Andrew wrote:Monker wrote:
Absolutely true. This is Journey's last studio album.
Utter rubbish.
You are correct Andrew, they have plenty more albums.
Moderator: Andrew
RobbieG wrote:Andrew wrote:Monker wrote:
Absolutely true. This is Journey's last studio album.
Utter rubbish.
You are correct Andrew, they have plenty more albums.
slucero wrote:Blueskies wrote:Monker wrote:Blueskies wrote:S2M wrote:Blueskies wrote:Again, I have to say...while some may be stuck on numbers and base that as their opinion that this album is a flop...I don't see it as a flop at all. Its an artistic achievement in my ears.and many others who have heard it. I can paint something that is only seen by few and feel I achieved what I tried to convey if only a few like it. Some of y'all are only looking at a big scale measurement of what is successful in your eyes only. This genre of music isn't the most popular in the mainstream and hasn't been for a long time....but that doesn't mean artists of this genre aren't having success's, they are,...just at a different scale then the genre had in the past and many still having some success during trying times... so measurements of "success" should be adjusted accordingly.
Is your art mass produced? I didn't think so. Apples and Oranges.
If I made prints of the originals, it would be.
That's now how it works. Somebody would buy the rights to make prints of the originals and then sell them. If they bought the rights and thought they would sell 500,000 copies at $10, but only sold 100,000...and the result was a huge loss...I doubt they would ever make a deal to distribute your art again.
I don't mass distribute my art, I don't even make any prints at all of the originals at this point in time. If I did start making prints I would not sell the rights to someone else. I would pay a printer of course, but I would retain my copyright. I could also print them myself.
Anyway, I completely understand what you are talking about as I have just spoken to some of it. I know how it all works. You aren't getting what I mean though in how one chooses to measure success with something they've done. Oh, and you may not be aware of it but most artists have a private collection of some of their work. Some things they may keep to themselves....not because they feel it isn't good in all cases...but often it's a piece(s) that is meaningful to them in some way and they don't want to put up for sale. Therefore it has a value other than money to them and more than money and they measure the success of the piece in a whole different way. With that said...if the work put out is liked by one other person as well as the creator, it is a success if the artist is looking for approval. If they expose the piece to more and more like it then thats further approval. Depends on how much the artist wants and is expecting. To you the album is not a success if it doesn't meet your measurement of success. Measurements vary depending on who is looking at them and success can be defined in different ways.
Someone who invests their money in a project measures "success" by the return they receive on the investment... meaning profit.
That is what Don meant. And its what JC meant when he even said they only reason they got to do Eclipse was the success of Revelation.... so either they intentionally jumped the shark or this is an unintentional commercial flop...
Blueskies wrote:slucero wrote:Blueskies wrote:Monker wrote:Blueskies wrote:S2M wrote:Blueskies wrote:Again, I have to say...while some may be stuck on numbers and base that as their opinion that this album is a flop...I don't see it as a flop at all. Its an artistic achievement in my ears.and many others who have heard it. I can paint something that is only seen by few and feel I achieved what I tried to convey if only a few like it. Some of y'all are only looking at a big scale measurement of what is successful in your eyes only. This genre of music isn't the most popular in the mainstream and hasn't been for a long time....but that doesn't mean artists of this genre aren't having success's, they are,...just at a different scale then the genre had in the past and many still having some success during trying times... so measurements of "success" should be adjusted accordingly.
Is your art mass produced? I didn't think so. Apples and Oranges.
If I made prints of the originals, it would be.
That's now how it works. Somebody would buy the rights to make prints of the originals and then sell them. If they bought the rights and thought they would sell 500,000 copies at $10, but only sold 100,000...and the result was a huge loss...I doubt they would ever make a deal to distribute your art again.
I don't mass distribute my art, I don't even make any prints at all of the originals at this point in time. If I did start making prints I would not sell the rights to someone else. I would pay a printer of course, but I would retain my copyright. I could also print them myself.
