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Saint John wrote:It sounds like Perry has a symphony behind him at the end of Mother Father. Is that JUST him? It's simply beautiful. Man....it CAN'T be him alone.....any thoughts?
FyreWyngz wrote:Saint John wrote:It sounds like Perry has a symphony behind him at the end of Mother Father. Is that JUST him? It's simply beautiful. Man....it CAN'T be him alone.....any thoughts?
You mean the little falsetto angelic signature he does a la Wheel In The Sky? It's definitely layered and/or doctored as was most of his vocals. The Houston concert is also "tricked" but nobody seems to have a problem with it. You can easily hear that it's not just him also his lip synch is well off. I'm sure he did it live but it's been doctored.
Matthew wrote:FyreWyngz wrote:Saint John wrote:It sounds like Perry has a symphony behind him at the end of Mother Father. Is that JUST him? It's simply beautiful. Man....it CAN'T be him alone.....any thoughts?
You mean the little falsetto angelic signature he does a la Wheel In The Sky? It's definitely layered and/or doctored as was most of his vocals. The Houston concert is also "tricked" but nobody seems to have a problem with it. You can easily hear that it's not just him also his lip synch is well off. I'm sure he did it live but it's been doctored.
From what I've read Journey used tapes of backing vocals in the 1980s - but Fyre - what do you mean "his lipsynch is well off"?
FyreWyngz wrote:Saint John wrote:It sounds like Perry has a symphony behind him at the end of Mother Father. Is that JUST him? It's simply beautiful. Man....it CAN'T be him alone.....any thoughts?
You mean the little falsetto angelic signature he does a la Wheel In The Sky? It's definitely layered and/or doctored as was most of his vocals. The Houston concert is also "tricked" but nobody seems to have a problem with it. You can easily hear that it's not just him also his lip synch is well off. I'm sure he did it live but it's been doctored.
Neal: I think some of our best sounding records, the voices were more layered than anything else. The bg...the backgrounds...you know, we used to do like, for instance, all the records that we did with Roy Thomas Baker, we took the Queen approach and there was ten million Steve Perry's back then in the background vocals. I mean, he would do four times one part, four times another part, four times another part, four times another part. So it's just at then end, it's just STACKED. And that's what gives you that huge vocal...that background vocal sound. But in general, the band...I don't think beyond the record that we just did with Kevin Shirley, like Arrival, that was very layered, I think we were pretty nuts and bolts. It's like the one rhythm guitar, two at the most, and one lead and keyboards...a couple of keyboard overdubs.
So many people criticize SA for weak vocals on his albums but fail to recognize that his were straight up vocals with no technical help. Apparently he only used technology when he was sick.
Saint John wrote:FyreWyngz wrote:Saint John wrote:It sounds like Perry has a symphony behind him at the end of Mother Father. Is that JUST him? It's simply beautiful. Man....it CAN'T be him alone.....any thoughts?
You mean the little falsetto angelic signature he does a la Wheel In The Sky? It's definitely layered and/or doctored as was most of his vocals. The Houston concert is also "tricked" but nobody seems to have a problem with it. You can easily hear that it's not just him also his lip synch is well off. I'm sure he did it live but it's been doctored.
Neal: I think some of our best sounding records, the voices were more layered than anything else. The bg...the backgrounds...you know, we used to do like, for instance, all the records that we did with Roy Thomas Baker, we took the Queen approach and there was ten million Steve Perry's back then in the background vocals. I mean, he would do four times one part, four times another part, four times another part, four times another part. So it's just at then end, it's just STACKED. And that's what gives you that huge vocal...that background vocal sound. But in general, the band...I don't think beyond the record that we just did with Kevin Shirley, like Arrival, that was very layered, I think we were pretty nuts and bolts. It's like the one rhythm guitar, two at the most, and one lead and keyboards...a couple of keyboard overdubs.
So many people criticize SA for weak vocals on his albums but fail to recognize that his were straight up vocals with no technical help. Apparently he only used technology when he was sick.
This is an insane, at best, attempt to use Perry and Augeri in the same sentence/context. Augeri is, and always has been, a "second string" singer. The guy wasn't popular when "falsetto" was "in." Why the fuck should he have EVER fronted Journey? Just goes to show that Journey minus Herbert and Perry will never succeed. Schon and Cain NOW know, that they'll never be relevant without Perry. Soto, MY guess, will return to his homies, Talisman. He's seen the trainwreck at the end of this tunnel. If I'm wrong....that's cool...the dude is is top notch. I'll eat crow. I'll always be a Journey fan....although an Augeri comeback would test that.
