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strangegrey wrote:Hey gang,
I am making an appeal for some help. It requires a tad of preamble, but I'll be swift.
A little known fact about me is that in my free time, I build guitar amps. Mostly for fun...I've sold a few. But for the most part, I build em because they're alot of fun to build. Anyway, in the past few months, there's been some local interest for me to make some amps for some local guitarists. So I've decided to give it a go. Currently, I'm in the middle of designing a prototype of an amp to offer for sale. But I've hit a huge stumbling block.
What to *call* the amp?!!?
See...if the amp is successful, subsequent amp designs should tie in with previous designs....i.e. asserting a brand! So to that end, I've decided to stick with a fantasy theme that I really enjoy....Piracy!
So these amps will need to be named after either pirates, pirate phrases, terms, etc. (without overtly violating tradmark) And this is where I am creatively stuck. So I'd love to hear your opinions and perhaps even get you to vote. Here's the choices I have so far:
ScallyWag
Wicked Wench - In Pirates of the Carribean lore, Wicked Wench was the name of the Black Pearl prior to Jack Sparrow captaining the ship.
Bilge Rat
Buccaneer
Cutlass
The Tortuga
Ehwmatt wrote:Before I make a decision, what kind of sound are you going for? Here are my thoughts:
To me, a name like Buccaneer would be great for a Texas-style mid-gain amp in the vein of a Mesa Lone Star. A Cutlass would be like a Fender Hot Rod - cutting and clean. A Wicked Wench would be a ball crushing, high gain, dark sound. A ScallyWag would be a twangy amp. A Tortuga doesn't evoke any sound to my head right away...
Ehwmatt wrote:Whatever you do see if you can put a direct out or direct recording feature on that thing - I miss recording my tube amp and I just can't do it here in this apartment, especially not after they got pissed for my drunken jams a few weeks ago
larryfromnextdoor wrote:Ehwmatt wrote:Whatever you do see if you can put a direct out or direct recording feature on that thing - I miss recording my tube amp and I just can't do it here in this apartment, especially not after they got pissed for my drunken jams a few weeks ago
and a "Standby"...
StocktontoMalone wrote:Why does it have to have a catchy name at all?
Marshall isn't a catchy name. Pyle, same thing. Behringer - boring. Fender, Crate, Pyramid - all the same thing. A basic name.
Call it something simple like Octave, or Decibel.
strangegrey wrote:Jana wrote:Strangegrey.
LOL.I'm not so sure that fits the theme...
strangegrey wrote:Jana wrote:Strangegrey.
LOL.I'm not so sure that fits the theme...
strangegrey wrote: There'll be a knob that can adust the amps output from 18-20 watts down to about 2 watts. The idea is that you can adjust the amp from gig volume down to bedroom volume, and still get a 'cranked' sound.
larryfromnextdoor wrote:strangegrey wrote: There'll be a knob that can adust the amps output from 18-20 watts down to about 2 watts. The idea is that you can adjust the amp from gig volume down to bedroom volume, and still get a 'cranked' sound.
i just dont think this is possible.. if you can do this ill buy your first one..
ive been playing with a fender hot rod 40 watt.. 1 is not loud enough and 3 is the same as 10..too loud..
i bought a gizmo ( has a funny name ,cant remember it ) to make everything one volume.. its
too dificult to use with a lead pedal ..
Ehwmatt wrote:larryfromnextdoor wrote:strangegrey wrote: There'll be a knob that can adust the amps output from 18-20 watts down to about 2 watts. The idea is that you can adjust the amp from gig volume down to bedroom volume, and still get a 'cranked' sound.
i just dont think this is possible.. if you can do this ill buy your first one..
ive been playing with a fender hot rod 40 watt.. 1 is not loud enough and 3 is the same as 10..too loud..
i bought a gizmo ( has a funny name ,cant remember it ) to make everything one volume.. its
too dificult to use with a lead pedal ..
Are you thinking of an attenuator or power soak? I've never tried one.