Anyway, I completely understand what you are talking about as I have just spoken to some of it. I know how it all works. You aren't getting what I mean though in how one chooses to measure success with something they've done. Oh, and you may not be aware of it but most artists have a private collection of some of their work. Some things they may keep to themselves....not because they feel it isn't good in all cases...but often it's a piece(s) that is meaningful to them in some way and they don't want to put up for sale. Therefore it has a value other than money to them and more than money and they measure the success of the piece in a whole different way. With that said...if the work put out is liked by one other person as well as the creator, it is a success if the artist is looking for approval. If they expose the piece to more and more like it then thats further approval. Depends on how much the artist wants and is expecting. To you the album is not a success if it doesn't meet your measurement of success. Measurements vary depending on who is looking at them and success can be defined in different ways.
Someone who invests their money in a project measures "success" by the return they receive on the investment... meaning profit.
That is what Don meant. And its what JC meant when he even said they only reason they got to do Eclipse was the success of Revelation.... so either they intentionally jumped the shark or this is an unintentional commercial flop...
I think they just went into it with the mindset of making an album the way they wanted to, by going back to some roots, the foundation records ( the stone, in Perry's words) and bringing that sound and style back in to the music and saying what they wanted to say and just put it out and see how it would do without spending tons in advance to try to sell it, therefore spending whatever profits generated or even more. Obviously there was not a plan in place other then to release it and tour, initially, but Andrew stated that there will be more promotion forthcoming for both the album and the US leg of the tour. If that's true or not, then time will tell. If so, then obviously all party's must have decided to spend some money after all so someone(s) must feel it worthwhile to do so. I was only making the point previously that there are different measurements of success artistically. I'm sure they also, and most especially Irving Azoff, have the bottom line in terms of money as a measurement. As a fan, though, my measurement of success is in my ears alone.
Blueskies wrote:slucero wrote:Blueskies wrote:Monker wrote:Blueskies wrote:S2M wrote:Blueskies wrote:Again, I have to say...while some may be stuck on numbers and base that as their opinion that this album is a flop...I don't see it as a flop at all. Its an artistic achievement in my ears.and many others who have heard it. I can paint something that is only seen by few and feel I achieved what I tried to convey if only a few like it. Some of y'all are only looking at a big scale measurement of what is successful in your eyes only. This genre of music isn't the most popular in the mainstream and hasn't been for a long time....but that doesn't mean artists of this genre aren't having success's, they are,...just at a different scale then the genre had in the past and many still having some success during trying times... so measurements of "success" should be adjusted accordingly.
Is your art mass produced? I didn't think so. Apples and Oranges.
If I made prints of the originals, it would be.
That's now how it works. Somebody would buy the rights to make prints of the originals and then sell them. If they bought the rights and thought they would sell 500,000 copies at $10, but only sold 100,000...and the result was a huge loss...I doubt they would ever make a deal to distribute your art again.
I don't mass distribute my art, I don't even make any prints at all of the originals at this point in time. If I did start making prints I would not sell the rights to someone else. I would pay a printer of course, but I would retain my copyright. I could also print them myself.
Anyway, I completely understand what you are talking about as I have just spoken to some of it. I know how it all works. You aren't getting what I mean though in how one chooses to measure success with something they've done. Oh, and you may not be aware of it but most artists have a private collection of some of their work. Some things they may keep to themselves....not because they feel it isn't good in all cases...but often it's a piece(s) that is meaningful to them in some way and they don't want to put up for sale. Therefore it has a value other than money to them and more than money and they measure the success of the piece in a whole different way. With that said...if the work put out is liked by one other person as well as the creator, it is a success if the artist is looking for approval. If they expose the piece to more and more like it then thats further approval. Depends on how much the artist wants and is expecting. To you the album is not a success if it doesn't meet your measurement of success. Measurements vary depending on who is looking at them and success can be defined in different ways.
Someone who invests their money in a project measures "success" by the return they receive on the investment... meaning profit.
That is what Don meant. And its what JC meant when he even said they only reason they got to do Eclipse was the success of Revelation.... so either they intentionally jumped the shark or this is an unintentional commercial flop...
I think they just went into it with the mindset of making an album the way they wanted to, by going back to some roots, the foundation records ( the stone, in Perry's words) and bringing that sound and style back in to the music and saying what they wanted to say and just put it out and see how it would do without spending tons in advance to try to sell it, therefore spending whatever profits generated or even more. Obviously there was not a plan in place other then to release it and tour, initially, but Andrew stated that there will be more promotion forthcoming for both the album and the US leg of the tour. If that's true or not, then time will tell. If so, then obviously all party's must have decided to spend some money after all so someone(s) must feel it worthwhile to do so. I was only making the point previously that there are different measurements of success artistically. I'm sure they also, and most especially Irving Azoff, have the bottom line in terms of money as a measurement. As a fan, though, my measurement of success is in my ears alone.
