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Glenn wrote:Looking for a high quality MP3 of this one with Arnel.
Anyone that can hook me up send me a PM
Thanks in advance!
steveo777 wrote:Glenn wrote:Looking for a high quality MP3 of this one with Arnel.
Anyone that can hook me up send me a PM
Thanks in advance!
And when you find it, please let me know too!
Glenn wrote:Looking for a high quality MP3 of this one with Arnel.
Anyone that can hook me up send me a PM
Thanks in advance!
RobbieG wrote:Glenn wrote:Looking for a high quality MP3 of this one with Arnel.
Anyone that can hook me up send me a PM
Thanks in advance!
Glenn and Steve I hope you enjoy both bonus tracks.
Paul_UK wrote:Hey RobbieG!
I think I've searched every corner of the net for this track too, so I guess you know what I'm gonna ask....pleeeeeease!!!![]()
Thanks Robbie!
The_Noble_Cause wrote:Shirley's re-arrangement shows what a difference a good producer can make. His version is TPIYH is epic and could easily fit at home on TBF. Pure class. I like Augeri's vox on the Gens version, but the Rev remake is better overall.
Centaure wrote:Shirley's version of The Place In Your Heart and Faith In the Heartland are weaker than the originals, even if the sound is better.
Centaure wrote:Give me 5 great albums produced by Shirley? He is far from what we can call a good producer.
Centaure wrote:As for Journey, TBF is way overproduced, Arrival is probably his best work, but he wanted more ballads (wrong move).
Centaure wrote:As for Eclipse, Neal and Jon had rework almost everything after they kind of fired him.
Centaure wrote:Shirley's version of The Place In Your Heart and Faith In the Heartland are weaker than the originals, even if the sound is better.
The_Noble_Cause wrote:Never heard that Shirley wanted more Arrival ballads. I did hear that Kalodner, Sony's A&R man, chose the tracks and wanted more of them.
The_Noble_Cause wrote:As far as I'm aware, Schon re-did alot of guitar and Arnel did alot of vocals. Even after they switched to Kalumsky, Schon/Cain kept calling Shirley for his help. On Revelation, Shirley even said that he had to arrange "Change for the Better" so that it worked as a song. Given Cain and Schon's relatively simple arrangements, I believe him.
The_Noble_Cause wrote:Disagree. The original version of TPIYH sounds like it was recorded in Cain's basement. Like Story_Teller above just said, Shirley added alot of bells and whistles and fattened up the sound. It's a great tune, but the cheapskate production didn't do it justice.
Centaure wrote:I hate the kind of producer that tells a band member: okay Neal, your guitar solo is too long, Deen, that drum part is too big, just keep the beat okay. That is what Shirley is as a producer. BUT, the sound is good.
STORY_TELLER wrote:Centaure wrote:I hate the kind of producer that tells a band member: okay Neal, your guitar solo is too long, Deen, that drum part is too big, just keep the beat okay. That is what Shirley is as a producer. BUT, the sound is good.
Hate to break it to you, but that's the role of a producer. He's the additional -- outside -- creative voice in the room. Most creative types/artists/writers, etc. get too close to their creations. They fall in love with the little parts they come up with and miss the forest for the trees. A producer is there to pay attention to the whole and hone the songs into a tight final product. Case in point: Mutt Lange/Def Leppard.
I'm not saying Shirley is the best producer out there and I kind of agree that overall, I don't think he's the best producer for this band. But I don't agree that the original version of TPIYH is better on any level than the re-record. As soon as the original got to the chorus, it lost me. It was not working as a song. In this instances, Shirley's contributions made the song work in ways it didn't before.
Neither Schon nor Cain are terribly interested in giving up creative control. They both have their way of doing things and they even argue with each other during their process. If they want to take their sound to the next level and be more than a band trying to recapture the same kind of work they did with Perry in the mix, they need to go to a producer who will guide them there. They need that third creative contributor. I personally would like to see them work with Mutt or even Bob Rock.
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