Monker wrote:verslibre wrote:Seriously...who gives a shit?
YOU DO. YOU decided to take a deep dive into something that is obviously out of your wheelhouse. You did NOT know the origin of the Dune mini-series. You did NOT know the popularity of it. You did NOT know the history of the SciFi channel and thought it was affiliated with Showtime. You do NOT seem to know the difference between a "space opera" and general science fiction.
Incorrect. Your m.o. to go out of your way to cherry-pick my posts always does a nosedive into the tidy bowl.

I don't lie awake at night jerking myself off with a Threepio sock puppet because I "know the history of Sci-Fi/SyFy. I really don't like interacting with people like you because you suck the fun out of everything. Trust me, this will be the last time I indulge your full frontal nerdity in this thread. You can start another one.
Space opera is the subgenre of science fiction that emphasizes warfare and conflict over exploration, philosophy, poltics, etc., with no shortage of melodrama. However, that doesn't mean those elements are minimized or absent, they're still part of the mix. Robert Heinlein's groundbreaking
Starship Troopers is a space opera, but the film cheapens the story and overemphasizes less important characters. The novel won the Hugo but has been repeatedly criticized as fascist and pro-military. Arguable. One of the book's key scenes is when Rico goes to enlist. His dialogue with the recruiter reveals a man who isn't a chest-thumping "You want this!" kind of personality but is keen to ascertain whether that's what Rico really wants. He rolls around casually from behind his desk on his wheeled chair while they're talking to reveal he's a double amputee. In the movie version, the recruiter is robotic, and merely says "The military made me the man I am today!" The camera cuts to show he has no legs, but it's now a gimmick. There's no emotion, no drama. The book's scene is somewhat poignant. The film's scene is just one component in a mindless SF actioner.
A direct translation of
Dune to the screen will be unsuccessful. Why do you think the movie ends with the crysknife duel, and the next third is being saved for the second movie? It's not going to be a three-hour courtroom drama.
Monker wrote:This is like me going down the path of the history of DC comics...I avoid those things and try to focus on the movies.
Smart move on your part. You definitely don't know shit about comics. On the other hand, I've read plenty of SF, and I'll say it again:
Dune is overrated.
Monker wrote:On certain things that I know I have a lot of knowledge about, yes, it is.
Irrelevant. You're just an egomaniac.
Monker wrote:Point is, he was involved at one point. I remember reading a story where he had redesigned the Viper for his new series. He has books of sketches of different craft he wanted to use. What I am saying is there was a long history of BSG being remade...years before the miniseries. All of that added to the hype.
There's a long history of bringing
BSG back from tbe boneyard, but Singer's a footnote. The guy's always juggled multiple balls (sometimes literally) via his Bad Hat Harry Productions. There wasn't much press given to his push for a new
BSG show and that was before Sci-Fi Channel's involvement. After
The Usual Suspects, he made
Apt Pupil. Any chance of a real opportunity to work on
BSG would've been vanquished once he got the
X-Men gig. He appears to vie for multiple projects to ensure he'll got at least one and continue being a paid director. After
X2, Singer was booted from Fox when they learned he was taking the
Superman Returns gig.
But! Singer's so-called involvement doesn't end there. When Larson was pitching a theatrical
Battlestar feature film in the late 2000s, Singer wanted to sign on, but he couldn't because he'd already accepted another gig: directing a piece of tonally fractured trash called
Jack the Giant Slayer.
Moving right along...
Monker wrote:A lot of fans rebelled against Ron Moore's vision of BSG because they wanted Hatch's continuation. Saying how it could have been perceived is ignoring how well received his preview was. Without Richard Hatch continually pushing for a revival of BSG, Moore's may have never existed.
Now you're really spewing the hyperbole. Hatch's trailer concept was made
years earlier. It just didn't gain traction. Universal wasn't into it. It had no effect, good or bad, on Sci-Fi Channel's (your favorite network) move to commission Ron Moore and David Eick to write/produce the miniseries. They finally got a foothold and went for it.
Monker wrote:And, again, the point is there was a lot of hype prior to the release of the BSG mini-series. It had a lot of things going for it and I am NOT arguing that it was unpopular.
Of course, because you know it was, and IS.
Monker wrote:The reboot started out good and had potential. As the series went on, it had cliche writing with no direction that relied on shocking moments for drama, sexual moments to be edgy,
I'm the first guy to stand up and say
BSG (2004-2009) had bad episodes. Some didn't make any fucking sense in the context of things. I mean...an entire episode about boxing!!?? That was just silly. It happens to most shows that keep getting extended. Fillers happen.
