Moderator: Andrew
tragchk wrote:SP: Ok. It isn’t that I don’t miss it. I miss it terribly. There’s just other things right now that I can’t get into, but vocally there’s no way that I can bring certain vocal things out of myself in front of a microphone with a pair of headphones in a studio that I can find when I’m standing in front of people. People bring it that out of me, it’s their voice; it’s not mine, because I can’t do it without them there, so obviously it belongs to them. Because without their input at that moment to get me to do things, I can’t get them, I can’t go get them. And very interesting, and so what I miss I think is that what they bring out of me that I can’t get without them."[/b]
TVL wrote:Nora..I swear I think you eat drink and sleep Espee!....and I called myself the voice lover?...girl u got me beat by a mile!
your right, though...Perry's got to know there is an audience out here waiting to help "pull something more" out of him.....so don't understand whats holding him back. Must be personal issues...still working them out.....don't know. Wish he had a website were we could go everyday to boost his moral....give encouragement.......a kick in the butt!
tragchk wrote:and an audience...
I pretty sure there's ENOUGH OF US ON THIS BOARD to give him one!!
cribbed from the UJB Transcription:
"UJ: Pretty powerful getting off stage, after performing like that, you gotta be rushing for a while.
SP: Yeah, it’s rough.
UJ: That part has not been a draw for you for quite some time.
SP: Well I can’t say that. I can’t, you, how honest do you want me to be?
UJ: Extremely.
SP: Ok. It isn’t that I don’t miss it. I miss it terribly. There’s just other things right now that I can’t get into, but vocally there’s no way that I can bring certain vocal things out of myself in front of a microphone with a pair of headphones in a studio that I can find when I’m standing in front of people. People bring it that out of me, it’s their voice; it’s not mine, because I can’t do it without them there, so obviously it belongs to them. Because without their input at that moment to get me to do things, I can’t get them, I can’t go get them. And very interesting, and so what I miss I think is that what they bring out of me that I can’t get without them."
So, Steve....you want an audience to "showcase" new material?
All you need to do is ask.
If this is any indication of what an audience can do for him, I say go for it:
http://www.youtube.com/watch?v=jubogiBaUhQ
tragchk wrote:TVL wrote:Nora..I swear I think you eat drink and sleep Espee!....and I called myself the voice lover?...girl u got me beat by a mile!
your right, though...Perry's got to know there is an audience out here waiting to help "pull something more" out of him.....so don't understand whats holding him back. Must be personal issues...still working them out.....don't know. Wish he had a website were we could go everyday to boost his moral....give encouragement.......a kick in the butt!
Well, this is what happens when you're home sick...and bored....![]()
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TVL wrote::lol: hope u feel better soon!
Kick back and listen to Espee sing..........he'll give you the same encouragement that he looks for!![]()
fred_journeyman wrote:tragchk wrote:SP: Ok. It isn’t that I don’t miss it. I miss it terribly. There’s just other things right now that I can’t get into, but vocally there’s no way that I can bring certain vocal things out of myself in front of a microphone with a pair of headphones in a studio that I can find when I’m standing in front of people. People bring it that out of me, it’s their voice; it’s not mine, because I can’t do it without them there, so obviously it belongs to them. Because without their input at that moment to get me to do things, I can’t get them, I can’t go get them. And very interesting, and so what I miss I think is that what they bring out of me that I can’t get without them."[/b]
Yeah, but the problem with his statement above is that he did some pretty incredible studio work (Happy to Give, Eyes of a Woman) WITHOUT an audience then, so maybe he's saying at this stage in his life?
tragchk wrote:TVL wrote:Nora..I swear I think you eat drink and sleep Espee!....and I called myself the voice lover?...girl u got me beat by a mile!
your right, though...Perry's got to know there is an audience out here waiting to help "pull something more" out of him.....so don't understand whats holding him back. Must be personal issues...still working them out.....don't know. Wish he had a website were we could go everyday to boost his moral....give encouragement.......a kick in the butt!
Well, this is what happens when you're home sick...and bored....![]()
![]()
ohsherrie wrote:Hi Fred, I've read a few of your posts this afternoon after being pretty much away for the last couple weeks. You've written some good insightful stuff.
I think what he meant by that quote is the same thing he meant when talking about the remastering of the Houston '81. He said his performance of Open Arms was exactly what he always wanted it to be and that was because of the live performance energy. He's said many times that live performance is where a band lives. You know how he always added just a little something, even if it was just a certain nuance to his live performances?
