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heardonthestreet wrote:You are just pissed that Generations wasn't promoted. Is'nt it going down on the charts?
heardonthestreet wrote:If he's stated that Journey had a new c.d. called Generations, and plugged it a bit, you'd all be saying that he was just having a hell of a good time and sounded fit for the occasion
thebook wrote: don't you think the situation here is unique,
the guy likes baseball, they use a song he sings on and co-wrote as their rallying song. they invite him to the world series, the team actually wins for the first time in what? 80 years. and before the cubs no less. C'mon.
ohsherrie wrote:That last post of mine wasn't intended for you TNC.
ohsherrie wrote:I'm not going to reply to your post because doing so just gives you another opportunity to spew your venom.
ohsherrie wrote:This isn't an argument, it's just a pissing match
ohsherrie wrote:and I don't have the animosity or the equipment to outpiss you.
ohsherrie wrote:I don't know why you're doing this, but I won't abet you in it.
The_Noble_Cause wrote:ohsherrie wrote:That last post of mine wasn't intended for you TNC.
I didn't respond to your last post immediately above.
I only responded to the one were u specifically addressed it to me by name.
So just what the fuck are you talking about?ohsherrie wrote:I'm not going to reply to your post because doing so just gives you another opportunity to spew your venom.
It's not venom. Perry sounded like shit and can no longer sing Journey songs as written. Deal with it,ohsherrie wrote:This isn't an argument, it's just a pissing match
I'm not creating an unmitigable pissing match.
I am stating the obvious:
Perry's voice is irrevocably damaged and cannot sing Journey songs as written.ohsherrie wrote:and I don't have the animosity or the equipment to outpiss you.
Right, Right. Sure, sure.
How conveniant. Yet again u call me out, start an argument and then run away. The reason why you don't stand fast and defend your points is becase u know damn well they are incapable of being supported.ohsherrie wrote:I don't know why you're doing this, but I won't abet you in it.
You make points in my thread, I respond.
That's how message boards work.
heardonthestreet wrote:I wondered what this was all about. You"re having a blast trying to get YOUR thread a lot of hits by being a nerd as usual.
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How desperate! What a dummy!
boodles wrote:I don't post very often because I don't want to bother getting into pissing matches, but they are entertaining to read.![]()
Yes, Perrys voice has changed. Alot. Was his singing good? no. Could he do better? Probably. At least I hope so!
My question is WHY has his voice changed so much? Yeah, age is a factor, but IMO only a small factor. There are alot of singers out there that have been around since the 70's and 80's that may sound some what lower,but still sound like themselves. Steves voice seems to have changed drastically.
From everything I have ever read about the guy he seemed to try to take good care of his vocal chords.
boodles wrote:I don't post very often because I don't want to bother getting into pissing matches, but they are entertaining to read.![]()
Yes, Perrys voice has changed. Alot. Was his singing good? no. Could he do better? Probably. At least I hope so!
My question is WHY has his voice changed so much? Yeah, age is a factor, but IMO only a small factor. There are alot of singers out there that have been around since the 70's and 80's that may sound some what lower,but still sound like themselves. Steves voice seems to have changed drastically.
From everything I have ever read about the guy he seemed to try to take good care of his vocal chords.
Greggie wrote:However, listen to FTLOSM. I thought he sounded better on that album than what he did on ROR.
Greggie wrote:Yeah, but listen to "Anyway" on FTLOSM......how many times did he hit that type of note on ROR?
Greggie wrote:I have no beef with him singing in this particular range.
The_Noble_Cause wrote:Greggie wrote:Yeah, but listen to "Anyway" on FTLOSM......how many times did he hit that type of note on ROR?
Yeah, but that is ONE isolated note.
It was as if he threw it on there to compensate for the rugged vocals to be found on the rest of the album.
It's his "look, I still have what it takes" note.
Young Perry would regularly hit similarly glass shatering notes as heard on "Sweet & Simple" (off of Evolution) and during Wheel in the Sky on the Captured LP.
I still contend that he was far more high pitched all around during ROR then FTLOSM. The Perry of FTLOSM could not sing Happy to Give nor WCTNGOF. That much I'm sure of.
Greggie wrote:I dunno...maybe you should listen to the live videos from ROR....you'll find he was quite raspy there. Sure, a young Steve Perry would hit high notes on a regular basis....it's no sense in comparing Perry from '78 to today. That just proves my point even more that age and heavy touring fries a voice.
The_Noble_Cause wrote:Greggie wrote:I have no beef with him singing in this particular range.
Neither does anyone here.
Greggie wrote:I dunno...maybe you should listen to the live videos from ROR....you'll find he was quite raspy there.
Greggie wrote:Sure, a young Steve Perry would hit high notes on a regular basis....it's no sense in comparing Perry from '78 to today.
Greggie wrote:That just proves my point even more that age and heavy touring fries a voice.
Greggie wrote:Not sure your point with your argument then if you're talking about his range. Incidently, WCTNGONF does not compare with Sweet and Simple, and nor is it THAT much of a higher octave song. The notes toward the end of that song (which is one song too that you're using as arugment,) aren't nearly as high as the note toward the end of Anyway.
Rock'ndeano wrote:I agree Greggie, but I personally LOVE I'll Be Alright Without You live..I thought tune had a ton of melodicy and soul..If Perry could still do that, I would take him in a heartbeat.
The_Noble_Cause wrote:Greggie wrote:I dunno...maybe you should listen to the live videos from ROR....you'll find he was quite raspy there.
And maybe you should listen to live bootlegs from the FTLOSM tour. I thought we were comparing albums here, not concerts. If you want to discuss concerts, I still say that Perry was better during ROR. At least he sang most of the songs the way they were supposed to be sung. I have an Open Arms boot from FTLOSM where the song is almost unrecognizable. Not the music mind you, the way Perry tackles it vocally so as to suit his voice.Greggie wrote:Sure, a young Steve Perry would hit high notes on a regular basis....it's no sense in comparing Perry from '78 to today.
But it makes sense for us to compare ROR Perry to a FTLOSM Perry?Greggie wrote:That just proves my point even more that age and heavy touring fries a voice.
I don't think anyone is gonna debate that.
The_Noble_Cause wrote:Greggie wrote:Not sure your point with your argument then if you're talking about his range. Incidently, WCTNGONF does not compare with Sweet and Simple, and nor is it THAT much of a higher octave song. The notes toward the end of that song (which is one song too that you're using as arugment,) aren't nearly as high as the note toward the end of Anyway.
Wrong. About 2/3 of the way through the song Steve hits a note that is just below the frequency that only dogs hear! Anything off of ROR of FTLOSM (yes, even "Anyway") does not even remotely compare.
Greggie wrote:ROTFL! I'm listening to it now, and I have no idea what you're talking about. I'm not saying he doesn't hit any high notes on that song, but if you're trying to say that there are notes on that song that is higher than what is in Anyway, you're smoking some serious weed.
ohsherrie wrote:
I'd be willing to bet he could. No matter what key, it would still have all the melodicy and soul. I'd take him any way I could get him.
Greggie wrote:Whatever man, as long as your happy in believing such.![]()
The_Noble_Cause wrote:Greggie wrote:Whatever man, as long as your happy in believing such.![]()
Many other Journey fans have said the same thing. This isn't MY personal theory, so lose the attitude. You don't have the right to become an icy bitch just because you can't hear something.
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