Monker wrote:They brought him in for the same reasons Wonder Woman is in BvS, to introduce him for his solo movie.
Spider-Man was an unnecessary inclusion, and it still makes Tony look like a tool when he brings him to the airport.
Monker wrote:First of all, this isn't the comics - it's irrelevant.
But it IS relevant, because that's the medium from whence it came. Were it irrelevant (because that is an absolute), Marvel wouldn't make an hour-long special like
Marvel's Captain America: 75 Heroic Years and air it in the same time slot as
Agent Carter. That's Marvel's way of saying "THIS is how it all began! Feel free to pick up the big trade collections and read ALL the stories!"
Monker wrote:verslibre wrote:Peter is introduced in CW in a scene that reeks of a coda to principal photography.
He comes forth in a scene that shows he idolizes Stark and it sets up Stark as his mentor. Then, later, he goes about saying he has to impress Mr. Stark. Gee, I wonder why Stark is in Homecoming. It just makes no sense at all why they went through all of this.
It doesn't, until you remember that RDJ asked for mo' money (he got $30 million), so they put together that hokey slapdash scene to squeeze a little more juice out of the Downster and make Peter lick the Toner's nuts. So now Bony Tony is the "inventor" of his underoos.
Monker wrote: Apart from that, he's in the green screen airport battle — and a super-quick post-credits scene. Spider-Man's MCU branding smacks much more "promotional" than Diana's in BvS could ever be.
That's why she's there. Well, that and for T&A. Not sure how well a teen Peter Parker does with teenage girls and getting them to the theater.
Oh, baby, T&A. Give it to me. After that pic of Liz Olsen showing off the sistas on the red carpet, I think Scarlet Witch should go full peep-show. And thanks, Joss, for all those lingering shot of ScarJo's tight ass in Avengers. "The man knows!"
Monker wrote:verslibre wrote:Hence why I said that change likely had no effect on you. The words had no impact like when Steve said 'em.
I disagree...he is at the funeral of someone he cared about very deeply. It was an emotional moment deepened by her daughters timely words of wisdom. Just as you say the boy dying was Stark's last straw, this was Roger's "last straw" to convince him he was doing the right thing.
First, Sharon is not Peggy's daughter. Sharon is her niece. You thought Steve was mackin' down on Peggy's KID? Man, you are SICK!!
http://marvelcinematicuniverse.wikia.com/wiki/Sharon_Carter (Since you take nobody's word for anything.)
Second, I don't mean Steve wasn't affected, I mean the
GA! Remember when I said something about Vancamp's "monotonal" delivery? :lol I thought I'd made that abundantly clear, but whatever...
Monker wrote:verslibre wrote:The audience was waiting for the next fight, anyway.
I don't think so. The correct way to write drama is to have conflicts and then lulls to deal with the impact and then conflict with higher stakes and then lulls. That builds things and gives the audience a break to digest.
I know so. IMDb's users confirm it, too. Go look at the threads in there. Marvel's stories aren't as textured, and everyone was waiting for Bucky's breakout and the big airport battle since that's how they sold the movie.
Btw, a lot of people "out there" (meaning not MR) agree Tony got nerfed. His suits are made of a titanium alloy. That shit's hard to dent, let alone bend, twist, tear, etc.
Monker wrote:When it is written as: lull, lull, lull, lull, lull, lull, action, action, end of movie....Well, the first two thirds of the movie is boring, the action may wake people up, and the movie over-all is horrible.
Except
BvS wasn't a series of lulls until the three big action set-pieces. After the opening montage, we have the Black Zero flashback. That's action right there. Later, we have the Batmobile sequence. More action. Between and after is more exposition, which leads to the film's centerpiece, and then two more insane action-packed blow-outs. You didn't see the full scene.
Monker wrote:verslibre wrote:It's ALL painfully obvious to the average bear, Boo Boo. If you put a crayon sketch of a square and a triangle in a nice frame, it doesn't alter the appearance of either shape. The contrast between Tony and Steve was apparent before the MCU existed. Everything I pointed out sits on the same level of clarity.
It's not apparent to 90% of the audience, who do not follow the comics. The contrast has been building since the first Avengers movie. This was the climax of all of that.
No, that's just how they wanted to sell it (and you bought it). Every character has his or her difference with whoever, but this whole "massive tension brewing between Steve and Tony" is greatly exaggerated. They had a moment in the first
Avengers, but it had more to do with two guys who barely know each other. Their second "moment" in
AoU had to do more with chest-thumping. ("You haven't seen MY dark side!") The big brouhaha in this new movie started in this new movie. And it didn't even really start until Tony saw that very convenient (and fuzzy) security footage. All that stuff with the Accords was padding because they didn't do it like the comic (it made more sense there), and without Banner and Thor signing the documents (and we know that will never happen, because the former ain't signing shit and the latter doesn't feel the need to adhere to the laws of Earthmen), then the international community can't enforce jack or shit on the Avengers as a functioning entity. If anybody could MAYBE talk Steve into it, it would be Fury (surprise! he's not in the movie), and even then, it would be quite a task.
FYI.
Monker wrote: verslibre wrote:There just happened to be a security cam on a patch of lonely road. TWS just happened to not be masked. He just happened to mug for the camera.
"It's just written that way."
You're learning.
Monker wrote:It's a Hail Mary. The only thing it was designed to do was make two guys fight over one guy's friend. No foreshadowing of their reconciliation was necessary, either. They already showed the first step before Rogers' break-in at the Raft.
It's not a hail Mary when the entire movie was written to build up to that point. And, that's not an opinion, it's a fact.
Forced. They were writing a different movie till Feige stuck his nose in the office and nerfed them.
Monker wrote:Poe writes, "Here then the poem may be said to have its beginning — at the end, where all works of art should begin".
At least you can spell his name correctly.
Monker wrote:As I have said, this isn't the comics. It may not match the comics at all....and it doesn't have to.
Okay, then, maybe I should drop a MASSIVE spoiler right here that I bet they WILL take from the storyline.
Monker wrote:verslibre wrote:Like Superman's sacrifice at the hands of DoomZod? Or are you going to unfurl your His death was unearned! flag?
Yes, like that...if his death meant anything and the audience bought into it.
I was never under the impression it was a question of
if.
Monker wrote:I did not say anything about his origin. This Batman is not the same as any we have seen on screen before.
And he still didn't need another solo movie before
BvS.
Monker wrote:Also, you need a quick grammar lesson. Batman was not supposed to be grisly. That word means "disgusting, horrible, bloody, repulsive." Like "his grisly murder," etc.
No, I meant 'grisly' as in a man who tortures people and brands them with his logo with the intention of giving them a death sentence when they go to prison.
Tell me, does this act qualify as torture:

You mean it does? You can thank Frank Miller. (You can also thank a few other writers while you're at it.)
Monker wrote:I said they were "more like Easter Eggs".
Stop backpedaling.