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Monker wrote:What do you people think is the best way to learn guitar without spending $'s on lessons?
steveo777 wrote:If I were going to learn, I'd first decide what kind of guitar I wanted, buy it, then take professional lessons.
I used to play a Franciscan A-580 that my parents bought me back in jr. high. It had a really mellow tone and was a fine acoustic, nylon stringed guitar. I moved away from home and the parents sold it. I'd love to have it back, but so far have not found any for sale.
I need to pick it up again. I also have a Martin D-28 stashed somewhere and I need to find it. It also came from the 70's and a guy lost it to me on a bet, back when I was in the service.
Monker wrote:What do you people think is the best way to learn guitar without spending $'s on lessons?
Monker wrote:What do you people think is the best way to learn guitar without spending $'s on lessons?
Everett wrote:Monker wrote:What do you people think is the best way to learn guitar without spending $'s on lessons?
Try guitar hero first. I SUCK at that game
Liked that one did ya?Everett wrote:kum by ah lol
There's a lot to be said for that. And there's no better motivator than witnessing your own progress via something produced by you which you couldn't do only a day or a week prior. The more you learn, the faster you'll learn. Agree with RPM about the tedium of chords and scales but they're so important in the grand scheme of things. Think of them as the peas and carrots you had to eat with the rest of your dinner and you couldn't get dessert until you ate them.RPM wrote:The first song I learned how to play on guitar was "stone in love"
Its easy to play, And it was fun to play along with the record, find songs you
like that are not to difficult, keep the learning fun, do you have a friend who
is more experienced? scales and practicing chords can be boring, so mix that up
with songs as you are learning, as was suggested above, tabs are a great way for
a beginner learn. for me the fun was hearing myself playing something i knew
and enjoyed, keep it fun
Hell... the math says I've been playing for 42 years and even when I was at the pinnacle of my abilities back in my late 20's, I was nowhere even remotely close to this... Then again, there may be 6 keyboardists on the planet who are!Everett wrote:If only I would've stuck with keyboard lessons when I was younger.
My mom pushed me so of course I fought back and eventually won.
I could be playing don't stop believin by now...... I mean blue collar man
JRNYMAN wrote:Hell... the math says I've been playing for 42 years and even when I was at the pinnacle of my abilities back in my late 20's, I was nowhere even remotely close to this... Then again, there may be 6 keyboardists on the planet who are!![]()
http://www.youtube.com/watch?v=WV-gddts3I0 (His entire solo is unreal and beautiful but the real fun starts at 2:36... hehe!)
Ahhh... he was still doing the strolling solo then...verslibre wrote:Wakeman "passed" right by us during his solo.
JRNYMAN wrote:Ahhh... he was still doing the strolling solo then...verslibre wrote:Wakeman "passed" right by us during his solo.
Not sure what happened to ol' Ricky but somewhere along the way he decided to BECOME Merlin!![]()
That particular solo I posted is from their show at Shoreline in the Bay Area - Quite possibly the best amphitheater sound-wise I've ever experienced. I think it has something to do with how steep the damn place is!
![]()
Between Wakeman, Rudess and Emerson, I'm pretty sure 90% of the talent is used up.The other 10% is what got divided between the rest of the keyboardists on the planet.![]()
verslibre wrote:JRNYMAN wrote:Ahhh... he was still doing the strolling solo then...verslibre wrote:Wakeman "passed" right by us during his solo.
Not sure what happened to ol' Ricky but somewhere along the way he decided to BECOME Merlin!![]()
That particular solo I posted is from their show at Shoreline in the Bay Area - Quite possibly the best amphitheater sound-wise I've ever experienced. I think it has something to do with how steep the damn place is!
![]()
Between Wakeman, Rudess and Emerson, I'm pretty sure 90% of the talent is used up.The other 10% is what got divided between the rest of the keyboardists on the planet.![]()
Don't forget Jan Hammer! He's way up there. He blazed many a trail in the '70s and his Minimoog solos were to die for. I doubt he even owns one now...*sniff*
How dare you interrupt this hijack with your topic-relevant post?!brandonx76 wrote:I'm following this product for piano (the piano version), I'm hoping to get through by early next year, then start with lessons...
http://www.amazon.com/Gibsons-Learn-Mas ... ter+guitar
Wow! That is amazing. The feature that impressed me the most was the sympathetic resonation. When you remind yourself that aside from the keys themselves, there are no moving parts to create the sounds. Technology has been very kind to the music industry and the instruments which make the music. Back in the day, when I owned the kit i listed above, everything had to be programmed on the fly. Sure there were a few presets but by and large, you were constantly turning knobs and adjusting sliders. Sequencing, midi, oversampling,.... those were foreign words to a keyboardist. Then, Yamaha changed everything when they released the DX-7. Gone were the days of lugging around numerous pieces of heavy, bulky equipment necessary to re-create the sounds required. That was the single biggest leap in the world of keyboards since the Fender introduced pressure sensitive keys a few years prior which, when compared to what Yamaha brought to the table, wasn't really that big of a breakthrough. The abilities of today's most tech. advanced keyboards are nothing short of amazing.slucero wrote:I have Synthogy Ivory on my Mac... amazing sounds...
http://www.youtube.com/watch?v=SCc8ALV93H0
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