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Gunbot wrote: The issue here is that only songwriters get paid royalty for what's on the radio, unlike satellite and streaming services which pay performance royalties.
Rockindeano wrote:Gunbot wrote: The issue here is that only songwriters get paid royalty for what's on the radio, unlike satellite and streaming services which pay performance royalties.
Since you know a great deal about this, how does Satellite, specifically Sirius, pay guys who have 24 hour stations, like E Street Radio, Tom Petty's Lost Treasure, The Dead Channel, and Dylan's Vault? Do those bands get paid handsomely for those 24 hour stations?
Ehwmatt wrote:Rockindeano wrote:Gunbot wrote: The issue here is that only songwriters get paid royalty for what's on the radio, unlike satellite and streaming services which pay performance royalties.
Since you know a great deal about this, how does Satellite, specifically Sirius, pay guys who have 24 hour stations, like E Street Radio, Tom Petty's Lost Treasure, The Dead Channel, and Dylan's Vault? Do those bands get paid handsomely for those 24 hour stations?
Man that'd be nice for those guys. What says Gunny?
Rockindeano wrote:Gunbot wrote: The issue here is that only songwriters get paid royalty for what's on the radio, unlike satellite and streaming services which pay performance royalties.
Since you know a great deal about this, how does Satellite, specifically Sirius, pay guys who have 24 hour stations, like E Street Radio, Tom Petty's Lost Treasure, The Dead Channel, and Dylan's Vault? Do those bands get paid handsomely for those 24 hour stations?
Gunbot wrote:Rockindeano wrote:Gunbot wrote: The issue here is that only songwriters get paid royalty for what's on the radio, unlike satellite and streaming services which pay performance royalties.
Since you know a great deal about this, how does Satellite, specifically Sirius, pay guys who have 24 hour stations, like E Street Radio, Tom Petty's Lost Treasure, The Dead Channel, and Dylan's Vault? Do those bands get paid handsomely for those 24 hour stations?
They get payed just like everyone else but at a higher negotiated rate beyond what they copyright board has deemed is the fair value for digital royalties but based on a sliding scale. Whether they capture 90% of the listening audience or 10%, either way, they still get payed their negotiated percentage from what the overall money is that the satellite service rakes in.
Rockindeano wrote:Gunbot wrote:Rockindeano wrote:Gunbot wrote: The issue here is that only songwriters get paid royalty for what's on the radio, unlike satellite and streaming services which pay performance royalties.
Since you know a great deal about this, how does Satellite, specifically Sirius, pay guys who have 24 hour stations, like E Street Radio, Tom Petty's Lost Treasure, The Dead Channel, and Dylan's Vault? Do those bands get paid handsomely for those 24 hour stations?
They get payed just like everyone else but at a higher negotiated rate beyond what they copyright board has deemed is the fair value for digital royalties but based on a sliding scale. Whether they capture 90% of the listening audience or 10%, either way, they still get payed their negotiated percentage from what the overall money is that the satellite service rakes in.
Oh ok. So if say Sirius makes 50 million or 5 million, Bruce will get the negotiated rate of said income. So the more subscriber's the more bank for these guys, basically. Hell, why doesn't Journey negotiate a 24 hour station on Sirius?
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