Singers over 60 that havnt lost any of their vocal ability.

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Postby JRNYMAN » Sun Sep 02, 2012 2:25 pm

The_Noble_Cause wrote:
JRNYMAN wrote:Phil Collins - 61
Jon Anderson (YES) - 68
Mick Jagger - 69
Sir Paul - 70


Dear ole Phil is sounding kinda thin these days. Still a pleasant voice, but a lack of power is evident.

http://www.youtube.com/watch?v=CfbS9iynMyQ
Is it just me or does Don's current avatar look an awful lot like Phil......Image :lol: :lol:

Barely Manenough sounds great still. Just saw him performing on some benefit or tribute a couple of weeks ago. He's starting to look a bit rough but still has the pipes.
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Postby kgdjpubs » Sun Sep 02, 2012 2:34 pm

Don wrote:John Farnham at 62

http://www.youtube.com/watch?v=CcGP7FKWT80


The list should begin and end with John Farnham and Dennis DeYoung. Both haven't lost a thing, and neither one are singing vocally easy songs. Ann Wilson on a good day isn't far behind.
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Postby Triple S » Mon Sep 03, 2012 2:23 am

Tom Jones - 72:

http://www.youtube.com/watch?v=qmwcHjosRKw (cool video if you're a fan of James Bond movies 8) )

http://www.youtube.com/watch?v=5gXEnYrP ... re=related
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Postby Jeremey » Mon Sep 03, 2012 3:12 am

Tom Petty has become a MUCH better "singer" over the past 10-15 years or so. He really changed his singing style, which I am much more biased to his earlier, angrier voice, he had to mellow in order to protect his aging voice (yeah, he's also smoked for about 45 years), but listening to 2012 tour recordings versus 1980-1985 tour recordings, he actually has a much better voice now.
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Postby JRNYMAN » Mon Sep 03, 2012 3:59 am

Jeremey wrote:Tom Petty has become a MUCH better "singer" over the past 10-15 years or so. He really changed his singing style, which I am much more biased to his earlier, angrier voice, he had to mellow in order to protect his aging voice (yeah, he's also smoked for about 45 years), but listening to 2012 tour recordings versus 1980-1985 tour recordings, he actually has a much better voice now.
Have to agree with you J. You hit the nail on the head with "angrier". There was something in the way he delivered the lyrics that felt like they had more punch vs. his purposeful, sorta melodic style now. Lines like, "Who knows, maybe you were kidnapped, tied-up, taken away, and held for ransom" were uniquely Petty. I guess you could say he sang with conviction more than he does now.

Hey Jeremy, here's a question for ya - and I apologize for it being completely off-topic but here goes anyway....
Of all the melodic rock style/genre singers, who is your favorite and/or who do you think is the most talented? Curious to learn who a professional singer's favorite is.
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Postby slucero » Mon Sep 03, 2012 5:49 am

The "Classic Albums" episode of Damn the Torpedoes is a must have/watch for any Petty-holic..

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Postby Jeremey » Mon Sep 03, 2012 6:06 am

slucero wrote:The "Classic Albums" episode of Damn the Torpedoes is a must have/watch for any Petty-holic..


Just sat down and watched that last night on Netflix, then ended up also watching Metallica's Black album and Elton John's "Goodbye Yellow Brick Road" episode. Elton John's episode was absolutely amazing. I always liked Elton's early music, there was a time in my late teens/early 20s when I would have said I was an EJ geek, but I haven't listened to his music in a long time. The thing that stuck with me from watching GBYBR episode last night was, "where the fuck have people like this gone??" Seriously, watching a young EJ sitting in front of a piano with long hair and goofy glasses singing a song like "Saturday Night" and "Goodbye Yellow Brick Road" was watching a part of musical history that will never happen again. Can anyone tell me, do they think there will ever be a young male singer/songwriter cut from that cloth that has so much charisma and talent that could just capture people's imaginations the way a young Elton John did? I realize it may not be everyone's bag, and once the drugs kicked in for Elton he pretty much went off the rails (ha), but I was dumbstruck watching the old footage. One particular scene showed Elton in a vocal room all by himself (they recorded the album in a french chateau) singing "Candle In The Wind," it was just him standing in front of a microphone, singing the song a capella, completely free of self conscious or even aware that they were filming (it was through a crack in the door), and I haven't seen many vocal performances as raw and magical as those few minutes filmed through that doorway. Chilling stuff really.