As for the "most of his vocals" comment, you're fuckin' retarded. Journey was one of very few bands that was mostly live. Perry, unlike a lot of others, did NOT need help/layering. That man is perhaps the greatest live performer of all-time. SA was weak because......he was weak. The dude wasn't shit compared to Perry. "straight up".....and what the fuck were Perry's? You're a moron. Go listen to, and believe that Arrival 2001, is live. Augeri is a "B" singer and you're an asshole.
FyreWyngz wrote:Saint John wrote:FyreWyngz wrote:Saint John wrote:It sounds like Perry has a symphony behind him at the end of Mother Father. Is that JUST him? It's simply beautiful. Man....it CAN'T be him alone.....any thoughts?
You mean the little falsetto angelic signature he does a la Wheel In The Sky? It's definitely layered and/or doctored as was most of his vocals. The Houston concert is also "tricked" but nobody seems to have a problem with it. You can easily hear that it's not just him also his lip synch is well off. I'm sure he did it live but it's been doctored.
Neal: I think some of our best sounding records, the voices were more layered than anything else. The bg...the backgrounds...you know, we used to do like, for instance, all the records that we did with Roy Thomas Baker, we took the Queen approach and there was ten million Steve Perry's back then in the background vocals. I mean, he would do four times one part, four times another part, four times another part, four times another part. So it's just at then end, it's just STACKED. And that's what gives you that huge vocal...that background vocal sound. But in general, the band...I don't think beyond the record that we just did with Kevin Shirley, like Arrival, that was very layered, I think we were pretty nuts and bolts. It's like the one rhythm guitar, two at the most, and one lead and keyboards...a couple of keyboard overdubs.
So many people criticize SA for weak vocals on his albums but fail to recognize that his were straight up vocals with no technical help. Apparently he only used technology when he was sick.
This is an insane, at best, attempt to use Perry and Augeri in the same sentence/context. Augeri is, and always has been, a "second string" singer. The guy wasn't popular when "falsetto" was "in." Why the fuck should he have EVER fronted Journey? Just goes to show that Journey minus Herbert and Perry will never succeed. Schon and Cain NOW know, that they'll never be relevant without Perry. Soto, MY guess, will return to his homies, Talisman. He's seen the trainwreck at the end of this tunnel. If I'm wrong....that's cool...the dude is is top notch. I'll eat crow. I'll always be a Journey fan....although an Augeri comeback would test that.
As for the "most of his vocals" comment, you're fuckin' retarded. Journey was one of very few bands that was mostly live. Perry, unlike a lot of others, did NOT need help/layering. That man is perhaps the greatest live performer of all-time. SA was weak because......he was weak. The dude wasn't shit compared to Perry. "straight up".....and what the fuck were Perry's? You're a moron. Go listen to, and believe that Arrival 2001, is live. Augeri is a "B" singer and you're an asshole.
And you're as transparent as plastic wrap. I'm not going to argue with you despite your attempts to bait me with the "retarded" comment. What - do you think I'm still in the 5th Grade, too?
FyreWyngz wrote:So many people criticize SA for weak vocals on his albums but fail to recognize that his were straight up vocals with no technical help. Apparently he only used technology when he was sick.
Saint John wrote:FyreWyngz wrote:Saint John wrote:FyreWyngz wrote:Saint John wrote:It sounds like Perry has a symphony behind him at the end of Mother Father. Is that JUST him? It's simply beautiful. Man....it CAN'T be him alone.....any thoughts?
You mean the little falsetto angelic signature he does a la Wheel In The Sky? It's definitely layered and/or doctored as was most of his vocals. The Houston concert is also "tricked" but nobody seems to have a problem with it. You can easily hear that it's not just him also his lip synch is well off. I'm sure he did it live but it's been doctored.
Neal: I think some of our best sounding records, the voices were more layered than anything else. The bg...the backgrounds...you know, we used to do like, for instance, all the records that we did with Roy Thomas Baker, we took the Queen approach and there was ten million Steve Perry's back then in the background vocals. I mean, he would do four times one part, four times another part, four times another part, four times another part. So it's just at then end, it's just STACKED. And that's what gives you that huge vocal...that background vocal sound. But in general, the band...I don't think beyond the record that we just did with Kevin Shirley, like Arrival, that was very layered, I think we were pretty nuts and bolts. It's like the one rhythm guitar, two at the most, and one lead and keyboards...a couple of keyboard overdubs.
So many people criticize SA for weak vocals on his albums but fail to recognize that his were straight up vocals with no technical help. Apparently he only used technology when he was sick.
This is an insane, at best, attempt to use Perry and Augeri in the same sentence/context. Augeri is, and always has been, a "second string" singer. The guy wasn't popular when "falsetto" was "in." Why the fuck should he have EVER fronted Journey? Just goes to show that Journey minus Herbert and Perry will never succeed. Schon and Cain NOW know, that they'll never be relevant without Perry. Soto, MY guess, will return to his homies, Talisman. He's seen the trainwreck at the end of this tunnel. If I'm wrong....that's cool...the dude is is top notch. I'll eat crow. I'll always be a Journey fan....although an Augeri comeback would test that.
