Monker wrote:So, you can do with comic books exactly what I can do with scifi. So, who's more nerdy, the nerd or the one who calls others a nerd in a nerd filled topic?

Monker wrote:verslibre wrote:You ask for it when you say "nobody cares" what the film iterations of the IPs are like compared to their origins. Take
that!
It's irrelevant. A good writer writes for his media and his audience. A comic book is a different audience and a different media than film.
So, doing a 1 to 1 copy is basically a stupid idea. Look at "Lord of the Rings"...widely regarded as one of the best film adaptations of a novel...
and the reality is that it barely followed the source material at all. Marvel did it right by using the comic books as source for inspiration of ideas but fitting them into a movie that does what the MCU wants or needs.
Of course it's relevant. Take off the blinders. Why aren't the origins of Superman in
Superman (1978) and
Man of Steel (2013) identical? Why aren't the origins of Batman in
Batman (1989) and
Batman Begins (2005) identical? Because the latter films are based on reboots in the comics published in different decades. Are you saying
nobody noticed? Frank Miller's reimagining of Batman for
Batman: Year One (a four-issue event, mind you) is what Nolan sourced for his film because it's a far more modern, more interesting take. In fact, some panels/images were translated faithfully and very successfully from David Mazzucchelli's art to film. Zack Snyder's adaptation of
Watchmen is a sequentially faithful rendition and it's amazing. Your saying “it's a stupid idea” is just (wait for it) YOUR opinion!
Re: Tolkien's
Ring saga: It uses the source material, but not all of it. So, "barely" is like, way off.
The Hobbit is a smooth read but the main books are cumbersome and laden with all manner of peripheral details that could grind any filmic adaptation to a halt. That's why Jackson streamlined the narrative, merged arcs, deleted characters and sequences and even downsized the topography of the realms so he wouldn't lose Average Joe Viewer. If Tolkien wrote those books today, they'd be wildly different. His penchant for encyclopedic detail remains a common complaint. But Jackson didn't emerge unscathed. Some fans think he should have kept some elements. It is what it is.
Monker wrote:Also, the fact is that comic book fans are by far a minority in the audience of a successful comic book movie.
They're not the majority but their numbers are greater than you guesstimate, i.e., not the “5%” you probably imagine it is.
Monker wrote:verslibre wrote:More accurately, we were just glad Hamada was out of there because he started out alright but then got some wild hairs up the derriere about what he thought the "Trinity" onscreen should be: Wonder Woman (Gal Gadot), Batgirl (Leslie Grace), and Supergirl (Sasha Calle). No Superman or Batman. While Batgirl and Supergirl are no doubt integral to the Batman Family and Superman Family, respectively, neither comprises the 33.33% of the DC Trinity. That will always be Wonder Woman, Superman, Batman.
More accurately yet, reread the first page of this thread.
I also constantly poked fun at Hamada's vision of the future, in the other thread, back when he was in charge.
You did it because you like to dunk on DC. His intentions were made clear later.
Monker wrote:Funny that you agree with me now but not back then, when it mattered.
Better yet, why don't
you reread the first sentence of the paragraph you're responding too? You know, the part that goes “...he started out alright but then got some wild hairs...”?
Your movement of goalposts is a silly needless tactic that won't help your argument (any of them). Your opinion is
your opinion, nothing more/less, and it no bears no additional weight in any context. Things change. You know, like your most favoritest band in the world changing lead singers like underwear.
Monker wrote:verslibre wrote:The studio lied to us.
Oh, please, you believed what you wanted to believe. Even recently, you STILL look for any sign for a return of Snyderville...because you WANT it to happen.
Try to keep up. No, the studio full-on bs'd everybody. Purposely. Do you actively avoid the trades and social media? That could explain your ignorance.
Monker wrote:It was very, very, very obvious that MOS2, BA2, BAvSM, etc., were never going to happen, after BA's first week. {Blah, blah, blah, blah, blah, blah...listen to me type.}
Try to keep up. Pam Abdy and Mike De Luca were brought in as WB's film chiefs after MGM released them. Under their helm, the new post-
Aquaman and the Hidden Kingdom slate was to be
Man of Steel 2 — starring Henry Cavill and Sasha Calle (the villain was going to be Brainiac);
Ben Affleck's Batman film, which reportedly has a tremendous script penned by Ben himself, in which the Dark Knight squares off against Deathstroke (Joe Manganiello);
Batman Beyond —starring Michael Keaton;
Superman v Black Adam;
Justice League Part 2 — directed by Zack Snyder.
