Steve Perry, his journey not yet complete, finds his voice

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Steve Perry, his journey not yet complete, finds his voice

Postby tater1977 » Sun Nov 27, 2011 1:14 am

Steve Perry, his journey not yet complete, finds his voice again

http://www.tampabay.com/features/music/ ... in/1203242

By Steve Spears, Times Staff Writer
In Print: Sunday, November 27, 2011


When Steve Perry last fronted the band Journey, Bill Clinton was president. Reality TV was confined to just a couple of obscure shows. And iTunes was still a whisper in the ears of Apple executives.

And yet 15 years later, while little else in the world seems remotely similar, Perry still occupies a prominent perch in pop culture.

Through show choirs and high school bands, his music finds new generations of fans clamoring to hear his voice. Last month a 15-minute personal phone call from Perry was auctioned off for $10,100 on eBay. And his songs are still sung on concert stages in front of sold-out crowds — long after he reluctantly handed over the microphone to lesser frontmen.

As a chronicler of '80s culture, I've had Perry at the top of my interview wish list for years. But he rarely talks to the media, preferring a secluded life in California. I caught a break a couple of weeks ago, because Perry had just remastered and released a new album of Journey's greatest hits and wanted to get the word out.

After I fumble through introductions on the phone, I start off by pointing out that his famous need for privacy makes him the Howard Hughes of rock 'n' roll.

Perry can't stop laughing. "I've been called a lot of things, but that's a first."

These days, Perry, 62, is primarily called the voice and co-writer of Don't Stop Believin', a modest hit from Journey's 1981 Escape album that sprang to monster status when it was featured in the 2007 finale of TV's The Sopranos and in more recent episodes of Fox's Glee.

Look for it to climb the iTunes charts again next year when the big-screen version of the Broadway musical Rock of Ages, which features the song in its finale, reaches movie theaters.

"I'm so grateful that the song has just caught on and people love it so," Perry says. "I've had 7-year-old to 9-year-old kids come up to me and say how much they love that song. At a baseball game, they want me to sign their glove or a ball."

Longevity was the last thing on the minds of band members when they recorded the tune, Perry says. The San Francisco band, founded by former Santana guitarist Neal Schon, was struggling in the late '70s — pleasing neither their record company nor rock critics. Hit singles were just a dream; they merely pined for soft beds and fresh towels.

"You really got to know we toured really hard. We never stopped. A day off wasn't a day off; it was a travel day. That's how you did it back then. It was like running for public office," Perry says. "We'd live on the bus and get a day room so that everyone could take a shower. And there wasn't enough towels to go around, so we'd have to use damp towels."

Only after Escape became a No. 1 album could Journey afford a room for each band member — "in a nice hotel."

"Wow, that was touring," he recalls.

The work paid off. After years of modest success, Who's Crying Now, Open Arms, Faithfully and Separate Ways (Worlds Apart) became top 10 hits and ruled the airwaves and MTV in the early '80s, leading to six consecutive multiplatinum albums and U.S. sales estimated at about 50 million. The band sold out stadiums on world tours.

The wet towels were history.

A musical evolution

Late last year, Perry returned to the studio to remaster more of the band's work from the early days. Tunes like Stone in Love, Walks Like a Lady, Just the Same Way and Suzanne — not chart-toppers, but still fan favorites — were hand-picked by Perry for a new compilation album, Greatest Hits: Volume 2, released earlier this month.

"When I heard these tracks come off vinyl again, I got emotional beyond my wildest expectations," he says. "I forgot how good they were! The stereo separation. The echoes. The snare drum sounds. Neal's guitar is stupidly amazing, and completely still to this day underrated in my opinion."

Tensions between Neal Schon and Perry have flared throughout the years, and these days the former bandmates only communicate through representatives. In 2001, VH1 aired a Behind the Music documentary on Journey, giving fans their first glimpse at the long-simmering feuds that fractured the group.

"They just touched on about 1 percent of it," Perry says of the show. "That's the truth of it. And they turned that into a meal."

Still, Perry — freshly refueled by his work on Greatest Hits — remains full of praise for his former partners.

"Neal and I have had our problems over the years. We probably don't like each other very much, because we had a lot of time together," Perry explains. "But I know we love each other, because when I listen to those tracks, I get all messed up about it. We don't have to work together. It's in the tracks. It's in the grooves. There was something magical about that band."