Well, keeping on topic for this thread, Elton John is NOT a guy who I would say has kept his voice unchanged over the years :lol:
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Postby Jeremey » Mon Sep 03, 2012 6:15 am

JRNYMAN wrote:Have to agree with you J. You hit the nail on the head with "angrier". There was something in the way he delivered the lyrics that felt like they had more punch vs. his purposeful, sorta melodic style now. Lines like, "Who knows, maybe you were kidnapped, tied-up, taken away, and held for ransom" were uniquely Petty. I guess you could say he sang with conviction more than he does now.

Hey Jeremy, here's a question for ya - and I apologize for it being completely off-topic but here goes anyway....
Of all the melodic rock style/genre singers, who is your favorite and/or who do you think is the most talented? Curious to learn who a professional singer's favorite is.


Man, that's a really hard one to answer, because I haven't traditionally listened to melodic rock voices as a big influence on my singing technique, aside from Mr Perry of course. I always liked Lou Gramm, I always thought Mickey Thomas, Tony Lewis and Dennis DeYoung had technically flawless voices and were great at interpreting as well. Unfortunately my real working knowledge of melodic singers doesn't go much deeper than that. When I think of my favorite singers, I think of people who amaze me on a number of levels (people like Roy Orbison, Art Garfunkel, Terrence Trent D'arby, Bill Medley, etc), and they aren't typically from the melodic rock genre. I think generally speaking - And this is just this guy's opinion - but in the MR genre, I think maybe too much emphasis is put on technical perfection, favoring the high tenors with clear ringing voices. My personal preference is for a little more grit and soul, and I think that's why I gravitated toward Perry, being that he had the technical ability in spades but he was able to channel the dirt and ennui of his R&B influences so well, his body of work is something really unique in the context of his melodic rock peers.
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Postby Peartree12249 » Mon Sep 03, 2012 6:19 am

Grammar, the difference between knowing your shit and knowing you're shit.
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Postby Deb » Mon Sep 03, 2012 6:53 am

Jeremey wrote:
JRNYMAN wrote:Have to agree with you J. You hit the nail on the head with "angrier". There was something in the way he delivered the lyrics that felt like they had more punch vs. his purposeful, sorta melodic style now. Lines like, "Who knows, maybe you were kidnapped, tied-up, taken away, and held for ransom" were uniquely Petty. I guess you could say he sang with conviction more than he does now.

Hey Jeremy, here's a question for ya - and I apologize for it being completely off-topic but here goes anyway....
Of all the melodic rock style/genre singers, who is your favorite and/or who do you think is the most talented? Curious to learn who a professional singer's favorite is.


Man, that's a really hard one to answer, because I haven't traditionally listened to melodic rock voices as a big influence on my singing technique, aside from Mr Perry of course. I always liked Lou Gramm, I always thought Mickey Thomas, Tony Lewis and Dennis DeYoung had technically flawless voices and were great at interpreting as well. Unfortunately my real working knowledge of melodic singers doesn't go much deeper than that. When I think of my favorite singers, I think of people who amaze me on a number of levels (people like Roy Orbison, Art Garfunkel, Terrence Trent D'arby, Bill Medley, etc), and they aren't typically from the melodic rock genre. I think generally speaking - And this is just this guy's opinion - but in the MR genre, I think maybe too much emphasis is put on technical perfection, favoring the high tenors with clear ringing voices. My personal preference is for a little more grit and soul, and I think that's why I gravitated toward Perry, being that he had the technical ability in spades but he was able to channel the dirt and ennui of his R&B influences so well, his body of work is something really unique in the context of his melodic rock peers.


Bingo, this girl's opinion too. Perry was one of kind when it came to that. Another melodic rock singer that caught my attention with his early R&B influences too........ Stop In the Name Of Love ~ http://www.youtube.com/watch?v=K6I2-AOd6eY
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Postby pinkfloyd1973 » Mon Sep 03, 2012 8:39 am

JRNYMAN wrote:
Tommy definitely kept the band grounded and focused on the things that made STYX Styx. Kilroy was a glimpse at what could and probably would have become of the band's venture and direction had TS not threatened to walk if the "Broadway theatrics" which were slowly working their way into their live performances didn't stop. There's an interview out there with TS and JY in which both are very candid (Tommy more than JY) about the Kilroy days and how disgusted they were with the whole costume B.S. and the making of the Mr. Roboto video.





