steveo777 wrote:Who wrote that, Freddie Aguilar? He's the same one, a Filipino, who called Arnel and Charice monkeys.
http://www.pep.ph/news/22360/Freddie-Ag ... re-monkeysWhoever wrote that drinks from the same toilet as Freddie Aguilar. Even the most devout pinhead can see through this and the jealously within the writing. See, even Filipinos who live in Nipa huts, have enough grasp of the English language to write a scathing review. Then the monkey is trained to deliver it to the press.
We have a great mimicker too.
His name is Tony Bennett and he's made a very successful career of it. http://www.youtube.com/watch?v=2Pib8MCZ8RE
You do know Tony Bennett's claim to fame is singing the standards, right? You know, compositions from the early 20th century that are made popular the whole world over by multiple artists ( the majority of Christmas Carols qualify as standards too). A totally different genre from what Pineda and Pempengco are in.
I don't even think that is the point the author is making. What he is saying (I'm assuming) is that while other Pinoy artists do covers and have had success with them, they also have found fame from their own original OPM music. Martin Nievera, Regine Velasquez, etc. are famous for their homegrown tunes first and foremost. That is something that Charice and Arnel haven't attained in their homeland and that is what he is criticizing them for I guess. I'm not saying the guy is right but for you to lump in somebody like Tony Bennett is just ridiculous.
I think the blog is more in line with those Filipinos who still have some post colonial hate towards yankeeism.