The collection features tunes from his entire career with Journey, beginning in 1978 and ending in 1996.

And yet, it's Don't Stop Believin' — which is on an earlier hits collection — that casts the largest shadow.

"We couldn't have said back then, 'Hey, gee whiz, in 2011, Don't Stop Believin' is going to be the one.' They all felt like they were in that category because we loved them all the same," Perry says. "But, you know, the world chooses what it chooses, and time does what it does."

A sudden departure

Time has marched on for Journey — and perhaps stood still for Perry.

In 1984, Perry — still part of the Journey lineup — released a solo album, Street Talk. (That album too has just been remastered and re-released, including a vinyl version). It proved to be a huge success, and it opened the door to a future independent of Journey.

It also included his signature solo tune, Oh Sherrie, a love song written for girlfriend Sherrie Swafford, who also appeared in the music video. I ask Perry how it felt to hear that song again, long after the two called it quits. A long pause follows.

"Sherrie and I were crazy in love, I can tell you that. And it was a very tough time, because the band was peaking," he says. "And if any woman out there thinks that it would be real exciting to be the girlfriend of somebody in a band like that and that it would be all peaches and cream, the truth is that it's hard to navigate a relationship when you're in the midst of such a ride."

His escape

Perry hasn't released new material since 1996. The group parted ways with the singer officially in 1998, after Perry hurt his hip hiking in Hawaii, eventually requiring hip-replacement surgery. The band has since used a handful of different singers, all of whom ably mimic Perry's distinctive voice that stretches to reach and sustain impossibly high notes.

Perry has spent his time producing a Journey concert DVD, remastering albums and attending World Series games when his beloved San Francisco Giants won the title.

I ask if maybe he's a bit intimidated making new music that would invariably be compared with his previous work.

"Is it intimidating at some level to not want to disappoint people? Of course it is," Perry says. "I had to give myself the right to suck and write some music that maybe isn't so great. I don't think it's so great. I play it for friends; they love it. But then there are other ones I know are better."

I stop Perry here. I need to tell him something: "You don't understand how much your fans adore you and want you go be happy." Suddenly, I'm a therapist — to Steve Perry. "If you knew that, I think you'd take the pressure off your fear of sucking."

I brace for backlash. If he hangs up, maybe I deserve it.

"You know, Steve, God I wish that was true," Perry says instead. "I wish I could embrace that as true. I'm slowly starting to see that that's possible. But if I could tell my fans anything right now, it would be that I want them to know I am happy. I was happy being in front of them every night. They lifted me to places I could not go without them. My voice was actually their voice, because I had to go get it because they wanted to hear it."

"I can't get that without them. I've tried to sing like that in my living room with my Pro Tools rig," he says.

His words flow, but more slowly than before, more deliberate.

"They don't even know how much of a part of my life they were. They think I was a part of theirs? But they'll never how 50-50 it really was. They need to know that. Without them, I was not who I am. That needs to be said. They literally made me happen."

I sense he feels the sun is shining again. Therapy time is over. Perry has found a voice again.

"I just want them to know that for the years that I have not been around, it was a difficult comedown in the beginning. It was like coming off the earth's orbit and coming back through the atmosphere and burning some heat tiles off your face on the way in. . . . And now I'm okay. I love my life. And I'm so pleased that everyone still loves the music."

Steve Spears is the host of the Stuck in the '80s blog and podcast at tampabay.com/blogs/80s. E-mail him at stuckinthe80s@tampabay.com
Perry's good natured bonhomie & the world’s most charmin smile,knocked fans off their feet. Sportin a black tux,gigs came alive as he swished around the stage thrillin audiences w/ charisma that instantly burnt the oxygen right out of the venue.TR.com
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Postby G.I.Jim » Sun Nov 27, 2011 2:14 am

That was a pretty good read, but just like every other interview... he's fighting his own demons and will never release anything. :? I honestly don't think we're ever going to hear another Perry album while he's alive, and the thought of that really sucks. I know his vocals aren't what they used to be, but I would love his new album regardless. I know it would still be good, and I would be happy just to be hearing something new. I think he sounds much better than most people think, but I don't think we'll ever get that conformation. Sad... :cry:
The artist formerly known as Jim. :-)
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Postby tater1977 » Sun Nov 27, 2011 2:35 am