::::FACEPALM::::...... I hate it when Kilroy is mentioned and how the "direction of the band" was going, you're prolly talking about the infamous Behind The Music where Dennis was pretty much skewered by his former bandmates. If it was so bad (and i'm sure it was played up for the BTM) then they could have left, why did they even bother getting back together not once but twice (once for Shaw). They knew which side their bread was buttered on, if you listened to any of Dennis' solo stuff today (and I am talking about "One Hundred Years From Now") there is nothing "Broadway" about it :? :roll:
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Postby JRNYMAN » Mon Sep 03, 2012 9:02 am

Jeremey wrote:
JRNYMAN wrote:Have to agree with you J. You hit the nail on the head with "angrier". There was something in the way he delivered the lyrics that felt like they had more punch vs. his purposeful, sorta melodic style now. Lines like, "Who knows, maybe you were kidnapped, tied-up, taken away, and held for ransom" were uniquely Petty. I guess you could say he sang with conviction more than he does now.

Hey Jeremy, here's a question for ya - and I apologize for it being completely off-topic but here goes anyway....
Of all the melodic rock style/genre singers, who is your favorite and/or who do you think is the most talented? Curious to learn who a professional singer's favorite is.


Man, that's a really hard one to answer, because I haven't traditionally listened to melodic rock voices as a big influence on my singing technique, aside from Mr Perry of course. I always liked Lou Gramm, I always thought Mickey Thomas, Tony Lewis and Dennis DeYoung had technically flawless voices and were great at interpreting as well. Unfortunately my real working knowledge of melodic singers doesn't go much deeper than that. When I think of my favorite singers, I think of people who amaze me on a number of levels (people like Roy Orbison, Art Garfunkel, Terrence Trent D'arby, Bill Medley, etc), and they aren't typically from the melodic rock genre. I think generally speaking - And this is just this guy's opinion - but in the MR genre, I think maybe too much emphasis is put on technical perfection, favoring the high tenors with clear ringing voices. My personal preference is for a little more grit and soul, and I think that's why I gravitated toward Perry, being that he had the technical ability in spades but he was able to channel the dirt and ennui of his R&B influences so well, his body of work is something really unique in the context of his melodic rock peers.
Having listened to the majority of your "body of work" which includes of course the numerous vid clips of your performances with your band, the stuff you've done in studio, (absolutely LOVE the song you wrote for your kids with the line. "Instead of letting go, I learned to let you grow" - that one actually brought tears to my wife's eyes and if I'm being honest here.... mine too! ) and it's clear you will add a little more "dirt" or "grit" here and there depending upon the tone/mood of the song you're singing. I get that.

Regarding the Classic Albums series...
I just watched the Goodbye Yel.... episode about a week ago and I thought the same things you did. Bernie and Reg knew their teamwork and chemistry was different than most other singer/songwriter duos. They knew each other so well that, (and I'm sure you were just as blown away as I was by this...) it became common for Bernie to simply send the lyrics he'd written by mail or messenger, not even needing to be there to edit them because at some point, he knew what EJ liked and disliked and nearly everything he sent needed no editing. :shock: Holy Shit!
And, while you questioned what happened to guys like that, I was asking what happened to the music that the genius and brilliance that once use to exist in the songs that were the icons and works of art by their respective artists somehow weren't as important to both the artist and the listener. Why did it change. Why did mediocre, cookie-cutter, 3.5 minute, 2 verse + chorus-repeated-to-death, diddys become status quo?
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Postby JRNYMAN » Mon Sep 03, 2012 9:27 am

pinkfloyd1973 wrote:
JRNYMAN wrote:
Tommy definitely kept the band grounded and focused on the things that made STYX Styx. Kilroy was a glimpse at what could and probably would have become of the band's venture and direction had TS not threatened to walk if the "Broadway theatrics" which were slowly working their way into their live performances didn't stop. There's an interview out there with TS and JY in which both are very candid (Tommy more than JY) about the Kilroy days and how disgusted they were with the whole costume B.S. and the making of the Mr. Roboto video.





