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ddregs wrote:thevoicelover wrote:Very nice read DD!! You must be a drummer, yes??
On a very much lower level than the above mentioned drummers.
I'm not worthy of being spoken here![]()
ddregs wrote:Smith is one of the best player EVER.
His work with Journey is well known by everyone here, but what should be known is his technique prowess.
If you can get your hands on some of these records you'll listen to some of his best drumming and his evolution
This is for fusion fans
- Jean-Luc Ponty , Enigmatic Ocean, 1977 - he was very young but he was already there with the best
- Then start with the first two Vital Information records, until Fiafiaga, fusion records, enjoyable but not different from what other bands were already offering
- Then with VI's Global Beat and Vitalive he started progressing, his style changed towards a jazzier style of playing
- The Players , with Jeff Berlin on bass, Scott Henderson on guitar and T Lavitz on keys.
- Steps Ahead - Modern Times showed his versatility
- Back to Vital Information, Easier Done than Said and Ray of Hope are most probably my favorite fusion records. His playing here can't be peaked.
- His latest VI records are very different from the first phase of VI, but his drumming is as always top-notch. The kind of music is post-bob meets 60's r&b meets fusion
Heavy-metal fans
- Tony MacAlpine - Edge of Insanity. Awesome playing along Mr. Billy Sheehan on bass
Other fusion projects
- Gambale/Hamm/Smith , Vital Tech Tones , Buddy's Buddies, the 2 Buddy Rich tributes are other examples of incredible drumming.
And these are just a few records he played on.
I could go on for hours, but what I would like to explain is Smitty is on the Mount Olympus of drummers, while Dunbar is a different kind of drummer, very innovative in the 70s (his use of double bass drum for instance), powerful (listen to Whitesnake '87 record), but not on the same technique level as Smith.
Castronovo is a monster player as well. Most on the rock side, double-bass drum god (before he joined Bad English he was a double-bass metal drummer and he was a monster player), but not as versatile as Smith. Even himself can tell.
Cheers!
The Confessor wrote:ddregs wrote:Smith is one of the best player EVER.
His work with Journey is well known by everyone here, but what should be known is his technique prowess.
If you can get your hands on some of these records you'll listen to some of his best drumming and his evolution
This is for fusion fans
- Jean-Luc Ponty , Enigmatic Ocean, 1977 - he was very young but he was already there with the best
- Then start with the first two Vital Information records, until Fiafiaga, fusion records, enjoyable but not different from what other bands were already offering
- Then with VI's Global Beat and Vitalive he started progressing, his style changed towards a jazzier style of playing
- The Players , with Jeff Berlin on bass, Scott Henderson on guitar and T Lavitz on keys.
- Steps Ahead - Modern Times showed his versatility
- Back to Vital Information, Easier Done than Said and Ray of Hope are most probably my favorite fusion records. His playing here can't be peaked.
- His latest VI records are very different from the first phase of VI, but his drumming is as always top-notch. The kind of music is post-bob meets 60's r&b meets fusion
Heavy-metal fans
- Tony MacAlpine - Edge of Insanity. Awesome playing along Mr. Billy Sheehan on bass
Other fusion projects
- Gambale/Hamm/Smith , Vital Tech Tones , Buddy's Buddies, the 2 Buddy Rich tributes are other examples of incredible drumming.
And these are just a few records he played on.
I could go on for hours, but what I would like to explain is Smitty is on the Mount Olympus of drummers, while Dunbar is a different kind of drummer, very innovative in the 70s (his use of double bass drum for instance), powerful (listen to Whitesnake '87 record), but not on the same technique level as Smith.
Castronovo is a monster player as well. Most on the rock side, double-bass drum god (before he joined Bad English he was a double-bass metal drummer and he was a monster player), but not as versatile as Smith. Even himself can tell.
Cheers!
Outstanding post...and right on I must say.
LarryFromNextDoor wrote:i cant remember confessor,, do u dabble with the drum kit?
The Confessor wrote:LarryFromNextDoor wrote:i cant remember confessor,, do u dabble with the drum kit?
When I was a young man, yes, I was an aspiring drummer. Unfortunately, reality is a cruel thing sometimes.I was never good enough to make a serious run at making a living as a musician. While there are an "elite" few who seem to have a natural musical talent, the majority of musicians have to work their asses off to be any good. Guess which category I fit into?
Larry!!! Stop selling yourself short!! Remember, I've heard you play!! You can do some awesome shredding!!LarryFromNextDoor wrote:The Confessor wrote:LarryFromNextDoor wrote:i cant remember confessor,, do u dabble with the drum kit?
When I was a young man, yes, I was an aspiring drummer. Unfortunately, reality is a cruel thing sometimes.I was never good enough to make a serious run at making a living as a musician. While there are an "elite" few who seem to have a natural musical talent, the majority of musicians have to work their asses off to be any good. Guess which category I fit into?
im in your last catagory,, i have no natural talent with the guitar,, none!! i struggle for everything, then ill run into some punk 12 year old at guitar center thats been playing for 6 months and hes smoking me.. and he dont care about it,, you should play more frequently,, very few make a living at being a musician,, 35 bucks per man per night,, wow,, but still fun!! steve smith made me dig drummers again (back on topic)
Not everything's about the money, babe!! Just doin' it for the the love and enjoyment of the music is a greater reward to yourself and those you play for!! Keep rockin', flying finger's!!!LarryFromNextDoor wrote:well , thanks for the compliment P.. ,,, and dont forget, you can make humdreds of dollars a year playing live music!!! HA
LarryFromNextDoor wrote:well , thanks for the compliment P.. ,,, and dont forget, you can make humdreds of dollars a year playing live music!!! HA
fred_journeyman wrote:Smith is/was my favorite Journey drummer. He brought rock, jazz, finesse and in one package and I loved the way his drums sounded. As great a drummer as Deen is, I still wish Smith was there.
jrnyman28 wrote:I think Deen fits with where Neal wants Journey to go. But he definately seemed held back on Arrival.
Deen is a solid rock drummer.
Smitty is incredible...he made me pay attention to the drumming. Probably my favorite drummer and 2nd only to Neil Peart IMO in sheer skill. (Really it is a toss-up to me but I read WAY more about NEil than Smitty...)
Aynsley was sort of like Deen IMO...a solid rock drummer.
jrnyman28 wrote:I think Deen fits with where Neal wants Journey to go. But he definately seemed held back on Arrival.
jrnyman28 wrote:Smitty is incredible...he made me pay attention to the drumming. Probably my favorite drummer and 2nd only to Neil Peart IMO in sheer skill. (Really it is a toss-up to me but I read WAY more about NEil than Smitty...)
Rockin'Deano wrote:This thread is incomplete.
How can you talk Journey drummers without the great Michael Baird, and his gay pink lid where he folds the bill up towards the sky?
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