Fenders are INCREDIBLY loud. I love em but they just aren't for bedroom players. My Mesa gets decent preamp saturation so it at least sounds passable at low volumes. The lead channel is also compressed enough to give me sustain without blowing my eardrums
larryfromnextdoor wrote:Ehwmatt wrote:larryfromnextdoor wrote:strangegrey wrote: There'll be a knob that can adust the amps output from 18-20 watts down to about 2 watts. The idea is that you can adjust the amp from gig volume down to bedroom volume, and still get a 'cranked' sound.
i just dont think this is possible.. if you can do this ill buy your first one..
ive been playing with a fender hot rod 40 watt.. 1 is not loud enough and 3 is the same as 10..too loud..
i bought a gizmo ( has a funny name ,cant remember it ) to make everything one volume.. its
too dificult to use with a lead pedal ..
Are you thinking of an attenuator or power soak? I've never tried one.
Fenders are INCREDIBLY loud. I love em but they just aren't for bedroom players. My Mesa gets decent preamp saturation so it at least sounds passable at low volumes. The lead channel is also compressed enough to give me sustain without blowing my eardrums
YES .. thats what its called.. its a line in and out.. but very hard to use..
my problem is that i like a 70's crunch sound that isnt metallica distorted.. hard to get that ..
larryfromnextdoor wrote:
i just dont think this is possible.. if you can do this ill buy your first one..
larryfromnextdoor wrote:Ehwmatt wrote:larryfromnextdoor wrote:strangegrey wrote: There'll be a knob that can adust the amps output from 18-20 watts down to about 2 watts. The idea is that you can adjust the amp from gig volume down to bedroom volume, and still get a 'cranked' sound.
i just dont think this is possible.. if you can do this ill buy your first one..
ive been playing with a fender hot rod 40 watt.. 1 is not loud enough and 3 is the same as 10..too loud..
i bought a gizmo ( has a funny name ,cant remember it ) to make everything one volume.. its
too dificult to use with a lead pedal ..
Are you thinking of an attenuator or power soak? I've never tried one.
Fenders are INCREDIBLY loud. I love em but they just aren't for bedroom players. My Mesa gets decent preamp saturation so it at least sounds passable at low volumes. The lead channel is also compressed enough to give me sustain without blowing my eardrums
YES .. thats what its called.. its a line in and out.. but very hard to use..
my problem is that i like a 70's crunch sound that isnt metallica distorted.. hard to get that ..
strangegrey wrote:larryfromnextdoor wrote:Ehwmatt wrote:larryfromnextdoor wrote:strangegrey wrote: There'll be a knob that can adust the amps output from 18-20 watts down to about 2 watts. The idea is that you can adjust the amp from gig volume down to bedroom volume, and still get a 'cranked' sound.
i just dont think this is possible.. if you can do this ill buy your first one..
ive been playing with a fender hot rod 40 watt.. 1 is not loud enough and 3 is the same as 10..too loud..
i bought a gizmo ( has a funny name ,cant remember it ) to make everything one volume.. its
too dificult to use with a lead pedal ..
Are you thinking of an attenuator or power soak? I've never tried one.
Fenders are INCREDIBLY loud. I love em but they just aren't for bedroom players. My Mesa gets decent preamp saturation so it at least sounds passable at low volumes. The lead channel is also compressed enough to give me sustain without blowing my eardrums
YES .. thats what its called.. its a line in and out.. but very hard to use..
my problem is that i like a 70's crunch sound that isnt metallica distorted.. hard to get that ..
Larry, did you buy one of those power knobs that you get on ebay?...the kind that sits in your effects loop? If so, that will do nothing to your tone, as all it does will be to limit drive into the Phase Inverter circuit. The Fender Hot Rod series is also biased in such a way, that you're going to get mostly clean throughout the volume knob.
I would look into some of the pedals out there (and not the boss stuff) more like the fulltone OCD or the Fulldrive II Mosfet....both two great pedals....even if Mike Fuller is a plagairistic bitch ass who's stolen most of his designs!
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