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JSS wrote:This should probably end this thread...I think anyway
http://www.yousendit.com/transfer.php?a ... BA07054B24
treetopovskaya wrote:JSS wrote:This should probably end this thread...I think anyway
http://www.yousendit.com/transfer.php?a ... BA07054B24
thanks jss! got anything else to share? umm... sweet and simple. i don't think you can hit that high note. i really really really doubt it. };C)
*can't blame me for trying!!*
JSS wrote:That was actually problem when I 1st went out to join the tour, I was using too much of my normal technique which was belt it for all it's worth, forgetting the range & even emotion of Perry's style didn't match that. He was a powerful singer himself but in a different way, his voice was smooth & silky but it projected. I was pushing it the way I would normally hit the notes on my stuff but it sounded too hard or aggressive, at times making it difficult to hit the range on some things. I simply pulled it back a bit to get the natural highs as well as texture my voice helping keep true to the original sound as much as possible without cloning it. I was so hugely influenced by Perry growing up but knew that would be a dead end in having my own identity, As well, it didn't fit the format of albums I'd done through my formative years, so I strayed from that silky, smoothness & opted for a more power tenor as I started my professional career. Now it's all about revisiting it all so my voice works for me AND the audience. Thanks for the props!
JSS wrote:That was actually problem when I 1st went out to join the tour, I was using too much of my normal technique which was belt it for all it's worth, forgetting the range & even emotion of Perry's style didn't match that. He was a powerful singer himself but in a different way, his voice was smooth & silky but it projected. I was pushing it the way I would normally hit the notes on my stuff but it sounded too hard or aggressive, at times making it difficult to hit the range on some things. I simply pulled it back a bit to get the natural highs as well as texture my voice helping keep true to the original sound as much as possible without cloning it. I was so hugely influenced by Perry growing up but knew that would be a dead end in having my own identity, As well, it didn't fit the format of albums I'd done through my formative years, so I strayed from that silky, smoothness & opted for a more power tenor as I started my professional career. Now it's all about revisiting it all so my voice works for me AND the audience. Thanks for the props!
strangegrey wrote:JSS wrote:That was actually problem when I 1st went out to join the tour, I was using too much of my normal technique which was belt it for all it's worth, forgetting the range & even emotion of Perry's style didn't match that. He was a powerful singer himself but in a different way, his voice was smooth & silky but it projected. I was pushing it the way I would normally hit the notes on my stuff but it sounded too hard or aggressive, at times making it difficult to hit the range on some things. I simply pulled it back a bit to get the natural highs as well as texture my voice helping keep true to the original sound as much as possible without cloning it. I was so hugely influenced by Perry growing up but knew that would be a dead end in having my own identity, As well, it didn't fit the format of albums I'd done through my formative years, so I strayed from that silky, smoothness & opted for a more power tenor as I started my professional career. Now it's all about revisiting it all so my voice works for me AND the audience. Thanks for the props!
Kimterp wrote:JSS wrote:That was actually problem when I 1st went out to join the tour, I was using too much of my normal technique which was belt it for all it's worth, forgetting the range & even emotion of Perry's style didn't match that. He was a powerful singer himself but in a different way, his voice was smooth & silky but it projected. I was pushing it the way I would normally hit the notes on my stuff but it sounded too hard or aggressive, at times making it difficult to hit the range on some things. I simply pulled it back a bit to get the natural highs as well as texture my voice helping keep true to the original sound as much as possible without cloning it. I was so hugely influenced by Perry growing up but knew that would be a dead end in having my own identity, As well, it didn't fit the format of albums I'd done through my formative years, so I strayed from that silky, smoothness & opted for a more power tenor as I started my professional career. Now it's all about revisiting it all so my voice works for me AND the audience. Thanks for the props!
This quote is on blabbermouth and some other online website.
I couldnt agree more here. Stop busting the guys chops. We all have jobs. We all suck some days (not implying that you suck Jeff) but what i'm trying to say is that its not always perfect every day. He's not recording an album, hes up on stage, running around, playing with the guys, sweating his ass off to give you satisfaction for 2 hours. Not one of you can say you walked away unhappy the nights you saw him in concert. I'm so tired of the mudslinging here. I'm glad Jeff chooses to defend himself, although if it was me, I would probably tire of it really quick. Its a privelege that he is nice enough to come on here and read the comments. Just another proof that he is a stellar individual, and I dont care if he's not perfect up there. I'm just glad he's helped Journey into a new season.YoungJRNYfan wrote:JSS, just sing the goddamn songs. Why are you explaining yourself anyway when you don't have to? I get satisfaction just knowing the song is going to be sung, let alone worrying about if you "got it" to hit high notes or have the "sound." That shit doesn't matter anymore, do what you do, and don't worry about what us assholes think![]()
JSS wrote:NealIsGod wrote:ohsherrie wrote:NealIsGod wrote:ohsherrie wrote:I'll bet he can really rock on OOHW.
THAT would be my first choice, but I doubt that will ever happen. Perfect song for JSS, tho. I'll bet he digs that song.