As for the "most of his vocals" comment, you're fuckin' retarded. Journey was one of very few bands that was mostly live. Perry, unlike a lot of others, did NOT need help/layering. That man is perhaps the greatest live performer of all-time. SA was weak because......he was weak. The dude wasn't shit compared to Perry. "straight up".....and what the fuck were Perry's? You're a moron. Go listen to, and believe that Arrival 2001, is live. Augeri is a "B" singer and you're an asshole.
And you're as transparent as plastic wrap. I'm not going to argue with you despite your attempts to bait me with the "retarded" comment. What - do you think I'm still in the 5th Grade, too?
Nah, you're just scared of the truth.
FyreWyngz wrote:When I was a kid and JOURNEY was "it" the rumors flew about SP using a "special" mic. I'm sure there was truth to that.
Matthew wrote:FyreWyngz wrote:So many people criticize SA for weak vocals on his albums but fail to recognize that his were straight up vocals with no technical help. Apparently he only used technology when he was sick.
Fyre - you are trying to create an impression that Augeri was somehow a more authentic singer, a man who never used technical help unlike Perry, a vocalist who WOULD have sounded as good as Perry had Journey used Roy Thomas Baker production techniques.
Please tell me you are aware of how absurd this argument is. Not even Augeri himself would claim he was in the same league as Perry .
You're also trying to somehow equate Augeri's use of pre-recorded LEAD vocals in concert to with the use of layered backing vocals on a studio album back in the late 1970s or on the Escape tour.
Both singers - and both situations - aren't comparable in the slightest.
FyreWyngz wrote:
They're absolutely not comparable. But that doesn't make one God and the other one Dogshit.
I will add this: you make it sound as if SA can't even carry a tune! Of course, SA is in the same league as SP!
Please! If you don't think that SA isn't in the same league as SP then you haven't given him a fair listen. You've been prejudiced towards him.
Personally, I've always perferred SA's voice. It's down to earth and in control. SP's was always wailing in desperation which I like, too. SA's voice also pisses me off because I can't sing like him whereas I can wail along with SP rather easily.
He JAMS in ways that SP never did - and maybe couldn't!
BOTTOM LINE: they each have their own merits and contributions and are msot definitely in the same league.
You know something - I'm so weary of the SP vs. SA debate. SA has done an incredible job and people can't accept it because it would violate their own fanatic view of SP's godhood.
I'm starting to dig that snake...knox wrote:By the way, I would put JSS in the "Gold" category. I like his voice more and more every day.
Very unique. Very STRONG.
Where Augeri was hoarse and weak, Jeff is clear and strong.
(Sorry to go off topic here, just wanted to at my retort)
well of course pumpin up your boy like that ....journeygal wrote:I'm starting to dig that snake...knox wrote:By the way, I would put JSS in the "Gold" category. I like his voice more and more every day.
Very unique. Very STRONG.
Where Augeri was hoarse and weak, Jeff is clear and strong.
(Sorry to go off topic here, just wanted to at my retort)
FyreWyngz wrote:Sorry - I'm not suggesting it was an alleged Tapegate situation. His mouth just doesn't synch with it. It's easily recognizable.
FyreWyngz wrote:Saint John wrote:It sounds like Perry has a symphony behind him at the end of Mother Father. Is that JUST him? It's simply beautiful. Man....it CAN'T be him alone.....any thoughts?
You mean the little falsetto angelic signature he does a la Wheel In The Sky? It's definitely layered and/or doctored as was most of his vocals. The Houston concert is also "tricked" but nobody seems to have a problem with it. You can easily hear that it's not just him also his lip synch is well off. I'm sure he did it live but it's been doctored.
Neal: I think some of our best sounding records, the voices were more layered than anything else. The bg...the backgrounds...you know, we used to do like, for instance, all the records that we did with Roy Thomas Baker, we took the Queen approach and there was ten million Steve Perry's back then in the background vocals. I mean, he would do four times one part, four times another part, four times another part, four times another part. So it's just at then end, it's just STACKED. And that's what gives you that huge vocal...that background vocal sound. But in general, the band...I don't think beyond the record that we just did with Kevin Shirley, like Arrival, that was very layered, I think we were pretty nuts and bolts. It's like the one rhythm guitar, two at the most, and one lead and keyboards...a couple of keyboard overdubs.
So many people criticize SA for weak vocals on his albums but fail to recognize that his were straight up vocals with no technical help. Apparently he only used technology when he was sick.
FyreWyngz wrote:Saint John wrote:It sounds like Perry has a symphony behind him at the end of Mother Father. Is that JUST him? It's simply beautiful. Man....it CAN'T be him alone.....any thoughts?
