JOURNEY "RAISED ON RADIO" 10/9/86 DETROIT

by **jabber** » Thu Aug 10, 2006 8:42 am

Adding my thanks! Going to NostalgiaLand now.

by **ArnelRox** » Thu Aug 10, 2006 10:03 am

brywool wrote:Up until this 86 tour, Perry could hit ALL the notes ALL the time. This tour was when you really saw what it was doing to him and actually saw him slipping...

U know what tho fuck the notes. His voice is so fucking much more than the notes. Its the quality the resonance the way he brings it. I could give a shit if he sang everything in a way lower key. I just wanna hear him sing. His voice sends shivers up and down my spine & always has since the first time I heard it circa 78. SA has a nice voice when he could sing. JSS has a great soulful sexy as all hell voice. But for me no one even comes close to singing with the quality that Perry does. It's not the notes he hits it's the way he makes the notes come to fucking life and the way he uses his voice as his instrument. See my signature for more.

by **TRAGChick** » Thu Aug 10, 2006 10:07 am

JourneyRox wrote:
brywool wrote:Up until this 86 tour, Perry could hit ALL the notes ALL the time. This tour was when you really saw what it was doing to him and actually saw him slipping...

U know what tho fuck the notes. His voice is so fucking much more than the notes. Its the quality the resonance the way he brings it. I could give a shit if he sang everything in a way lower key. I just wanna hear him sing. His voice sends shivers up and down my spine & always has since the first time I heard it circa 78. SA has a nice voice when he could sing. JSS has a great soulful sexy as all hell voice. But for me no one even comes close to singing with the quality that Perry does. It's not the notes he hits it's the way he makes the notes come to fucking life and the way he uses his voice as his instrument. See my signature for me.

I'll tell ya this:

No other singer can literally stop me from breathing - just from the sheer power and delivery of how he sings.

by **ArnelRox** » Thu Aug 10, 2006 10:18 am

tragchk wrote:No other singer can literally stop me from breathing - just from the sheer power and delivery of how he sings.

YES! U said it so much better than me. :lol:

by **jabber** » Thu Aug 10, 2006 10:25 am

I always said that I didn't just hear his voice as much as I felt it.

And I do... even now I seem to "know" when a Journey song is playing on the radio, and I'll push buttons until I find it. It's Perry Radar I guess. :lol:

by **Rockindeano** » Thu Aug 10, 2006 11:21 am

JourneyRox wrote:
U know what tho fuck the notes. His voice is so fucking much more than the notes. Its the quality the resonance the way he brings it. I could give a shit if he sang everything in a way lower key. I just wanna hear him sing. His voice sends shivers up and down my spine & always has since the first time I heard it circa 78. SA has a nice voice when he could sing. JSS has a great soulful sexy as all hell voice. But for me no one even comes close to singing with the quality that Perry does. It's not the notes he hits it's the way he makes the notes come to fucking life and the way he uses his voice as his instrument. See my signature for more.

The BEST post I have ever read. Right on the money.

by **Rockindeano** » Thu Aug 10, 2006 11:30 am

Red13JoePa wrote:
Rockn'deano wrote:You can judge a singer by a boot. It's a true, live recording.

Don't give me any of that Red13 or Monker bullshhit. If a singer fucks up, you hear it...if he sings strong, you hear it. It's raw.

Hell, if that's your argument, you can't judge Fraudgeri by Vegas 2001.....Hell, it wasn't even live for fucks sake. It was taped, then protooled, then recorded in studio. Yeah, I guess you can judge Fraudgeri...he sucks!

Not bullshit. Difference between a bootleg taped by a dude aiming a recorder at an amp from 250 feet away or a soundboard recording. Joe Louis Arena '86 is even better, a radio broadcast.

You dope.

Go back to Penn State, and either, A, give back that worthless piece of shit diploma, or B, burn down that place, because you are brain dead. You must of stole that fuckin graduatin' paper thing, because you make absolutely NO sense...

It does not matter what the quality is. You can still hear cracks and blurbs. You don't need a crystal clear tape to hear how bad Augeri is....or how great Perry is.

YOU are the dope.

by **Red13JoePa** » Thu Aug 10, 2006 1:10 pm

Yea great.

Fucking idiot.

This isn't even the best ROR boot.

Night At The Spectrum, '86.

by **itsjustme** » Thu Aug 10, 2006 1:17 pm

Sounds pretty great to me! It's not perfect, but nothing from Augeri comes even close to even this for me (no offense)

Bringing back the memories! Thanks for sharing this!!!!!

.

.

by **Rockindeano** » Thu Aug 10, 2006 1:31 pm

Red13JoePa wrote:Yea great.

Fucking idiot.

This isn't even the best ROR boot.

Night At The Spectrum, '86.

Again, Big Ten Boy misses the easiest of points. Let me dumb this down for you.

A boot is a natural recording. What you hear is what happened.

If you want to hear Augeri crack in a more crystal clear recording, fine, but nonetheless, he STILL cracks.

Dude, come on, you are smarter than this.

by **brywool** » Fri Aug 11, 2006 2:14 am

Any idea why this bootleg turns into the Philadelphia show at about Raised on Radio?
I was looking forward to hearing the Detroit versions as I've already got the Philly.
Thanks though!

GASP! Maybe they threw in Perry's Philadelphia show tape and he was lipsynching!! :lol:

Oh wait, Detroit comes in after that tune. Maybe they didn't want Michael Baird's solo going out to Japan via satellite. YUCK!

I like how Neal embellishes the Oh Sherrie solo. You gotta wonder if it pissed him off to have to play that tune. My guess is yes.

Definitely the coolest arrangement of LTS that there was was on this tour. Totally cool. Always thought Perry should've had to pay Sam Cooke for ripping off the first line and phrasing of that tune from "Nothing Can Ever Change This Love I Have For You".

by **Perry86fan** » Sat Aug 12, 2006 8:39 am

JourneyRox wrote:
tragchk wrote:No other singer can literally stop me from breathing - just from the sheer power and delivery of how he sings.

YES! U said it so much better than me.

I agree 100%

by **Eric** » Wed Aug 16, 2006 11:28 pm

Sorry, but I'll take the current band over this sound. The show was too fast and sloppy. Some songs (ex. Wheel) barely sounded like themselves.....

by **McNeil** » Thu Aug 17, 2006 1:08 am

Voyager wrote:Even back in 1986 Steve was struggling with emulating his own studio vocal tracks in a live setting. I can only imagine what it would be like to try it in 1996 and in 2006 when he was 10 and 20 years older. Let's face it, some studio tracks are extremely difficult to be reproduced in a live setting. When the singers are 20-something years old and their adrenalin is going full tilt, they can pull off near-miracles in the studio. Then afterwards when they are on the road they say, "Why in the funk did I hit that damn note so high? What the hell was I thinking?"

Good luck to anyone who tries to emulate Steve Perry's vocal tracks. They're going to need steroids to do it.

You obviously aint heard Jeremy Hunsicker yet then??? He fronts "Frontiers" Journey Tribute, and he doesnt need steroids, and is older than Perry was, when at his prime.

Heres the link

http://www.samhillbands.com/bands/frontiers/index.shtml first song you hear will be a live "Dont Stop Beleiving"

enjoy, and wonder in amazement at how Perrys voice is in this guys throat....haha

MR

JOURNEY "RAISED ON RADIO" 10/9/86 DETROIT

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