Monker wrote:Andrew wrote:Monker wrote:
Absolutely true. This is Journey's last studio album.
Utter rubbish.
That's what I was constantly told 15yrs ago about Steve Perry never touring again.
Monker wrote:Andrew wrote:Monker wrote:
Absolutely true. This is Journey's last studio album.
Utter rubbish.
That's what I was constantly told 15yrs ago about Steve Perry never touring again.
Blueskies wrote:slucero wrote:Blueskies wrote:Monker wrote:Blueskies wrote:S2M wrote:Blueskies wrote:Again, I have to say...while some may be stuck on numbers and base that as their opinion that this album is a flop...I don't see it as a flop at all. Its an artistic achievement in my ears.and many others who have heard it. I can paint something that is only seen by few and feel I achieved what I tried to convey if only a few like it. Some of y'all are only looking at a big scale measurement of what is successful in your eyes only. This genre of music isn't the most popular in the mainstream and hasn't been for a long time....but that doesn't mean artists of this genre aren't having success's, they are,...just at a different scale then the genre had in the past and many still having some success during trying times... so measurements of "success" should be adjusted accordingly.
Is your art mass produced? I didn't think so. Apples and Oranges.
If I made prints of the originals, it would be.
That's now how it works. Somebody would buy the rights to make prints of the originals and then sell them. If they bought the rights and thought they would sell 500,000 copies at $10, but only sold 100,000...and the result was a huge loss...I doubt they would ever make a deal to distribute your art again.
I don't mass distribute my art, I don't even make any prints at all of the originals at this point in time. If I did start making prints I would not sell the rights to someone else. I would pay a printer of course, but I would retain my copyright. I could also print them myself.
Anyway, I completely understand what you are talking about as I have just spoken to some of it. I know how it all works. You aren't getting what I mean though in how one chooses to measure success with something they've done. Oh, and you may not be aware of it but most artists have a private collection of some of their work. Some things they may keep to themselves....not because they feel it isn't good in all cases...but often it's a piece(s) that is meaningful to them in some way and they don't want to put up for sale. Therefore it has a value other than money to them and more than money and they measure the success of the piece in a whole different way. With that said...if the work put out is liked by one other person as well as the creator, it is a success if the artist is looking for approval. If they expose the piece to more and more like it then thats further approval. Depends on how much the artist wants and is expecting. To you the album is not a success if it doesn't meet your measurement of success. Measurements vary depending on who is looking at them and success can be defined in different ways.
Someone who invests their money in a project measures "success" by the return they receive on the investment... meaning profit.
That is what Don meant. And its what JC meant when he even said they only reason they got to do Eclipse was the success of Revelation.... so either they intentionally jumped the shark or this is an unintentional commercial flop...
I think they just went into it with the mindset of making an album the way they wanted to, by going back to some roots, the foundation records ( the stone, in Perry's words) and bringing that sound and style back in to the music and saying what they wanted to say and just put it out and see how it would do without spending tons in advance to try to sell it, therefore spending whatever profits generated or even more. Obviously there was not a plan in place other then to release it and tour, initially, but Andrew stated that there will be more promotion forthcoming for both the album and the US leg of the tour. If that's true or not, then time will tell. If so, then obviously all party's must have decided to spend some money after all so someone(s) must feel it worthwhile to do so. I was only making the point previously that there are different measurements of success artistically. I'm sure they also, and most especially Irving Azoff, have the bottom line in terms of money as a measurement. As a fan, though, my measurement of success is in my ears alone.
steveo777 wrote:Monker wrote:Andrew wrote:Monker wrote:
Absolutely true. This is Journey's last studio album.
Utter rubbish.
That's what I was constantly told 15yrs ago about Steve Perry never touring again.
I think you're missing a main difference.......Journey is active and Perry is retired. I know where to place my bets.
