The_Noble_Cause wrote:Ehwmatt wrote:The_Noble_Cause wrote:Ehwmatt wrote:Sadly, at this point in Neal's career I don't think he could. He's gotten lazy, content, or maybe he's just too old (doubtful). Whatever the case may be, listening to these Beyond the Thunder songs really exposes how far Neal has let himself slip, both in the chops and creativity departments.
There are moments on "I on U" which remind me of "Beyond the Thunder." Some tracks like "Moondust" and "Father" and "Taken There" are as melodic as anything Neal's ever done. Other tracks are too much like his current playing - just sloppy aimless noodling. Gotta remember that Jonathan was instrumental in producing "Beyond the Thunder." We'll see how Neal's next two solo cds are.
Hm. I on U was 6 years ago if I remember right. I still think Neal was playing at a pretty solid level for the first half of this decade. For whatever else the 30 year tapegate tour was, it showed Neal playing great. Generations, as inconsistent as it was, also had some nice tasteful guitar moments (FitH, Place in Your Heart, Beyond the Clouds). It did, however, also hint at the shredding Neal was about to embark on full-tilt in songs like Never Too Late. For as great as that song is, his soloing is terrible.
I'm assuming you're not a fan of his playing on Revelation or Eclipse? I'm usually impressed by him in a live setting, but as already noted, the sound guy this tour fucking sucks. It's all mud and distortion.
I liked some moments on Revelation. The intro solo to Never Walk Away is classic. Turn Down The World Tonight has a solid solo. Other than that, I can't hum the melodies from too many of his solos or riffs on there. Same with Eclipse. AIP has two classic solos (don't like the outro noodling). Edge of the Moment is a GREAT riff stuck in a bad song. Tantra is epic guitar playing - huge fan of that. I like the tasteful repeating riff in Resonate that leads into the verses.
I guess my problem with modern Neal is two-fold. One, he doesn't seem to have a lot of variety, either tonally or lick-wise. I mean, can you believe the same guy played Big Moon, Send me An Angel, The Party's Over, and Don't Stop Believin? He used to explore a lot more different sounds and styles while retaining a signature sound. Two, he's just not consistently great like he used to be, either live or in writing. That's the bar he set for himself being a great guitarist for most of his career.
It's like watching an aging athlete who is not quite totally past his prime yet. Some games/matches, that old magic comes back. Other days, he looks old and tired.