It's a head & heart thing..human nature...more or less so, depending on the individual &
circumstances... :cry:
Perry's good natured bonhomie & the world’s most charmin smile,knocked fans off their feet. Sportin a black tux,gigs came alive as he swished around the stage thrillin audiences w/ charisma that instantly burnt the oxygen right out of the venue.TR.com
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Postby perryswoman » Sun Nov 27, 2011 6:01 am

This article makes me sad. As much as he says he luvs his life now, I do still think he misses his Mom and Journey and don't know if either of those things will ever completely go away. It would be nice if they would cut out the lawyers and at least be on a friendly basis.
Come back Steve Perry!!
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Postby escapefan » Sun Nov 27, 2011 12:51 pm

Good read, but sad I agree. He is without a doubt he own worst enemy. I agree, don't think he will ever put out any new music.
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Postby sp old ldy » Mon Nov 28, 2011 2:21 pm

I do think that Steve and Journey should let by gone's be by gone's, before it is too late. Like Steve has said before, time marches on. :(
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Postby Majestic » Mon Nov 28, 2011 4:17 pm

I hope you all followed the link to the article and then listened to the interview, because it is even a better listen than read.
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Postby Majestic » Tue Nov 29, 2011 9:18 am

Majestic wrote:I hope you all followed the link to the article and then listened to the interview, because it is even a better listen than read.


That comment was meant for this thread: http://forums.melodicrock.com/phpBB/vie ... hp?t=53643

I don't know if there was anything to hear from this one. :oops:
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Postby Arkansas » Thu Dec 01, 2011 1:45 am

Like I've suggested before - he needs to let Schon & Cain finish his work. I mean, he talks about "the magic of the band", yet he says his latest work isn't as good as the previous work. Duh! He needs Journey to make it like they used to. He can't do it on his own. I think it's apparent that none of them can.


later~
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Postby swataz » Thu Dec 01, 2011 5:39 am

Arkansas wrote:Like I've suggested before - he needs to let Schon & Cain finish his work. I mean, he talks about "the magic of the band", yet he says his latest work isn't as good as the previous work. Duh! He needs Journey to make it like they used to. He can't do it on his own. I think it's apparent that none of them can.


Quote of the day, to me.
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Postby shaneslatts » Thu Dec 01, 2011 7:12 am

G.I.Jim wrote:That was a pretty good read, but just like every other interview... he's fighting his own demons and will never release anything. :? I honestly don't think we're ever going to hear another Perry album while he's alive, and the thought of that really sucks. I know his vocals aren't what they used to be, but I would love his new album regardless. I know it would still be good, and I would be happy just to be hearing something new. I think he sounds much better than most people think, but I don't think we'll ever get that conformation. Sad... :cry:


I think your exactly correct.
It seems in interviews, when he drops his defense mechanisms ( I owe you money, etc) when some interviewer really reaches the 'core problem', Steve simply seems afraid.
What of, I have no idea. I think he would be great.
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Postby shaneslatts » Thu Dec 01, 2011 7:15 am

Arkansas wrote:Like I've suggested before - he needs to let Schon & Cain finish his work. I mean, he talks about "the magic of the band", yet he says his latest work isn't as good as the previous work. Duh! He needs Journey to make it like they used to. He can't do it on his own. I think it's apparent that none of them can.


later~


Yeah, I agree.
As much as Steve Perry balks at the idea, he needs those two to complete his work.
It's that simple, and yet that complex.
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Postby shaneslatts » Thu Dec 01, 2011 7:19 am

swataz wrote:
Arkansas wrote:Like I've suggested before - he needs to let Schon & Cain finish his work. I mean, he talks about "the magic of the band", yet he says his latest work isn't as good as the previous work. Duh! He needs Journey to make it like they used to. He can't do it on his own. I think it's apparent that none of them can.


Quote of the day, to me.