::::FACEPALM::::...... I hate it when Kilroy is mentioned and how the "direction of the band" was going, you're prolly talking about the infamous Behind The Music where Dennis was pretty much skewered by his former bandmates. If it was so bad (and i'm sure it was played up for the BTM) then they could have left, why did they even bother getting back together not once but twice (once for Shaw). They knew which side their bread was buttered on, if you listened to any of Dennis' solo stuff today (and I am talking about "One Hundred Years From Now") there is nothing "Broadway" about it :? :roll:
Bullshit, bullshit, and uh, let's see.... BULLSHIT!
Before I go on let me state for the record that DDY is one of my most favorite and respected artists and possesses one of the world's purest and clear singing voices to ever grace rock music. Additionally, his song writing abilities are sublime, diverse, and magical.

EVERYTHING about DDY's existence when onstage is theatrical. Watch almost any vid of him when the spotlight is solely trained on him and you'll see plenty of overly-dramatic mannerisms, over-exaggerated movements, etc. But hey, he's a showman. A performer. An entertainer who loves being onstage and entertaining. So, I guess it goes with the territory.
Nope, not talking about the BTM episode. As I stated above, I was referring to an interview which was taped some years back in which TS and JY were talking about the split and the decision to oust DDY and how they went about it and candidly about the reasons why. Absolutely TS and the other decision makers wanted STYX including DDY to work. Just like Jon and Neal have stated about Journey being bigger than any single member, so too was the feelings everyone concerned had for STYX. It was a magical and awesome machine when it worked but when every single thing was met with disapproval and arguments it became impossible for that magic to exist.

100 Years From Now, no, not as much as say, The Hunchback Soundtrack. Look at his solo stuff as far back as Desert Moon. That video plays like a mini movie of the week!

I look at it this way, (and I hope G.I. Jim will back me up on this....)
TS and JY are guitar players. They live for the solo and the crushing blend of diminished and minor chords which crescendo into an anthemic eruption of major chords which accompany the chorus and back again. That's how rock guitar players are.

I'm a keyboard player/singer. And just like any keyboard player, DDY writes, plays and creates melodies and chord arrangements which evoke emotion and take the listener on a journey through the song via the melody which, more often than not, starts out as a ballad. We keyboard players love to play and write beautiful ballads because we're emotional and caring and yes, dramatic to some extent.
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Postby pinkfloyd1973 » Mon Sep 03, 2012 10:26 am

JRNYMAN wrote:
pinkfloyd1973 wrote:
JRNYMAN wrote:
Tommy definitely kept the band grounded and focused on the things that made STYX Styx. Kilroy was a glimpse at what could and probably would have become of the band's venture and direction had TS not threatened to walk if the "Broadway theatrics" which were slowly working their way into their live performances didn't stop. There's an interview out there with TS and JY in which both are very candid (Tommy more than JY) about the Kilroy days and how disgusted they were with the whole costume B.S. and the making of the Mr. Roboto video.





::::FACEPALM::::...... I hate it when Kilroy is mentioned and how the "direction of the band" was going, you're prolly talking about the infamous Behind The Music where Dennis was pretty much skewered by his former bandmates. If it was so bad (and i'm sure it was played up for the BTM) then they could have left, why did they even bother getting back together not once but twice (once for Shaw). They knew which side their bread was buttered on, if you listened to any of Dennis' solo stuff today (and I am talking about "One Hundred Years From Now") there is nothing "Broadway" about it :? :roll:
Bullshit, bullshit, and uh, let's see.... BULLSHIT!
Before I go on let me state for the record that DDY is one of my most favorite and respected artists and possesses one of the world's purest and clear singing voices to ever grace rock music. Additionally, his song writing abilities are sublime, diverse, and magical.

EVERYTHING about DDY's existence when onstage is theatrical. Watch almost any vid of him when the spotlight is solely trained on him and you'll see plenty of overly-dramatic mannerisms, over-exaggerated movements, etc. But hey, he's a showman. A performer. An entertainer who loves being onstage and entertaining. So, I guess it goes with the territory.
Nope, not talking about the BTM episode. As I stated above, I was referring to an interview which was taped some years back in which TS and JY were talking about the split and the decision to oust DDY and how they went about it and candidly about the reasons why. Absolutely TS and the other decision makers wanted STYX including DDY to work. Just like Jon and Neal have stated about Journey being bigger than any single member, so too was the feelings everyone concerned had for STYX. It was a magical and awesome machine when it worked but when every single thing was met with disapproval and arguments it became impossible for that magic to exist.

100 Years From Now, no, not as much as say, The Hunchback Soundtrack. Look at his solo stuff as far back as Desert Moon. That video plays like a mini movie of the week!

