NoMoreTails wrote:I guess you have to be reading through Perry-colored glasses to interpret everything Anit-Perry as a "Journey Myth."
No - not "everything" - but there's a lot of whining seems pretty inaccurate to me.
Go back and count Neal's songwriting credits even on Escape and Frontiers. He wrote on the majority, sure,
Exactly. He was hardly 'in the cold' or the 'odd man out'.
I think by ROR he definitely was the odd man out, his influence is barely there. The "preparatory" work they did was probably mostly stuff that Perry left behind in pursuit of his ROR "vision". Neal's and Jon's initial work was probably for the (should have been) Freedom.
According to the 1986 interview at the Hard Rock Cafe (posted recently in another thread), the initiative for the change of direction came from Schon and Cain. This idea that Journey were all set to record a hard rocking album until Perry 'hijacked' the project is ridiculous.
Why is it so hard for Schon's die-hard fan base to accept that Schon wasn't a victim? That he was as just responsible for Journey's career and direction as Perry?
But by all means...carry on feeling sorry for Schon...I'm sure he appreciates your pity.
Furthermore, Jon and Neal have had a friendship along with a working relationship which I doubt would have ever been the case with SP and JC, SP being the ass that we was...oh, sorry, yet another "Journey myth".
It's true - Perry had a professional relationship with Schon and Cain. Do you cosy up with your colleagues after work the whole time?
So? A number of Neal's solo/side projects have been recorded at Jon's studio or with Jon's help to varying degrees. Recording a Schon-Soto written Journey album at Jon's studio would have Cain's customary input?
I'm not sure what you're taking issue with here.
However, to clarify, I'm not saying Jon will have no input, just wondering if he'll be in the third position, as Neal used to be in the 80s. If this is the case, I'm not even saying it would be a bad thing, as new material should include few ballads and sentimental material in favor of more rockers.
Another myth....that Cain is the "ballad and sentimental material" guy who doesn't know how to write a rocker. Sure, Cain wrote "Faithfully" and co-wrote "Open Arms" - but he also co-wrote "Edge of the Blade" and many other of Journey's heaviest songs.
And equally...Schon is capable of producing light, romantic music. His solo albums are rarely heavy...and are full of instrumental cover vesions of massively commercial ballads.
And even JSS himself gets bugged when he is pigeon-holed as a rocker...and he too has recorded a load of ballads.
So it seems to me there's no reason at all for a conflict of interests on the next album.