Instead, Safran convinced Zaslav to bring in
his friend James Gunn, who proceeds to develop a new, completely different slate that “costs less” or whatever. But therein lies the danger: How much
buzz will it generate, if any?
The Suicide Squad flatlined upon release. Nobody talks about it.
Monker wrote:Gunn didn't like the script for WW3. You are kidding yourself if you think that is the only reasoning for Gal and Jenkins getting kicked to the curb. WW84 *SUCKED* and is barely watchable.
Wonder Woman 1984's narrative gets strange but visually it's just fine. Had the movie been released pre-pandemic as originally planned, it would've made money. “Barely watchable” is a patently Monker exaggeration. Go look at
Black Widow and
Ant-Man: Quantumania for forgettable, barely-watchable fare.
Black Widow made less money than
Black Adam when it should've earned 600 million without China.
Monker wrote:Gal and Jenkins are NOT this magical pair that release billion dollar films. It happened ONCE but it became obvious that they must have had a LOT of help with that debut film.
That's your assumption — nothing more, nothing less.
Monker wrote:Cutting Afleck, Gal, and Cavill from the recent films only makes sense since they are no longer part of the new DCU. It would be STUPID to keep their cameos.
Is your caps lock on? Yes, they're cutting scenes and ordering reshoots because of Gunn, which is more money out the window. WB is good at that. (See: Joss.)
The Flash and
Aquaman 2 having three or four different versions means more money is wasted because one guy pulled the rug out.
Aquaman 2, a sequel to a billion dollar movie, could be doomed. You really think that's smart, huh? Un-fucking-believable.
Monker wrote:So what. Nothing could have saved WW84 or BA.
Black Adam is a good movie. What could've “saved”
WW84 was not letting Geoff Johns submit a treatment.
Monker wrote:The "Snyder Cut" of Justice League was not THAT much better.
That's your opinion. The fact is,
ZSJL whups
Josstice League's ass up and down the pavement.
Monker wrote:The Ayer cut of Suicide Squad is probably no different.
Invalid remark. Hypothetical. You've not seen it. It contains additional footage and a different ending.
Monker wrote:Aquaman 2 isn't released yet...so you can't judge that.
But James Wan, its director, CAN. His remarks far outweight yours, keyboard warrior.
Monker wrote:Also, Marvel has ALWAYS meddled and had reshoots. As I said, when Feige backed off some, you got screaming goats.
Irrelevant. Isolated example.
Monker wrote:verslibre wrote:Zaslav just wants bucks.
Duh. WB *NEEDS* $'s. They need billion dollar films, not less than mediocre fillers. With a few exception, all DCEU/DCU films lately have been less than mediocre fillers.
More reason to not have fucked with the slate. It's anyone's guess what Gunn's slate (if it even happens) will earn. I hope Universal buys WB and installs Nolan as DC showrunner (or he reinstalls Abdy & De Luca).
Monker wrote:The Flash should have never been released. It went through a few iterations of what it was supposed to do and set up. What was Gunn supposed to do? Allow Keaton to be setup as Batman and allow Supergirl to replace Cavill? The entire movie failed to have a purpose.
It's not what's he supposed to do, it's what he did: grab a huge eraser and start erasing.
Monker wrote:Also, if Aquaman 2 fails as bad as BA, Shazam, and Flash, I doubt Momoa will be doing another Aquaman movie...and justifiably so.
And why should a sequel to a buzz-intensive billion dollar-earning origin CBM fail? Because its director was not allowed to fulfill his vision. Why you continually fail to see what's going on is beyond me. You're in a bubble, and I bet it smells like stale farts in there.
Monker wrote:verslibre wrote:Tra-el and myself will both concur that Gunn defied expectations and made a "good Superman movie."
I doubt it. I think you'll compare it to MOS and dream about what could have been...especially if it does not make a billion.
Yet another assumption. Rest assured, if buzz is low, it won't earn a billion, unless WB fudges the ledgers the way Disney did for
Captain Marvel. Then what are you going to say? Probably something juvenile like “The Snyder cultists didn't give it a chance!”
We'd all like to see another great Superman movie. I just want to see good movies, period.
Monker wrote:I like the stories, not the fanville.
Or maybe you're an agoraphobe. (See? That's an assumption.)
Monker wrote:Don't care.
Maybe you two have something in common.
Monker wrote:I did not define "quality". I said they were successful. They were - all three GotG movies were.[/.quote]
Financially successful. Artistically? That's a whole other discussion.
Monker wrote:verslibre wrote:The Suicide Squad is only marginally better (but the writing still left much to be desired).
Meh. It's not that much better than the original.
Try to keep up. I was clearly referring to
TSS being “marginally better” than
GOTGV2, not Ayer's film.