I look at it this way, (and I hope G.I. Jim will back me up on this....)
TS and JY are guitar players. They live for the solo and the crushing blend of diminished and minor chords which crescendo into an anthemic eruption of major chords which accompany the chorus and back again. That's how rock guitar players are.

I'm a keyboard player/singer. And just like any keyboard player, DDY writes, plays and creates melodies and chord arrangements which evoke emotion and take the listener on a journey through the song via the melody which, more often than not, starts out as a ballad. We keyboard players love to play and write beautiful ballads because we're emotional and caring and yes, dramatic to some extent.




Hunchback and 100 Years is apples and oranges, yes he is theatrical and some of his stuff is indeed broadway (Hunchback is great btw). I will say that he knows how to rock (and Tommy and JY's story has waivered, unlike DDY's which has always been consistent). So the current version of Styx wants to rock and roll, but what the hell do you call Yes I Can?
"So this is how liberty dies, with thunderous applause."
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Postby JRNYMAN » Mon Sep 03, 2012 11:26 am

pinkfloyd1973 wrote:Hunchback and 100 Years is apples and oranges (Hunchback is great btw).
Yeah it is!! 2 songs from that score that are absolutely captivating are "Who Will Love This Child" and "Esmerelda". Such a departure from anything else he's done which further serves to illustrate what an incredibly diverse and talented musician he is. (So are Danny Elfman and Stuart Copeland)
pinkfloyd1973 wrote: So the current version of Styx wants to rock and roll, but what the hell do you call Yes I Can?[/b]
Okay, point taken. And, my previous statements regarding him as a keyboardist shouldn't be taken to mean he can't or won't eek out some rockin' tunes (Foolin' Yourself and Grand Illusion for example...) I simply meant that based on the songs credited as being written solely by him, he clearly fits the profile of a keyboardist. (Babe, Lady, Come Sail Away, etc., etc., - ballads)
I frequently watch the Return to Paradise DVD and am continuously amazed at how tight they were when they were STYX. Their harmonies were sublime. The "gigantic" sound they were able to create was fantastic. And sadly, every time I watch it I can't help but wonder what could have been had they been able to stay together all these years. Sure, Gowan is an incredible keyboard player and he does a fine job reproducing Dennis' keyboard sounds. But, the absence of Dennis on the writing team has kept the Dennis-less version of the band from creating the masterpieces that used to flow like water.
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Postby pinkfloyd1973 » Mon Sep 03, 2012 12:16 pm

JRNYMAN wrote:
pinkfloyd1973 wrote:Hunchback and 100 Years is apples and oranges (Hunchback is great btw).
Yeah it is!! 2 songs from that score that are absolutely captivating are "Who Will Love This Child" and "Esmerelda". Such a departure from anything else he's done which further serves to illustrate what an incredibly diverse and talented musician he is. (So are Danny Elfman and Stuart Copeland)
pinkfloyd1973 wrote: So the current version of Styx wants to rock and roll, but what the hell do you call Yes I Can?[/b]
Okay, point taken. And, my previous statements regarding him as a keyboardist shouldn't be taken to mean he can't or won't eek out some rockin' tunes (Foolin' Yourself and Grand Illusion for example...) I simply meant that based on the songs credited as being written solely by him, he clearly fits the profile of a keyboardist. (Babe, Lady, Come Sail Away, etc., etc., - ballads)
I frequently watch the Return to Paradise DVD and am continuously amazed at how tight they were when they were STYX. Their harmonies were sublime. The "gigantic" sound they were able to create was fantastic. And sadly, every time I watch it I can't help but wonder what could have been had they been able to stay together all these years. Sure, Gowan is an incredible keyboard player and he does a fine job reproducing Dennis' keyboard sounds. But, the absence of Dennis on the writing team has kept the Dennis-less version of the band from creating the masterpieces that used to flow like water.



