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conversationpc wrote:LtVanish wrote:I think the best Yes album is Relayer. The Gates of Delirium is an epic, I would love to see them pull this one out for this tour.
They played it on the Masterworks tour in 2000. That's the only time I've heard them do the full version, rather than just playing "Soon".
froy wrote:They asked Trevor he said he was to busy this time around..
brandonpfn wrote:froy wrote:They asked Trevor he said he was to busy this time around..
Probably busy making an 's' load of money doing soundtrack work for Hollywood. Waiting for his next solo album. Lou Molina is a monster behind the kit
STORY_TELLER wrote:90125 was a killer album. Amazing tracks, amazing musicianship.
Gordon from Edinburgh wrote:STORY_TELLER wrote:90125 was a killer album. Amazing tracks, amazing musicianship.
Although i am a huge YES fan - i have to agree - i think the Trevor Rabin era was the best - just cos it rocked a bit more.......
Musician95616 wrote:The Air Supply connections come via Billy Sherwood, who was briefly a member of Yes around 1997 or so.
Gordon from Edinburgh wrote:STORY_TELLER wrote:90125 was a killer album. Amazing tracks, amazing musicianship.
Although i am a huge YES fan - i have to agree - i think the Trevor Rabin era was the best - just cos it rocked a bit more.......
strangegrey wrote:Gordon from Edinburgh wrote:STORY_TELLER wrote:90125 was a killer album. Amazing tracks, amazing musicianship.
Although i am a huge YES fan - i have to agree - i think the Trevor Rabin era was the best - just cos it rocked a bit more.......
And it didn't have the UK's biggest dicknozzle, Steve Howe in the lineup.
AlienC wrote:strangegrey wrote:Gordon from Edinburgh wrote:STORY_TELLER wrote:90125 was a killer album. Amazing tracks, amazing musicianship.
Although i am a huge YES fan - i have to agree - i think the Trevor Rabin era was the best - just cos it rocked a bit more.......
And it didn't have the UK's biggest dicknozzle, Steve Howe in the lineup.
I never "got" Trevor Rabin. Lost me on his stuff, and I think 90125 was the biggest fart they've ever laid. BORING. DERIVATIVE.
I pretty much think they peaked with RELAYER.
AlienC wrote:strangegrey wrote:Gordon from Edinburgh wrote:STORY_TELLER wrote:90125 was a killer album. Amazing tracks, amazing musicianship.
Although i am a huge YES fan - i have to agree - i think the Trevor Rabin era was the best - just cos it rocked a bit more.......
And it didn't have the UK's biggest dicknozzle, Steve Howe in the lineup.
Well, he was certainly better behaved than a certain OTHER guitar player, when I met him. Like 7 Wishes says, he was a consumate gentleman.
Jon Anderson was a Diva, tho. Good Gravy what a pretentious little twat.
I never "got" Trevor Rabin. Lost me on his stuff, and I think 90125 was the biggest fart they've ever laid. BORING. DERIVATIVE.
I pretty much think they peaked with RELAYER.
Matthew wrote:I reckon that the peak of Yes' 70s career was "Awaken" from Going For The One but Relayer was possibly the last entire album that really delivered in that era.
The 90125 album was such a ground-breaking record in terms of the production and the arrangements and they brilliantly managed to give all the relatively mainstream songs a progressive twist in a much more imaginative way than - say - Asia were ever able to. Also - you've got to admire any band that can reinvent themselves and move with the times and still be hugely successful. I'd put Rabin era Yes on a par with Rush in the 1980s and early 1990s...and Yes had better quality control given how many so-so album tracks Rush were releasing at that time.
conversationpc wrote:
"Awaken" certainly is a masterpiece but I enjoy that whole "Going for the One" album even besides that tune.
"Machine Messiah" nearly matches "Awaken", though, in my opinion.
Disagree. I like Rush's 80s and early 90s output better. I like "90125" but can't stand "Big Generator", which is their worst album since "Time and a Word", in my opinion.
[/quote]Matthew wrote:"Machine Messiah" nearly matches "Awaken", though, in my opinion.
Dave - that has to be one of your most eccentric opinions to date....
Say what you like about Big Generator but no-one can deny that Yes were still following their own path in 1987. Nothing derivative here. They were still willing to experiment with the arrangements and the production, and three or four of the songs were more 'progressive' than any of the tracks on 90125 with the exception of "Cinema". In fact, "Final Eyes" has to be one of the greatest Yes tracks ever recorded....
Shame they lost their nerve and decided to drearily recreate the past on the Union album instead of pressing forward under Rabin's guidance. Now that record was the worst since "Time and a Word"....
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