No one can really move on with each other, and no one can really move on without each other.
Even though all sides say that they have gone on without each other, each side knows it is not the truth.
And most likely, neither side will see this reality till one side has passed away.
Quite sad
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Postby texafana » Fri Dec 23, 2011 11:15 pm

You can tell one thing by all of his interviews the past few years if you read between the lines, he is deathly afraid that he will not meet the public's expectations. I get the vibe he wants to record, he wants to tour, etc, etc, but he's just struggling too much with the demons of ego, father time, and joe public.

His only hope now is to release some music under an alias and if it turns out to be any good, come clean publicly and do a tour.
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Postby Pacfanweb » Sat Dec 24, 2011 1:10 am

I get that Perry is obviously very sensitive about what his voice can do these days, but damn dude.....NOBODY with a hint of reasoning ability would expect a 60 year old to have the same voice he did when he was younger. If you did, you'd be the first person in history to have it.

I suggest he take a listen to some of the older singers that still perform today, and see how his current voice stacks up against theirs......you don't need to be listening to people like Adam Lambert or that dude from Train....you would have been hard pressed to keep up with those dudes when you were 40.

Listen to Roger Daltrey. His voice is terrible, long gone, yet people still flock to see him. Just like they'd come to see you.

Robert Plant...he's had no high register since the early 80's. Still sells out whenever he tours.

Why? Because Daltrey is still Daltrey, and Plant is still Plant. They still sound like who they are, even if they can't hit all the notes.

I'm going to go out on a limb, with little evidence either way, and say that I think Perry's voice is in better shape than either of these two guys.

Can he still sing Open Arms and not miss a note? Hell no, he didn't even do that back in the day. So what? I bet nobody who went to those shows even remembers he ducked the high notes in that song.


My suggestion for Perry (and I've made this one before) is to do what Garth Brooks did. Go to Vegas, and just play on the weekends. Maybe Friday and Sunday. Get a taste for it, smaller crowds, it'll sell out instantly, and then you'll be able to show what you still have. Then people will know, and neither you nor they will be expecting too much if you decide to do a real tour sometime.
Just DO it.

It doesn't matter what critics will say....even if you somehow showed up with your voice from the early days, critics would still find something to complain about. Screw 'em. Just sing, from the vibe I get from your interviews, I believe it would make you (and us) happy. Might be the only thing that would make you happy now.
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Postby swataz » Sat Dec 24, 2011 1:47 am

Pacfanweb wrote:I get that Perry is obviously very sensitive about what his voice can do these days, but damn dude.....NOBODY with a hint of reasoning ability would expect a 60 year old to have the same voice he did when he was younger. If you did, you'd be the first person in history to have it.

I suggest he take a listen to some of the older singers that still perform today, and see how his current voice stacks up against theirs......you don't need to be listening to people like Adam Lambert or that dude from Train....you would have been hard pressed to keep up with those dudes when you were 40.

Listen to Roger Daltrey. His voice is terrible, long gone, yet people still flock to see him. Just like they'd come to see you.

Robert Plant...he's had no high register since the early 80's. Still sells out whenever he tours.

Why? Because Daltrey is still Daltrey, and Plant is still Plant. They still sound like who they are, even if they can't hit all the notes.

I'm going to go out on a limb, with little evidence either way, and say that I think Perry's voice is in better shape than either of these two guys.

Can he still sing Open Arms and not miss a note? Hell no, he didn't even do that back in the day. So what? I bet nobody who went to those shows even remembers he ducked the high notes in that song.


My suggestion for Perry (and I've made this one before) is to do what Garth Brooks did. Go to Vegas, and just play on the weekends. Maybe Friday and Sunday. Get a taste for it, smaller crowds, it'll sell out instantly, and then you'll be able to show what you still have. Then people will know, and neither you nor they will be expecting too much if you decide to do a real tour sometime.
Just DO it.

It doesn't matter what critics will say....even if you somehow showed up with your voice from the early days, critics would still find something to complain about. Screw 'em. Just sing, from the vibe I get from your interviews, I believe it would make you (and us) happy. Might be the only thing that would make you happy now.


My NEW quote of the day! VEry well said, and spot on, IMO.
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Postby shaneslatts » Sat Dec 24, 2011 4:39 pm

swataz wrote:
Pacfanweb wrote:I get that Perry is obviously very sensitive about what his voice can do these days, but damn dude.....NOBODY with a hint of reasoning ability would expect a 60 year old to have the same voice he did when he was younger. If you did, you'd be the first person in history to have it.