You MUST go see Dennis and his band if he's ever around your town, fantastic show he puts on :D
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Postby Everett » Mon Sep 03, 2012 12:35 pm

pinkfloyd1973 wrote:
JRNYMAN wrote:
pinkfloyd1973 wrote:Hunchback and 100 Years is apples and oranges (Hunchback is great btw).
Yeah it is!! 2 songs from that score that are absolutely captivating are "Who Will Love This Child" and "Esmerelda". Such a departure from anything else he's done which further serves to illustrate what an incredibly diverse and talented musician he is. (So are Danny Elfman and Stuart Copeland)
pinkfloyd1973 wrote: So the current version of Styx wants to rock and roll, but what the hell do you call Yes I Can?[/b]
Okay, point taken. And, my previous statements regarding him as a keyboardist shouldn't be taken to mean he can't or won't eek out some rockin' tunes (Foolin' Yourself and Grand Illusion for example...) I simply meant that based on the songs credited as being written solely by him, he clearly fits the profile of a keyboardist. (Babe, Lady, Come Sail Away, etc., etc., - ballads)
I frequently watch the Return to Paradise DVD and am continuously amazed at how tight they were when they were STYX. Their harmonies were sublime. The "gigantic" sound they were able to create was fantastic. And sadly, every time I watch it I can't help but wonder what could have been had they been able to stay together all these years. Sure, Gowan is an incredible keyboard player and he does a fine job reproducing Dennis' keyboard sounds. But, the absence of Dennis on the writing team has kept the Dennis-less version of the band from creating the masterpieces that used to flow like water.



You MUST go see Dennis and his band if he's ever around your town, fantastic show he puts on :D


For a cover ban ah screw it 8)
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Postby JRNYMAN » Mon Sep 03, 2012 12:46 pm

Everett wrote:
pinkfloyd1973 wrote:
JRNYMAN wrote:
pinkfloyd1973 wrote:Hunchback and 100 Years is apples and oranges (Hunchback is great btw).
Yeah it is!! 2 songs from that score that are absolutely captivating are "Who Will Love This Child" and "Esmerelda". Such a departure from anything else he's done which further serves to illustrate what an incredibly diverse and talented musician he is. (So are Danny Elfman and Stuart Copeland)
pinkfloyd1973 wrote: So the current version of Styx wants to rock and roll, but what the hell do you call Yes I Can?[/b]
Okay, point taken. And, my previous statements regarding him as a keyboardist shouldn't be taken to mean he can't or won't eek out some rockin' tunes (Foolin' Yourself and Grand Illusion for example...) I simply meant that based on the songs credited as being written solely by him, he clearly fits the profile of a keyboardist. (Babe, Lady, Come Sail Away, etc., etc., - ballads)
I frequently watch the Return to Paradise DVD and am continuously amazed at how tight they were when they were STYX. Their harmonies were sublime. The "gigantic" sound they were able to create was fantastic. And sadly, every time I watch it I can't help but wonder what could have been had they been able to stay together all these years. Sure, Gowan is an incredible keyboard player and he does a fine job reproducing Dennis' keyboard sounds. But, the absence of Dennis on the writing team has kept the Dennis-less version of the band from creating the masterpieces that used to flow like water.



You MUST go see Dennis and his band if he's ever around your town, fantastic show he puts on :D


For a cover ban ah screw it 8)

Here we go..... :lol: :lol:
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Postby pinkfloyd1973 » Mon Sep 03, 2012 3:03 pm

JRNYMAN wrote:
Everett wrote:
pinkfloyd1973 wrote:
JRNYMAN wrote:
pinkfloyd1973 wrote:Hunchback and 100 Years is apples and oranges (Hunchback is great btw).
Yeah it is!! 2 songs from that score that are absolutely captivating are "Who Will Love This Child" and "Esmerelda". Such a departure from anything else he's done which further serves to illustrate what an incredibly diverse and talented musician he is. (So are Danny Elfman and Stuart Copeland)
pinkfloyd1973 wrote: So the current version of Styx wants to rock and roll, but what the hell do you call Yes I Can?[/b]
Okay, point taken. And, my previous statements regarding him as a keyboardist shouldn't be taken to mean he can't or won't eek out some rockin' tunes (Foolin' Yourself and Grand Illusion for example...) I simply meant that based on the songs credited as being written solely by him, he clearly fits the profile of a keyboardist. (Babe, Lady, Come Sail Away, etc., etc., - ballads)
I frequently watch the Return to Paradise DVD and am continuously amazed at how tight they were when they were STYX. Their harmonies were sublime. The "gigantic" sound they were able to create was fantastic. And sadly, every time I watch it I can't help but wonder what could have been had they been able to stay together all these years. Sure, Gowan is an incredible keyboard player and he does a fine job reproducing Dennis' keyboard sounds. But, the absence of Dennis on the writing team has kept the Dennis-less version of the band from creating the masterpieces that used to flow like water.