You mean the little falsetto angelic signature he does a la Wheel In The Sky? It's definitely layered and/or doctored as was most of his vocals. The Houston concert is also "tricked" but nobody seems to have a problem with it. You can easily hear that it's not just him also his lip synch is well off. I'm sure he did it live but it's been doctored.
Neal: I think some of our best sounding records, the voices were more layered than anything else. The bg...the backgrounds...you know, we used to do like, for instance, all the records that we did with Roy Thomas Baker, we took the Queen approach and there was ten million Steve Perry's back then in the background vocals. I mean, he would do four times one part, four times another part, four times another part, four times another part. So it's just at then end, it's just STACKED. And that's what gives you that huge vocal...that background vocal sound. But in general, the band...I don't think beyond the record that we just did with Kevin Shirley, like Arrival, that was very layered, I think we were pretty nuts and bolts. It's like the one rhythm guitar, two at the most, and one lead and keyboards...a couple of keyboard overdubs.
So many people criticize SA for weak vocals on his albums but fail to recognize that his were straight up vocals with no technical help. Apparently he only used technology when he was sick.
scarygirl wrote:You cannot compare precorded backing vocals with prerecorded lead vocals. Raw talent begats raw talent. Engineering only goes so far.
Have you ever listened to the greatest hits live cd? A couple of those tracks are from the Houston concert. According to the liner notes, Steve's vocals were not in anyway doctored. He sounded exactly the same note for note as on the studio albums. Back then, the technology that makes Britney Spears sing passable today didn't even exist. So what he used background vocal layering for the live dvd? They were still his vocals, and his LEAD vocals were very much live and well and clear as a bell. You can't fake quality.FyreWyngz wrote:Saint John wrote:It sounds like Perry has a symphony behind him at the end of Mother Father. Is that JUST him? It's simply beautiful. Man....it CAN'T be him alone.....any thoughts?
You mean the little falsetto angelic signature he does a la Wheel In The Sky? It's definitely layered and/or doctored as was most of his vocals. The Houston concert is also "tricked" but nobody seems to have a problem with it. You can easily hear that it's not just him also his lip synch is well off. I'm sure he did it live but it's been doctored.
Neal: I think some of our best sounding records, the voices were more layered than anything else. The bg...the backgrounds...you know, we used to do like, for instance, all the records that we did with Roy Thomas Baker, we took the Queen approach and there was ten million Steve Perry's back then in the background vocals. I mean, he would do four times one part, four times another part, four times another part, four times another part. So it's just at then end, it's just STACKED. And that's what gives you that huge vocal...that background vocal sound. But in general, the band...I don't think beyond the record that we just did with Kevin Shirley, like Arrival, that was very layered, I think we were pretty nuts and bolts. It's like the one rhythm guitar, two at the most, and one lead and keyboards...a couple of keyboard overdubs.
So many people criticize SA for weak vocals on his albums but fail to recognize that his were straight up vocals with no technical help. Apparently he only used technology when he was sick.
Matthew wrote:Abitaman wrote: Augeri brougt a more personal approach to the music.
What do you mean, Eric?
knox wrote:Perry was clear as a bell and strong as a bull when it came to LEAD VOCALS. I couldn't give a rip about layering or backing help.
Ever heard the galactic "Patiently" boot? How about the intro to "Wheel" from King Buscuit?
If you even TRY to compare Augeri's voice to Perry's ICONIC instrument in his throat you are not the brightest crayon in the box.
If you even TRY to compare Augeri's "Milli Vinilli" impersonataion on tour with some Background vocals that Journey used with Perry, you are a few bats short of a belfry.
This is not even an issue...
wildone wrote:well of course pumpin up your boy like that ....journeygal wrote:I'm starting to dig that snake...knox wrote:By the way, I would put JSS in the "Gold" category. I like his voice more and more every day.
Very unique. Very STRONG.
Where Augeri was hoarse and weak, Jeff is clear and strong.
(Sorry to go off topic here, just wanted to at my retort)hi you hope you have a great day!!
Abitaman wrote:I wasn't comparing Augeri's "vocal help" to Perry's back up. But Augeri has been slammed for backup vocals-ERIC
knox wrote:Where Augeri was hoarse and weak
EightyRock wrote:Augeri brought a more personal touch to Butterfly to be certain. (did they play it live? I'm not sure).
EightyRock wrote:Abitaman wrote:
Augeri brougt a more personal approach to the music.
Brought MORE of a personal approach than Perry? Maybe on the tune or two that he wrote or co-wrote. Augeri brought a more personal touch to Butterfly to be certain. (did they play it live? I'm not sure). As far as Augeri doing anything personal with the classic catalog that Perry didn't do (as writer or co-writer), you have soared far, far into the galaxy and
landed on Uranus. Try again.
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