Monker wrote:Not trying to make a big argument with you.
Why do you group head voice and falsetto together?
Because they are both upper register / above the passagio.
Monker wrote:Why do you believe head voice can be used as trickery? What IS "trickery"?
I refer to Hugo's approach as trickery (or voodoo, if you prefer) because 1) he's not tackling these songs full-bore like many other older tenors and 2) I still don't know HOW exactly he pulls it off. Unlike Perry or any of the replacements, Hugo comes at this Journey material
sideways - or in a technically different way. The only thing comparable is Axl Rose and Augeri - both now using light head/falsetto/mix to sing tenor material. And they often sound lousy.
Having seen Hugo live, some stuff is obvious (vowel placement etc), and other things make me question....
Maybe he just sings softly in falsetto and they max out his mic? I really just don't know.
Monker wrote:And, someone like Steve Perry moves in and out of head voice effortlessly and you can't even tell he's doing it. When he does that, do you believe it's "trickery"?
Now that you mention it, someone on here (maybe it was you) used to mention how certain fans thought Perry had a "magic microphone."
SP definitely modified his approach to cover the material in later tours (most noticeably ROR). As he was the originator of the material, it doesn't matter.
Monker wrote:For example, Air Supply...Russell Hitchcock has a fantastic voice.
Sure about that? Hitchcock uses autotune in almost every clip I've seen over the past five years or more.
Monker wrote:Is that 'trickery"? Is what the Bee Gee's did in falsetto what you are calling "trickery"?
What I am discussing is very specific: Hugo and his approach to Journey material.
Other artists -unless they are covering Journey - have no relevance.
Monker wrote:What do you mean by "trickery?"
Hugo is covering one of the most challenging/demanding catalogs in rock using only a very fraction of his range imo.
To some he sounds "exactly like Perry!" To others, it's fairly obvious there's more dynamics at play.