Let's ask him.Do you like that song Jeff? Would you do it? It would be great. Especially relevant in the UK right now too.
He'll answer if we word it differently:
Jeff, your voice would SUCK on Out of Harm's Way. Same for FITH. I have some boots of your first two shows, and it's apparent that you just aren't right for Journey.
That oughta do it.
Haha, fuck you NIGGY!!! Kidding....
...actually Neal gave me the music to OOHW to work on for a Soul SirkUS tune, I have to be blunt, it never did anything for me. I tried to make something of it & nothing stuck to the ceiling. I was surprised at at how god it turned out when Journey tweaked at it but in all honesty, it still doesn't do much for me, sorry. Who knows though, re-addressing it live & me putting my spin on it could be interesting, who knows....I wish we would do Good Morning Girl sometime, that song does it for me big time, so much passion & emotion in the melody & chord changes.
RockinDeano wrote:Frank, I was the same way.
I came out and bashed Soto when he first joined.
. Then I sat back and listened, and he got better and better.
I am happy I listened and gave him a chance.
JSS wrote:Already posted this at BT, explaining last night's detuning a half step:
We did, but hated it in the end....I'll try to explain the difference on my standpoint without being too techinical.
Tuning down, I tend to use more of my 'real' voice instead of 'head' voice on the higher notes. perry had the best head voice in the business which one uses for all the high register stuff. Using more real voice actually tired me more than usual. We're going back tonight to regular tuning as it will actually help me more than hinder.
Head voice for those who don't know is the high register in your voice between real & falsetto, say it's like a strong, fuller falsetto compared to the Bee Gees or Leo Sayer which is more the lighter singing. It's much easier to sing the high notes in head voice than pushing them with real voice which is what I was used to doing on all my past tours, took me a bit to realize I had to switch it up for the sake of how the songs sound as well as my health
There you have it, more surprises in store tonight, can't wait!!
JSS
Michael Leigh wrote:JSS wrote:Already posted this at BT, explaining last night's detuning a half step:
We did, but hated it in the end....I'll try to explain the difference on my standpoint without being too techinical.
Tuning down, I tend to use more of my 'real' voice instead of 'head' voice on the higher notes. perry had the best head voice in the business which one uses for all the high register stuff. Using more real voice actually tired me more than usual. We're going back tonight to regular tuning as it will actually help me more than hinder.
Head voice for those who don't know is the high register in your voice between real & falsetto, say it's like a strong, fuller falsetto compared to the Bee Gees or Leo Sayer which is more the lighter singing. It's much easier to sing the high notes in head voice than pushing them with real voice which is what I was used to doing on all my past tours, took me a bit to realize I had to switch it up for the sake of how the songs sound as well as my health
There you have it, more surprises in store tonight, can't wait!!
JSS
Before I even say anything,let me preface this by saying this is not a bust on SA!!
I wish they had thought of tuning down a 1/2 step to save his voice.
I agree with most everyone when I say SA did a good job, before his voice went.
I actually wonder if they had considered it or even tried it in rehearsal.
Tapegate is a whole other issue.I DO feel bad for SA. Met him a number of times and he was
a real nice guy.
Now with that being said, I actually wish that Journey had known about JSS and that he got the gig to begin with.
I know a lot of people (especially a lot of those on BT & the wigglers)don't think Jeff is a good fit,he is too metal for Journey, as well as all the other bullshit we've all heard.
I for one, am a great fan of Jeff's, have been for years, and I think the coolest thing about him being part of the band now, is his respect for the Journey legacy, and actually being a fan of the band, and knowing so much about their history. My understanding is that SA was just a moderate fan of the band, but Jeff know about their history and studied the songs like all of US fans have.
I was at his first show in Virginia,at another about midway through the tour in Columbus, and months later in Baltimore at one of the last shows of the tour, and the difference was astounding.It was cool to catch 3 shows and watch him grow into the position.
I haven't been as excited about a Journey record, since the Perry days.
Jeff is doing a great job, and I hope they decide to do some shows this summer.
Jeff was made for this band, and I think he has done an awesome job (to quote the Firg)as an abassador of Rock and Roll!!
Michael Leigh wrote:I know a lot of people (especially a lot of those on BT & the wigglers)don't think Jeff is a good fit,he is too metal for Journey, as well as all the other bullshit we've all heard.
Michael Leigh wrote:I haven't been as excited about a Journey record, since the Perry days.
JSS wrote:Using more real voice actually tired me more than usual. We're going back tonight to regular tuning as it will actually help me more than hinder.
JSS
Michael Leigh wrote:JSS wrote:Already posted this at BT, explaining last night's detuning a half step:
We did, but hated it in the end....I'll try to explain the difference on my standpoint without being too techinical.
Tuning down, I tend to use more of my 'real' voice instead of 'head' voice on the higher notes. perry had the best head voice in the business which one uses for all the high register stuff. Using more real voice actually tired me more than usual. We're going back tonight to regular tuning as it will actually help me more than hinder.
