point I'm trying to make....but maybe I didn't explain myself.
I think Neal's playing on this record is fucking awful. There's parts where he sounds out of time. There are parts where he's pick attack is sloppy....it's like the guy is suffering from arthritis.
Also, one of Fro's calling card was very structured solos, which have a beginning, middle and ending. His solos were works of art. Songs within songs....Not so much on this record, where it's just senseless jerking off on the guitar, without any structure. Very little of his solo work on eclipse complements the songs. Granted, the songs are fucking awful to begin with....but if they didn't let Neal ruin the songs with these extended solo sections, we might have had a better overall record and better solos, to boot.
Giving someone free reign in the studio to be creative, sometimes is a double edged sword. In this case, Fro wasn't held in check on this record. They found some no name guy (to replace Shirley) that didn't tell Fro to dial it back.....and the result is a fucking mess. Poor playing, all over the place, no structure to the songs and solo sections that take away from the quality of the record.
This is the first record Fro has released, where I actually cringe at his crappy playing, instead of listen, jaw on the floor, awe-struck by what he's playing.
You're one of the guys on this forum, I've always respected a lot. but you're saying Neal was in the studio and Neal deliberately put out piss poor music?
strangegrey wrote:My big problem with Shirley, is that every record where he is involved with mixing, is VERY muddy.....and lacks stereo separation.
However, with a meathead egomaniac like Fro, there's no mistaking the fact that a producer...any producer....is a good thing, compared to no producer at all.
Fro drummed Shirley out of this record, in all likelihood, because Shirley tried to get Neal to dial back....he probably said "Neal, you can't shred like you used to. Lets make these songs palatable"......Fro said 'fuck you, you're fired....waaaaaaa.....where's my pacifier!'
and then proceeded to record a bunch of self-indulgent crap all over these songs.....He then locked friga's chastity belt, forcing friga to get distracted/frustrated over the fact that he couldn't pat his vagina with a warm furry mitten.....and when friga was trying to break the lock on the belt, Fro yanked back the faders on the keyboard tracks.
Instant mess.....overindulgent guitar crap, with no structure....with a second helping of crap, by making the guitars 2x as loud as everything else on the record.
http://www.musicradar.com/news/guitars/ ... r-455206/2
"Kevin and I went around and around on the radio edits. He felt that a lot of the songs were too long, and after a while I had to tell him, 'Enough. You're not touchin' my shit anymore. If you do, the record will sound like all the other ones. I'm not interested in that.'"
strangegrey wrote:Also, just a random thought.....we all talk about how Neal wanted to take this record in a more progressive, raw direction? Did everyone forget about the abortion that was Red 13? I normally call it Dead13, because that's about as bad as you can get......until this record.
conversationpc wrote:I actually really like three of the four songs on "Red 13".
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