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brandonx76 wrote:As much as I prefer an acoustic kit to play, for a learner i would highly recommend an introductory electronic set from Yamaha or roland... These will save your hearing and allow a beginner to get some necessary basics learning done... Look for budgets around $600 to $1200. The great thing about electronics is ability to play at almost any hour of the day... Acoustics... Introductory wise, guitar center and the like all sell kits under $700... But again, unless you have the space , I recommend an electronic kit with a 2 to 3 year plan for upgrade to acoustics. Good luck and MAKE SURE to protect the ears ... Cannot stress this enough
slucero wrote:brandonx76 wrote:As much as I prefer an acoustic kit to play, for a learner i would highly recommend an introductory electronic set from Yamaha or roland... These will save your hearing and allow a beginner to get some necessary basics learning done... Look for budgets around $600 to $1200. The great thing about electronics is ability to play at almost any hour of the day... Acoustics... Introductory wise, guitar center and the like all sell kits under $700... But again, unless you have the space , I recommend an electronic kit with a 2 to 3 year plan for upgrade to acoustics. Good luck and MAKE SURE to protect the ears ... Cannot stress this enough
I agree with this...
I loaned my Roland TD10 kit to my best bud for a bit so his teenage kid could learn... his mom was forever grateful....
I see decently priced electronic kit's on Craigslist all the time..
JRNYMAN wrote:slucero wrote:brandonx76 wrote:As much as I prefer an acoustic kit to play, for a learner i would highly recommend an introductory electronic set from Yamaha or roland... These will save your hearing and allow a beginner to get some necessary basics learning done... Look for budgets around $600 to $1200. The great thing about electronics is ability to play at almost any hour of the day... Acoustics... Introductory wise, guitar center and the like all sell kits under $700... But again, unless you have the space , I recommend an electronic kit with a 2 to 3 year plan for upgrade to acoustics. Good luck and MAKE SURE to protect the ears ... Cannot stress this enough
I agree with this...
I loaned my Roland TD10 kit to my best bud for a bit so his teenage kid could learn... his mom was forever grateful....
I see decently priced electronic kit's on Craigslist all the time..
Hey Slucie, remember back in the 80's or maybe it was the early 90's some company made those electronic sticks that would generate the sounds of drums and cymbals depending on how you shook or "played" the air drums? Those would probably be real cheap for Tater dontcha think?![]()
strangegrey wrote:stay away from electronic drums. Drums are an instrument, not a computer.....there's subtleties to hitting the skins, the rims, the sticks....all of those things you will miss out on when you are starting out.
The suggestion about a Pearl Forum or Export kit is the way to go. Go to Guitar Center and check out the used kits....spend some extra coin on a good used kit by Pearl, Tama, Sonar, etc....instead of a crappy new kit from some no-name company.
Warranty is meaningless with drums. They either hold up or they do not.....so stick with a good used kit and bang the hell out of it until you start making music...
http://www.nielsmyrner.com/nielsmyrner/ ... Drums.html
Electric vs. Acoustic Drums
I use Roland V-Drums, specifically a Roland V-Tour Series TD-9KX2 electric drum set, adapted for my teaching studio to create lesson videos and play-along tracks. For years I had a strong bias against electric drums. That changed recently when one of my students graduated from high school and began attending University of Southern California to study jazz drumming with Peter Erskine. When I heard USC had a drum lab equipped with these sets I decided to check them out and see how the technology has evolved. It has come a long way!
For practice and teaching, electric drums are amazing tools. For performance, playing brushes, material requiring subtle dynamic shading and a variety of textures, they fall short of acoustic sets.
There are some big advantages to electric drums. The samples sound great. You can use the direct output to record and create "perfect" sounding tracks quickly and easily. Programming drum tracks and oversampling acoustic drums are common production techniques. Electric sets bridge the gap between playing acoustically and programming digital tracks. There are many fantastic practice tools built into the modules. Mesh pads magnify and make it easier to control the rebound of the drum stick. You can easily control the volume. Probably the biggest plus to an electric set is that you can play it whenever you want. Just throw on headphones and go for it! No angry neighbors, nobody listening in on your practice, nothing between you and your passion.
There are some drawbacks to electric drums. The lower 30% of the dynamic range is gone on an electric set. You can touch a real drum with your hand and every detail of the sound comes out. If you lightly touch an electric drum, nothing happens. Some depth is lost. This matters a lot if you are playing brushes, orchestral snare drum or jazz. For your average pop beat, it doesn't matter as much. Some of the visual appeal and human feel are lost in an electric set. Like a human being, the irregularities and imperfections of an acoustic set tend to add to the appeal rather than take away from it.
Some think the magnified rebound on electric sets pampers the drummer making it easier to play. Due to reduced dynamic range and sensitivity, electric drums can effectively "clean up" your playing, picking up less of the sloppy details when you play inaccurately, inconsistently or with poor technique. These traits can be a good or bad, depending on your perspective and how you utilize the instrument. On an electric set, you can control the volume with a knob. On an acoustic set, you must use technique and dynamic control. If you plan on learning and practicing on an electric set, try to remember just how loud an acoustic set is when you touch it with a drum stick.
10 years ago, the electric sets I tried were so terrible I wouldn't have considered using them. With the introduction of more realistic feeling mesh heads, increased dynamic range, sensitivity control, tunability and customization of modern electric sets, the game has changed. The only catch is that decent electric sets are rather expensive. I'm using a Roland TD-9KX2. I did a lot of research before buying it. In my opinion, it was the cheapest model that felt good to play. It cost around $2700. The big difference between the TD-9KX2 and the cheaper sets is that it has all mesh pads, and solid feeling hoops which respond realistically. It also has a real hi-hat stand instead of a detached foot pedal.
Electric and acoustic sets are really just different. One can't replace the other. Both are good. It’s all about using the right tool for the job.
My mom started me in piano lessons two weeks prior to my 5th birthday because whenever I would bang on the piano at Grandma's house, mom said she could hear a pattern or rhythm in my banging.tater1977 wrote:This got me to thinking back to grade school...
What instruments did you start out on & did you actually continue to keep up with them?
Somewhere in the 60's ..Dad got an electric guitar & tried to teach us Beatle's tunes..
His guitar weighed more than we did...
His "superb" electric amp..everytime he turned it on...it hummed Louder than the
guitar..so who knows if we actually could play it or not...
5th grade - drums...never made it past the old wooden drum pad..
(tried once to impress a date playing wipeout & ended up trashing 2 wine glasses)![]()
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6th grade - Those stupid white / red flutes ...can't even remember that much
about them..except they sucked...well the mouthpieces were more fun..
Jr High - 2 years of piano lessons on an old upright
Bought a new Wurlitzer upright - late 70s ..sold it a year later..
9th & 10th grade -- Choir ( only because our neighbor was the school's music teacher)
Only recently took out the old keyboard & now waiting to have it tuned...or it could be
me ???![]()
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Funny to look back at it all now..
C'mon... you can't tell me that wasn't worded like that intentionally!jrnychick wrote: We figure that we can replace/add components for holidays as long as she sticks with it.
TRAGChick wrote:Noble & Cooley....?![]()
http://www.noblecooley.com
Mark plays them, because Phil Collins played them.
I mean, Mark's Drums were custom built - a House Set and a Touring Set.
...And I'm out....that's all I know.
slucero wrote:Agree that there's no replacing real drums.. but most drum teachers advocate electronic drums with mesh heads because they are literally exactly the same as "real" drums for the beginner, who really won't be able to tell the difference, and for whom learning the rudiments of drumming is way more important.
slucero wrote: his mom was forever grateful....
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