Head voice for those who don't know is the high register in your voice between real & falsetto, say it's like a strong, fuller falsetto compared to the Bee Gees or Leo Sayer which is more the lighter singing. It's much easier to sing the high notes in head voice than pushing them with real voice which is what I was used to doing on all my past tours, took me a bit to realize I had to switch it up for the sake of how the songs sound as well as my health
There you have it, more surprises in store tonight, can't wait!!
JSS
Before I even say anything,let me preface this by saying this is not a bust on SA!!
I wish they had thought of tuning down a 1/2 step to save his voice.
I agree with most everyone when I say SA did a good job, before his voice went.
I actually wonder if they had considered it or even tried it in rehearsal.
Tapegate is a whole other issue.I DO feel bad for SA. Met him a number of times and he was
a real nice guy.
Now with that being said, I actually wish that Journey had known about JSS and that he got the gig to begin with.
I know a lot of people (especially a lot of those on BT & the wigglers)don't think Jeff is a good fit,he is too metal for Journey, as well as all the other bullshit we've all heard.
I for one, am a great fan of Jeff's, have been for years, and I think the coolest thing about him being part of the band now, is his respect for the Journey legacy, and actually being a fan of the band, and knowing so much about their history. My understanding is that SA was just a moderate fan of the band, but Jeff know about their history and studied the songs like all of US fans have.
I was at his first show in Virginia,at another about midway through the tour in Columbus, and months later in Baltimore at one of the last shows of the tour, and the difference was astounding.It was cool to catch 3 shows and watch him grow into the position.
I haven't been as excited about a Journey record, since the Perry days.
Jeff is doing a great job, and I hope they decide to do some shows this summer.
Jeff was made for this band, and I think he has done an awesome job (to quote the Firg)as an abassador of Rock and Roll!!
JSS wrote:Already posted this at BT, explaining last night's detuning a half step:
We did, but hated it in the end....I'll try to explain the difference on my standpoint without being too techinical.
Tuning down, I tend to use more of my 'real' voice instead of 'head' voice on the higher notes. perry had the best head voice in the business which one uses for all the high register stuff. Using more real voice actually tired me more than usual. We're going back tonight to regular tuning as it will actually help me more than hinder.
Head voice for those who don't know is the high register in your voice between real & falsetto, say it's like a strong, fuller falsetto compared to the Bee Gees or Leo Sayer which is more the lighter singing. It's much easier to sing the high notes in head voice than pushing them with real voice which is what I was used to doing on all my past tours, took me a bit to realize I had to switch it up for the sake of how the songs sound as well as my health
JSS wrote:There you have it, more surprises in store tonight, can't wait!!
JSS
Michael Leigh wrote:Now with that being said, I actually wish that Journey had known about JSS and that he got the gig to begin with.
Kimterp wrote:JSS wrote:Mike,
Your envelope full of cash should arrive in the mailbox any day now
Just wondering - you have a show right? In like 1/2 hour? Or is my time all fucked up?
JSS wrote:Mike,
Your envelope full of cash should arrive in the mailbox any day nowMichael Leigh wrote:JSS wrote:Already posted this at BT, explaining last night's detuning a half step:
We did, but hated it in the end....I'll try to explain the difference on my standpoint without being too techinical.
Tuning down, I tend to use more of my 'real' voice instead of 'head' voice on the higher notes. perry had the best head voice in the business which one uses for all the high register stuff. Using more real voice actually tired me more than usual. We're going back tonight to regular tuning as it will actually help me more than hinder.
Head voice for those who don't know is the high register in your voice between real & falsetto, say it's like a strong, fuller falsetto compared to the Bee Gees or Leo Sayer which is more the lighter singing. It's much easier to sing the high notes in head voice than pushing them with real voice which is what I was used to doing on all my past tours, took me a bit to realize I had to switch it up for the sake of how the songs sound as well as my health
There you have it, more surprises in store tonight, can't wait!!
JSS
Before I even say anything,let me preface this by saying this is not a bust on SA!!
I wish they had thought of tuning down a 1/2 step to save his voice.
I agree with most everyone when I say SA did a good job, before his voice went.
I actually wonder if they had considered it or even tried it in rehearsal.
Tapegate is a whole other issue.I DO feel bad for SA. Met him a number of times and he was
a real nice guy.
Now with that being said, I actually wish that Journey had known about JSS and that he got the gig to begin with.
I know a lot of people (especially a lot of those on BT & the wigglers)don't think Jeff is a good fit,he is too metal for Journey, as well as all the other bullshit we've all heard.
I for one, am a great fan of Jeff's, have been for years, and I think the coolest thing about him being part of the band now, is his respect for the Journey legacy, and actually being a fan of the band, and knowing so much about their history. My understanding is that SA was just a moderate fan of the band, but Jeff know about their history and studied the songs like all of US fans have.
I was at his first show in Virginia,at another about midway through the tour in Columbus, and months later in Baltimore at one of the last shows of the tour, and the difference was astounding.It was cool to catch 3 shows and watch him grow into the position.
I haven't been as excited about a Journey record, since the Perry days.
Jeff is doing a great job, and I hope they decide to do some shows this summer.
Jeff was made for this band, and I think he has done an awesome job (to quote the Firg)as an abassador of Rock and Roll!!
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