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jrnyjetster wrote:They did this alot on the FRONTIERS tour.....my guess is that they may have wanted to squeeze as many songs into the set as possible?
Enigma869 wrote:It just occurred me as I was listening to a lot of old live Journey recordings (with Perry) how fast many of the classics were performed live. Does anyone know what the reason behind this was? It seems sort of odd to listen to how fast most of these songs are performed. In fact, it seems only Faithfully and Open Arms are performed at their original tempos. It seems as though they're rushing through all of these songs. There is a performance from 1983 in Norman, OK that every track I've listened to sounds VERY rushed.
John from Boston
saint John wrote:According to Herbie Herbert, certain member(s) indulged in quite a bit of cocaine in the early 80's. That may have had something to do with it.
Gibby wrote:Interesting... I've always wondered this myself. Wheel in the sky live with Perry seems almost twice as fast as the studio version.
RPC13 wrote:I actually know the answer to this...
I read somewhere that during the Frontiers tour, they sped up a lot of the songs in order to give Steve Perry's voice a break. Up until that tour, Perry was superman and could sing anything at any time. But in 1983, he had turned 34, and his voice was changing. It now actually took a little effort to sing some of the songs. In an interview, he mentions that he used to have to save a little gas in order to hit the high notes at the end of 'Faithfully'. Instead of lowering keys on the songs, they decided to speed them up a little bit so that his voice wouldn't be holding high notes as long.
saint John wrote:Gibby wrote:Interesting... I've always wondered this myself. Wheel in the sky live with Perry seems almost twice as fast as the studio version.
Which is a good thing. I can't stand the studio version. Too slow and mushy.
dcvader wrote:I've noticed the same thing. It's sounds very odd to me. I hope someone will be able to shed some light on this. I would like to know as well.
conversationpc wrote:I would doubt that it has anything to do with how the bootlegs were recorded. Musicians playing live do tend to play a bit faster rather than slower, for some reason. I know they play to a click track now so perhaps they didn't back then.
RPC13 wrote:I actually know the answer to this...
I read somewhere that during the Frontiers tour, they sped up a lot of the songs in order to give Steve Perry's voice a break. Up until that tour, Perry was superman and could sing anything at any time. But in 1983, he had turned 34, and his voice was changing. It now actually took a little effort to sing some of the songs. In an interview, he mentions that he used to have to save a little gas in order to hit the high notes at the end of 'Faithfully'. Instead of lowering keys on the songs, they decided to speed them up a little bit so that his voice wouldn't be holding high notes as long.
RPM wrote:It is why the live version of "anyway you want it" sucks to me. wayyy to fast, stone in love
rushed doesnt sound good either, although it is quite common for most bands live doing
older material.
JrnyScarab wrote:I believe a combination of adrenaline and ummm, nose candy played a role in the sped up songs. Most bands didn't play with click tracks live back then and just the excitement and drugs probably had this effect. I read where Neil Peart of Rush said in an interview that one of the hardest things to do when playing drums live is not to let the tempo get carried away because of the adrenaline and excitement of playing to a pumped up crowd. He said the Rush in Rio DVD filmed in front of the maniacal Brazilians was hard because the crowd got them so fired up. He said he really had to concentrate hard on playing at the correct speed.
Shania wrote:JrnyScarab wrote:I believe a combination of adrenaline and ummm, nose candy played a role in the sped up songs. Most bands didn't play with click tracks live back then and just the excitement and drugs probably had this effect. I read where Neil Peart of Rush said in an interview that one of the hardest things to do when playing drums live is not to let the tempo get carried away because of the adrenaline and excitement of playing to a pumped up crowd. He said the Rush in Rio DVD filmed in front of the maniacal Brazilians was hard because the crowd got them so fired up. He said he really had to concentrate hard on playing at the correct speed.
Exactly,JrnyScarab.You hit the nail on the head.
Adrenaline,a bit of snow and the audience's response.
Usually,a sped up song means more energy exchange between the band and the crowd.Journey always loved that.
JrnyScarab wrote:Shania wrote:JrnyScarab wrote:I believe a combination of adrenaline and ummm, nose candy played a role in the sped up songs. Most bands didn't play with click tracks live back then and just the excitement and drugs probably had this effect. I read where Neil Peart of Rush said in an interview that one of the hardest things to do when playing drums live is not to let the tempo get carried away because of the adrenaline and excitement of playing to a pumped up crowd. He said the Rush in Rio DVD filmed in front of the maniacal Brazilians was hard because the crowd got them so fired up. He said he really had to concentrate hard on playing at the correct speed.
Exactly,JrnyScarab.You hit the nail on the head.
Adrenaline,a bit of snow and the audience's response.
Usually,a sped up song means more energy exchange between the band and the crowd.Journey always loved that.
It's ironic that energy exchange between the band and crowd can lead to less than desirable results when listening to recordings of those songs that go toooooo fast.
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