Hollywood wrote:Behshad wrote:Hollywood wrote:I am with you about the BS laws. I always thought people shouldn't get paid for their work. I went to the Audi dealership and took an R8 and they got all shitty about it calling the cops and everything. I can't beleive their are laws about me taking stuff that isn't mine. This country is going down the tubes!!!
First of , with that name you chose , I guess I wouldn't expect anything less from you , dickbag.
If you're promoting your good will and great citizens , save it. Copyright laws ARE bs laws. They're laws that EVERY SINGLE ONE OF US HAS BROKEN AT SOME POINT.
Whether it was recording a movie off TV on a VHS tape , or installing an older version of Windows or simply copying the content of a music CD into a cassette tape. That's all copyright law infrigment.
While I think every creator of movie , software , game , song should make money for their hard work , I also believe that once you PAY for it and own your part , it's up to you who you wanna share it with.
How'd you like it if that Audi dealer told you , pay up $140k for this R8 , but we tell you how to use it and you can't allow anyone else using it.
I actually did not chose my name, my ancestors did. It's my last name.
Monker is right, the cases you sight are not copyright infringement. If you are stealing music, and yes it is stealing just like stealing a car or a pack of gum, you are breaking copyright laws and taking money out of people's pockets. You cannot find justification for stealing.
The only reason the music business is crumbling is that people are no longer paying for music. I have an 18 year old cousin that has never paid for music, but has tons of it. If the artists and record companies can't get paid the product will become more and more scarce. This is why Styx will not work on new material. It is counter productive to them. In addition, people that are downloading music are less invested in the bands they like and do not go to concerts. The younger generations are not attending concerts like past generations. Very few newer bands can fill arenas and amphitheaters anymore. Bottom line is that if you are not willing to pay for it then you do not get to have it.
There's two sides to every coin. I don't support dickbags running around getting everything movie, game, and music-wise totally free. However, illegal downloading is not the sole reason bands like Styx aren't making music, regardless of what the band says about it. They simply don't have the inspirational spark or the relevance to do so. Real artists never lose that desire to write and put stuff out there, so long as they are still inspired. I submit that the current iteration of Styx simply isn't inspired any longer. Does the fact that you can't make as good of a cut off the album as you once could play into that? Sure. But it's not the sole reason.
Popular concerts are still well-attended, even with the bad economy and the grossly inflated ticket prices most bands charge us. Now, just because the lion's share of those popular concerts happen to feature artists most of us wouldn't give two seconds of our music listening time to doesn't mean you can say that "younger people" don't go to concerts. They do.
That brings me to my next point: If someone attends a band's concert, pays $30+ AND the ridiculous "convenience fees" to do so and just for example's sake, throw in a $35 t-shirt purchase at the merch stand, I don't have a problem with them downloading a few albums later on... or flip the hypo and have them download an album or two FIRST and then be inspired to buy the ticket. The band gets a lot more money from that one ticket then they will from several album sales.
Should they buy the albums when it's all said and done? Probably. But, realistically, let's not forget in these 11 long years after the advent of Napster that the record companies blew it first: They were making out like bandits charging us $14-$20 a pop for a new 12-track CD with sparse (or non-existent) liner notes and afterthought album artwork in the mid to late 90s and even in the early 2000s when downloading was reaching its peak. They were very late to the new music sales paradigm, which involved lower prices, combo packages, services like iTunes and Amazon Music etc etc. To make matters worse, their tardiness was driven by their own selfish and unrealistic idea that they could fight downloading and maintain the status quo, which would allow them to continue bilking the consumers for all they were worth.
I tend to think that things have evened out pretty nicely with the rise of great, easily used services like iTunes that allow people to obtain music instantly for a reasonable price. Are people ever going to (legally) consume music like they once did? No. Does illegal downloading play a part in that? Absolutely. But, is that the sole reason? No. The fact of the matter is that music was once the centerpiece of our entertainment/social culture. That's simply not the case today with YouTube, 1000 channel cable packages, videogames, Internet browsing, social networking, and the like. I truly believe that those factors, combined with the lower overall quality and diversity of music, has really hurt music as a whole much more so than Napster, BitTorrent, Limewire etc. ever did or will.
I actually did a very large school project a few years back for an advanced journalism class on the state of the music industry in the Napster aftermath... had some nice interviews with Sterling Whitaker [author of Grand Delusion], JSS, and The James Gang's Jimmie Fox. I'll dig through my thumb drive and see if I still have that on here. Might be good reading.