I certainly hope he's not uncertain about having an audience to give him the love back because a lot of us are still out here.
fred_journeyman wrote:
You could be right. I could have misinterpreted his comments. By the way, speaking of performances, are you aware of whether or not Perry ever did "Happy to Give" or "Eyes of a Woman" live?
I certainly hope he's not uncertain about having an audience to give him the love back because a lot of us are still out here.
I would hope not as well.
ohsherrie wrote:
I certainly hope he's not uncertain about having an audience to give him the love back because a lot of us are still out here.
TVL wrote:Good question, Fred ! Does anyone know if SP ever did Happy To Give and The Eyes Of A Woman live?? If so...are there any recordings of it out there?
tragchk wrote:If this is any indication of what an audience can do for him, I say go for it:
http://www.youtube.com/watch?v=jubogiBaUhQ
silverblue wrote:tragchk wrote:If this is any indication of what an audience can do for him, I say go for it:
http://www.youtube.com/watch?v=jubogiBaUhQ
************
Aaaahhhh....my fave J. song and fave performance of it! I wish he would invite us into the studio with him or get on stage so we can show him the love. There would be so much screaming in the audience that he probably couldn't be heard anyway!
scarygirl wrote:I took away much the same thing, like he was afraid there wouldn't be an audience. Are you kidding me? We're dying at his feet here.
Matthew wrote:scarygirl wrote:I took away much the same thing, like he was afraid there wouldn't be an audience. Are you kidding me? We're dying at his feet here.
I hadn't thought about it that way - but yes - it makes sense. It seems that Perry has always had a keen business sene and was acutely aware of his commercial pulling power. Cain once alluded to how disheartened Perry was about the sales of ROR - even though it went triple platinum - and how he tried to pursuade Perry that Journey were still a vital force even though they no longer could sell the amount of copies they did between 1981 and 1983.
Then Perry decides to take a risk and come back in the 1990s...and the sales drop even lower. We might think that 1,000,000 copies of TBF was a success - but perhaps Perry saw this as terrible disappointment...a sign that his "moment in time" (as he once called it) had passed?
For a guy who achieved all his wildest dreams in 1983 the process of managing the decline in the years after that would hardly seem as inspiring as reaching the top in the first place.
Maybe Perry is too proud...but equally he has kept his dignity and he has never embarassed us like so many older performers do..and the memories of his glory years remain untarnished. More and more I'm coming around to the idea that he did the right thing and that his decision to withdraw is to be admired.
Remember when Perry said; "No-one wants a 50 year old rock star with a walking stick"? I'm not sure if that's a exact quote but it's certainly good point.
Perry reminds me of the writer J.D Salinger...who it is rumoured still writes novels..but hasn't published anything since the mid-1960s. He might still using his talent but he has no interest in the publishing industry and as a result the status of his legacy and his mystique has risen over the decades....whilst the careers of other writers who can't 'let go' at the right time have declined.
Matthew wrote:I hadn't thought about it that way - but yes - it makes sense. It seems that Perry has always had a keen business sene and was acutely aware of his commercial pulling power. Cain once alluded to how disheartened Perry was about the sales of ROR - even though it went triple platinum - and how he tried to pursuade Perry that Journey were still a vital force even though they no longer could sell the amount of copies they did between 1981 and 1983.
Then Perry decides to take a risk and come back in the 1990s...and the sales drop even lower. We might think that 1,000,000 copies of TBF was a success - but perhaps Perry saw this as terrible disappointment...a sign that his "moment in time" (as he once called it) had passed?
For a guy who achieved all his wildest dreams in 1983 the process of managing the decline in the years after that would hardly seem as inspiring as reaching the top in the first place.
Maybe Perry is too proud...but equally he has kept his dignity and he has never embarassed us like so many older performers do..and the memories of his glory years remain untarnished. More and more I'm coming around to the idea that he did the right thing and that his decision to withdraw is to be admired.
Remember when Perry said; "No-one wants a 50 year old rock star with a walking stick"? I'm not sure if that's a exact quote but it's certainly good point.
Perry reminds me of the writer J.D Salinger...who it is rumoured still writes novels..but hasn't published anything since the mid-1960s. He might still using his talent but he has no interest in the publishing industry and as a result the status of his legacy and his mystique has risen over the decades....whilst the careers of other writers who can't 'let go' at the right time have declined.
RPM wrote:I think its a combo of what he thinks people would expect of him, and what he expects from himself, and I am talking about his upper range. What set him apart from most other singers was his high tenor range, and he knows this. He should take encouragment from T.B.F. he sounds great even without all the high stuff, it would be great to hear something
new from him...
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