Ehwmatt wrote:
But at the same time Dean, I look at someone like U2 or Bruce... I don't see/hear that much change in their sound. They just happened to have a core sound and honestly, some visual/cultural/intangible kinda appeal that would transcend the ages, for whatever reason(s). You can say the band truly changed direction for Escape and that's probably at least partially true, but ROR is an unabashed complete departure from Journey's form save for maybe BGTYS, Suzanne, and maybe you can reach for IBAWY if you liken it to After the Fall (kinda the same bluesy groove goin on). I can't speak for Madonna cuz I don't listen to her garbage. I think Madonna has stayed relevant more because she is a pop culture icon for many reasons rather than having some kind of great musical adaptability or grand vision.
And yes, I fully realize that Bruce and U2 have experimented a bit with their sound... U2 had some electronica noodling going on in the late 90s-early 00s and Bruce has fucked around a bit with his folk side, but thats always been an element to him anyway. Anyway, on the whole, their sound/formula remains largely the same, imo. It's not a bad thing, I just don't think they did anything special to "stay relevant" other than Bono's Messiah Complex maybe.
Well with regards to U2 and Bruce, especially the latter, this(your) argument proves how far good or great writing can go. No one can write a song like Springsteen, period. Talk about meaningful lyrics? Sure there are the car songs, girl songs, movie songs, but the other core tunes, the politically deft ones, the war songs, the movement songs- those all trump the "wedding photographs, kiss me softly moonlight night" cheese that Friga offers up every other song. They wrote
Out of Harms Way, and that was a well written deep song. Too bad you have to wait every 7 cd's to hear one. Fuck, Bruce wrote that song The Wrestler, on a favour to mickey Rourke and look what that song accomplished? A golden Globe award and a charting single, all put together with an acoustic guitar, piano and mic.