Monker wrote:And, 15yrs ago Perry was snubbing Journey and not touring for TBF, and recording "I Stand Along", releasing GH+5, etc...and hardly anybody on thiese forum was saying he was 'retired', well, except for me., after I heard "I Stand Alone" and I started believing he would never record a new studio album either.
conversationpc wrote:Monker wrote:And, 15yrs ago Perry was snubbing Journey and not touring for TBF, and recording "I Stand Along", releasing GH+5, etc...and hardly anybody on thiese forum was saying he was 'retired', well, except for me., after I heard "I Stand Alone" and I started believing he would never record a new studio album either.
I haven't heard that one...Was that a b-side?
S2M wrote:conversationpc wrote:Monker wrote:And, 15yrs ago Perry was snubbing Journey and not touring for TBF, and recording "I Stand Along", releasing GH+5, etc...and hardly anybody on thiese forum was saying he was 'retired', well, except for me., after I heard "I Stand Alone" and I started believing he would never record a new studio album either.
I haven't heard that one...Was that a b-side?
You mean besides being a lame song?
You see what I did there?![]()
conversationpc wrote:S2M wrote:conversationpc wrote:Monker wrote:And, 15yrs ago Perry was snubbing Journey and not touring for TBF, and recording "I Stand Along", releasing GH+5, etc...and hardly anybody on thiese forum was saying he was 'retired', well, except for me., after I heard "I Stand Alone" and I started believing he would never record a new studio album either.
I haven't heard that one...Was that a b-side?
You mean besides being a lame song?
You see what I did there?![]()
Pointing out the joke...A sure sign it failed to even get off the launch pad.
I should not have said all that have been involved up to this point as I had the band and management in mind in what I was saying and not Walmart. That I agree with, I don't think Walmart will be spending any money to promote it at all and will most likely end up discounting it and/or selling it off in time.Monker wrote:Blueskies wrote:slucero wrote:Blueskies wrote:Monker wrote:Blueskies wrote:S2M wrote:Blueskies wrote:Again, I have to say...while some may be stuck on numbers and base that as their opinion that this album is a flop...I don't see it as a flop at all. Its an artistic achievement in my ears.and many others who have heard it. I can paint something that is only seen by few and feel I achieved what I tried to convey if only a few like it. Some of y'all are only looking at a big scale measurement of what is successful in your eyes only. This genre of music isn't the most popular in the mainstream and hasn't been for a long time....but that doesn't mean artists of this genre aren't having success's, they are,...just at a different scale then the genre had in the past and many still having some success during trying times... so measurements of "success" should be adjusted accordingly.
Is your art mass produced? I didn't think so. Apples and Oranges.
If I made prints of the originals, it would be.
That's now how it works. Somebody would buy the rights to make prints of the originals and then sell them. If they bought the rights and thought they would sell 500,000 copies at $10, but only sold 100,000...and the result was a huge loss...I doubt they would ever make a deal to distribute your art again.
I don't mass distribute my art, I don't even make any prints at all of the originals at this point in time. If I did start making prints I would not sell the rights to someone else. I would pay a printer of course, but I would retain my copyright. I could also print them myself.
Anyway, I completely understand what you are talking about as I have just spoken to some of it. I know how it all works. You aren't getting what I mean though in how one chooses to measure success with something they've done. Oh, and you may not be aware of it but most artists have a private collection of some of their work. Some things they may keep to themselves....not because they feel it isn't good in all cases...but often it's a piece(s) that is meaningful to them in some way and they don't want to put up for sale. Therefore it has a value other than money to them and more than money and they measure the success of the piece in a whole different way. With that said...if the work put out is liked by one other person as well as the creator, it is a success if the artist is looking for approval. If they expose the piece to more and more like it then thats further approval. Depends on how much the artist wants and is expecting. To you the album is not a success if it doesn't meet your measurement of success. Measurements vary depending on who is looking at them and success can be defined in different ways.
Someone who invests their money in a project measures "success" by the return they receive on the investment... meaning profit.
That is what Don meant. And its what JC meant when he even said they only reason they got to do Eclipse was the success of Revelation.... so either they intentionally jumped the shark or this is an unintentional commercial flop...
I think they just went into it with the mindset of making an album the way they wanted to, by going back to some roots, the foundation records ( the stone, in Perry's words) and bringing that sound and style back in to the music and saying what they wanted to say and just put it out and see how it would do without spending tons in advance to try to sell it, therefore spending whatever profits generated or even more. Obviously there was not a plan in place other then to release it and tour, initially, but Andrew stated that there will be more promotion forthcoming for both the album and the US leg of the tour. If that's true or not, then time will tell. If so, then obviously all party's must have decided to spend some money after all so someone(s) must feel it worthwhile to do so. I was only making the point previously that there are different measurements of success artistically. I'm sure they also, and most especially Irving Azoff, have the bottom line in terms of money as a measurement. As a fan, though, my measurement of success is in my ears alone.