I suggest he take a listen to some of the older singers that still perform today, and see how his current voice stacks up against theirs......you don't need to be listening to people like Adam Lambert or that dude from Train....you would have been hard pressed to keep up with those dudes when you were 40.

Listen to Roger Daltrey. His voice is terrible, long gone, yet people still flock to see him. Just like they'd come to see you.

Robert Plant...he's had no high register since the early 80's. Still sells out whenever he tours.

Why? Because Daltrey is still Daltrey, and Plant is still Plant. They still sound like who they are, even if they can't hit all the notes.

I'm going to go out on a limb, with little evidence either way, and say that I think Perry's voice is in better shape than either of these two guys.

Can he still sing Open Arms and not miss a note? Hell no, he didn't even do that back in the day. So what? I bet nobody who went to those shows even remembers he ducked the high notes in that song.


My suggestion for Perry (and I've made this one before) is to do what Garth Brooks did. Go to Vegas, and just play on the weekends. Maybe Friday and Sunday. Get a taste for it, smaller crowds, it'll sell out instantly, and then you'll be able to show what you still have. Then people will know, and neither you nor they will be expecting too much if you decide to do a real tour sometime.
Just DO it.

It doesn't matter what critics will say....even if you somehow showed up with your voice from the early days, critics would still find something to complain about. Screw 'em. Just sing, from the vibe I get from your interviews, I believe it would make you (and us) happy. Might be the only thing that would make you happy now.


My NEW quote of the day! VEry well said, and spot on, IMO.


Negative folks would say 'he has lost it', before they have even heard him ( his voice)
Based on the very few, short snips of him ' singing' ( in his recent interviews), the man still can sing..and sing well.
Up to him if he wants to showcase it or not, and even as I am no 'expert', based on what my ear hears, the man still has pipes.

No doubt the man should be sharing his talent.

I would tell Mr. Perry this.
There are simply not many vocalists today that have your gift, and you should share it.
You just might inspire a new age of Vocalists who would turn the ' Rap' tide.
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Postby shaneslatts » Thu Dec 29, 2011 5:29 am

America needs VOCALISTS Mr. Perry
Get to it, ASAP.
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Postby shaneslatts » Thu Dec 29, 2011 5:35 am

[quote="Pacfanweb"]I get that Perry is obviously very sensitive about what his voice can do these days, but damn dude.....NOBODY with a hint of reasoning ability would expect a 60 year old to have the same voice he did when he was younger. If you did, you'd be the first person in history to have it.

I suggest he take a listen to some of the older singers that still perform today, and see how his current voice stacks up against theirs......you don't need to be listening to people like Adam Lambert or that dude from Train....you would have been hard pressed to keep up with those dudes when you were 40.

Listen to Roger Daltrey. His voice is terrible, long gone, yet people still flock to see him. Just like they'd come to see you.

Robert Plant...he's had no high register since the early 80's. Still sells out whenever he tours.

Why? Because Daltrey is still Daltrey, and Plant is still Plant. They still sound like who they are, even if they can't hit all the notes.

I'm going to go out on a limb, with little evidence either way, and say that I think Perry's voice is in better shape than either of these two guys.

Can he still sing Open Arms and not miss a note? Hell no, he didn't even do that back in the day. So what? I bet nobody who went to those shows even remembers he ducked the high notes in that song.


My suggestion for Perry (and I've made this one before) is to do what Garth Brooks did. Go to Vegas, and just play on the weekends. Maybe Friday and Sunday. Get a taste for it, smaller crowds, it'll sell out instantly, and then you'll be able to show what you still have. Then people will know, and neither you nor they will be expecting too much if you decide to do a real tour sometime.
Just DO it.

It doesn't matter what critics will say....even if you somehow showed up with your voice from the early days, critics would still find something to complain about. Screw 'em. Just sing, from the vibe I get from your interviews, I believe it would make you (and us) happy. Might be the only thing that would make you happy now.[/quote

I cant speak from what would make Perry happy.
All I can say is that music is left with so many ' what could have been's' from its most famous stars, from Jolson to Sinatra to Elvis.
Mr.Perry has the chance to just 'sing' and share his voice.
It's really simple Mr. Perry, once you get past the fears.
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