Yeah, the show got dark. But it's a reflection of humanity, and humanity was onboard that fleet. The fleet was humanity. Sure, there was the attempted rape of Boomer, but the Pegasus arc was overall very good, and Cain's demise came too soon. She was too hardline, two-note. But the intermixing of crews was realistic. After all, the Battlestars are the warships. Military.
Monker wrote:and IMO is the most over rated weekly series the SciFi channel ever produced.
Yes, in your opinion. You're entitled to an opinion. But that doesn't mean it is.
Monker wrote:Yeah, you pull articles to repeat your OPINION. But, they do not show any facts.
Bullshit. Plenty of facts. Facts up the ass. You want to think
Dune is the "greatest SF novel of all time"? That's your
opinion. (Sensing a theme?) Zelazny, Niven, Heinlein, Haldeman, Delany and Clarke say hi. In fact, Clarke is where Denis is going next. I can't wait to see what he does with
Rendezvous with Rama. That will be unlike anything we've ever seen on the screen. It'll need to be modernized, natch, but that won't hinder a thing.
Monker wrote:THAT is the difference between the two. Dune is NOT a space opera. That is a fact...despite how many OPINIONS you quote.
I need only my opinion, that being that, again, the book isn't, and the movie is. Deal with it.
Monker wrote:The same type of critiques have been said about Tolkein and "Lord of the Rings". He does not follow traditional writing techniques making it harder to read and understand. At times he wrote things completely out of order making it harder to know the chain of events that happened. Those are just a couple things. HOWEVER, the LOTR trilogy are considered the best fantasy novels of the 20th century.
You only help prove my point. Tolkien's writing was on the cumbersome side, bogged down with so much background that should have been delivered in measured doses, instead of dumping all the batter on the reader at once. Herbert did another thing that irks many people: gratuitous foreshadowing. Sometimes he tells you what's about to happen before it happens, which is a big no-no in dramatic storytelling. You don't throw spoilers into your own story. It goes back to self-editing: Some can, some can't.
Monker wrote:The same applies to Dune..it may be your opinion, and even mine, that they are stories that I don't care to read. But, that does NOT mean that Herbert was a bad author or story teller and the novels do not deserve to be recognized among the greatest science fiction stories ever written.
You have to clear your "head desk" and stop letting things overlap so much. A book getting recognized is one thing. The author's writing, good or bad, being analyzed is another. H.P. Lovecraft is another author whose books I dig. I read them all decades ago and revisit my favorites occasionally. But he's also been called out for his writing, and I can't really blame the critics for that. You either go along with his long-winded style, or you leave it. The same applies to Tolkien, King, Barker, etc. (And Barker, wow, there's another guy who uses far too many words to say something.)
Monker wrote:I love many HG Wells novels.
Great. I love E.A. Poe and R.E. Howard.
Monker wrote:The point is, just because you and others do not like it does not mean that the author is a bad writer. Put the book down and read something else. I remember after I put Dune down, I read "Watership Down", "1984" and "Animal Farm". All kept my interest more than Dune and "Food of the Gods".
Sometimes subpar writing is exactly that. Not every author is cut out for writing a lengthy novel. Some can just hold it together better than others.
Dune initially was two shorter novels, published in the SF zine
Analog. Herbert meshed them together for the publisher. Sometimes an expansion works, sometimes it's better to streamline...
It takes a lot to impress me. You wouldn't believe some of the talent out there. A few years ago,
F&SF (I buy that only occasionally, it's been a while) published a novella titled "The Darkness Between." While that title is mundane, the actual story is anything but. It's superb. It could easily translate to a film. I don't have that copy handy, so you can research the writer. Should be easy enough.
You cited
Watership Down. Richard Adams wrote another, better novel called
The Plague Dogs. It's one of my favorites. It's one of the most intelligent treatises on animal behavior in fiction. The two title protagonists are as human as any biped, even more so. The narrative is layered like a Greek odyssey and builds to a powerful resolution. (The animated film was short, dealt with the most depressing aspects of the novel, and left out many of the best parts.) Adams' style is the opposite of succint but never feels burdensome. It's an incredible work that's overshadowed by its predecessor,
Watership Down.
Monker wrote:Again, you just don't know what you are talking about.
No, I just think you like typing on your keyboard on slow days at the office. World-building is a broad concept, and ecology is but a part of that. You're just babbling on and on. And on. And on. And on. Done here.

P.S. Okay, back to DC!
P.P.S., I hope you let Wil have a reacharound.