Wow...too late.
All parties? Who? I doubt very, very, very much that Wal-mart is going to do ANYTHING or spend ANY money. This CD is taking up too much shelf space, to much space in store rooms and warehouses. If Wal-mart does anything it will be to deeply discount the CD, or sell off their inventory to some type of discounter...They will want to free up shelf space and storage space for NEW product.
Believing in any new promotion or that this CD is going to move any better then it is right now is just foolish.
Before this CD was released, people here thought it would sell better then Revelation. now you are making excuses and saying the band didn't try. Bullshit. They wanted this CD to sell....and it sold to the fans...but not the masses who only care about a few Journey songs. The masses bought Revelation...only the fans bought Eclipse. Everybody completely confused those two groups and thought they were the same.
Seven Wishes wrote:Here's an idea.
WRITE A FUCKING SONG WITH A HOOK AND A CATCHY CHORUS!
Eclipse sucks donkey balls.
Monker wrote:Andrew wrote:Monker wrote:
Absolutely true. This is Journey's last studio album.
Utter rubbish.
That's what I was constantly told 15yrs ago about Steve Perry never touring again.
Seven Wishes wrote:Here's an idea.
WRITE A FUCKING SONG WITH A HOOK AND A CATCHY CHORUS!
Eclipse sucks donkey balls.
Don wrote:Besides the Sunday morning show on CBS, Jon says the band has no plans regarding doing anything specific to celebrate Escape's 30th anniversary.
Come hell or high water, the next two years are dedicated to promoting Eclipse.
separate_wayz wrote:Don wrote:Besides the Sunday morning show on CBS, Jon says the band has no plans regarding doing anything specific to celebrate Escape's 30th anniversary.
Come hell or high water, the next two years are dedicated to promoting Eclipse.
This is the weirdest marketing approach. Ignore an opportunity to ride the 30-year anniversary of one of the most popular albums of the '80s (Escape). Instead, promote an album that is not viewed as a success by (1) critics, (2) casual fans, or even (3) hard-core fans (i.e., this board), who seem to be at best split 50-50.
If the band had promoted the 30-year anniversary of Escape, they could still maybe have tried to release some new material to piggy-back on the resulting attention.
steveo777 wrote:There really needs to be a limit on how many douche baggist posts each member is allowed to make.![]()
![]()
RobbieG wrote:Andrew wrote:Monker wrote:
Absolutely true. This is Journey's last studio album.
Utter rubbish.
You are correct Andrew, they have plenty more albums.
conversationpc wrote:Monker wrote:Andrew wrote:Monker wrote:
Absolutely true. This is Journey's last studio album.
Utter rubbish.
That's what I was constantly told 15yrs ago about Steve Perry never touring again.
![]()
![]()
![]()
Ummm...Steve Perry HASN'T toured in the last 15 years. His last tour was, what, 17 years ago now.
Don wrote:conversationpc wrote:Monker wrote:Andrew wrote:Monker wrote:
Absolutely true. This is Journey's last studio album.
Utter rubbish.
That's what I was constantly told 15yrs ago about Steve Perry never touring again.
![]()
![]()
![]()
Ummm...Steve Perry HASN'T toured in the last 15 years. His last tour was, what, 17 years ago now.
I think Monker was saying that HE himself said Perry would never tour again 15 years ago and was told at that time, "Rubbish."
At least, that's what I think he was implying.
Monker wrote:Absolutely true. This is Journey's last studio album.
Seven Wishes wrote:Here's an idea.
WRITE A FUCKING SONG WITH A HOOK AND A CATCHY CHORUS!
Eclipse sucks donkey balls.
The_Noble_Cause wrote:Monker wrote:Absolutely true. This is Journey's last studio album.
As long as Neal is out on the road, he will find some excuse to enter the studio and relieve the monotony of playing the same solos over and over, night after night. The Wmart deal is def. kaput tho.
Monker wrote:That's what I was constantly told 15yrs ago about Steve Perry never touring again.
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