You MUST go see Dennis and his band if he's ever around your town, fantastic show he puts on :D


For a cover ban ah screw it 8)

Here we go..... :lol: :lol:



Eve, don't you have an REO concert to go to or Kevin Cronin to stalk? :P
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Postby Everett » Tue Sep 04, 2012 12:43 am

pinkfloyd1973 wrote:
JRNYMAN wrote:
Everett wrote:
pinkfloyd1973 wrote:
JRNYMAN wrote:
pinkfloyd1973 wrote:Hunchback and 100 Years is apples and oranges (Hunchback is great btw).
Yeah it is!! 2 songs from that score that are absolutely captivating are "Who Will Love This Child" and "Esmerelda". Such a departure from anything else he's done which further serves to illustrate what an incredibly diverse and talented musician he is. (So are Danny Elfman and Stuart Copeland)
pinkfloyd1973 wrote: So the current version of Styx wants to rock and roll, but what the hell do you call Yes I Can?[/b]
Okay, point taken. And, my previous statements regarding him as a keyboardist shouldn't be taken to mean he can't or won't eek out some rockin' tunes (Foolin' Yourself and Grand Illusion for example...) I simply meant that based on the songs credited as being written solely by him, he clearly fits the profile of a keyboardist. (Babe, Lady, Come Sail Away, etc., etc., - ballads)
I frequently watch the Return to Paradise DVD and am continuously amazed at how tight they were when they were STYX. Their harmonies were sublime. The "gigantic" sound they were able to create was fantastic. And sadly, every time I watch it I can't help but wonder what could have been had they been able to stay together all these years. Sure, Gowan is an incredible keyboard player and he does a fine job reproducing Dennis' keyboard sounds. But, the absence of Dennis on the writing team has kept the Dennis-less version of the band from creating the masterpieces that used to flow like water.



You MUST go see Dennis and his band if he's ever around your town, fantastic show he puts on :D


For a cover ban ah screw it 8)

Here we go..... :lol: :lol:


Eve, don't you have an REO concert to go to or Kevin Cronin to stalk? :P


Ha ha. My ride screwed me over again. Second time in two days looks like I need to get in touch with
someone more reliable. Though I do know at least a couple people that went to elkhorn last night 8)
All in a day's work
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Postby conversationpc » Tue Sep 04, 2012 6:46 am

Of all the people I've seen listed in this thread, Mickey Thomas is the most amazing to me. I can hear a very small difference in his voice but he's still able to hit the notes, by and large, on all the old songs. DeYoung still has a great voice but his voice is noticeably less powerful. RJD, while still sounding great for a guy approaching his late 60s before we lost him, sounded considerably less powerful over the past several years of his singing career.
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Postby verslibre » Tue Sep 04, 2012 7:12 am

Iggy Pop. 8)
"Heer's ta swimmen wid bowlegged wimmen!"
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Postby conversationpc » Tue Sep 04, 2012 8:03 am

verslibre wrote:Iggy Pop. 8)


I wish he'd find some clothing ability in his old age. :lol:
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Postby verslibre » Tue Sep 04, 2012 11:07 am

conversationpc wrote:
verslibre wrote:Iggy Pop. 8)


I wish he'd find some clothing ability in his old age. :lol:


:lol: :lol:
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Postby JRNYMAN » Tue Sep 04, 2012 12:30 pm

Neil Diamond - 71
Wayne Newton - 70
Tom Jones - 72

Whenever I hear or read Tom Jones' name, I ALWAYS think of this... :lol: :lol:
http://www.youtube.com/watch?v=zS1cLOIxsQ8
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Postby Triple S » Wed Sep 05, 2012 10:24 am

JRNYMAN wrote:Neil Diamond - 71
Wayne Newton - 70
Tom Jones - 72
Whenever I hear or read Tom Jones' name, I ALWAYS think of this... :lol: :lol:
http://www.youtube.com/watch?v=zS1cLOIxsQ8


Already mentioned Tom up above ^^^.

My favorite TJ song - pretty incredible that there is a 40 year span between these 2 clips - not a whole lot of difference (definitely the same emotion and sexiness :wink:) :

http://www.youtube.com/watch?v=GXk1TUs3cfY

http://www.youtube.com/watch?v=dxITheplQJY
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