tragchk wrote:
Why are people afraid to support New, Original Music.....but yet will bitch and complain that there's NOTHING NEW, FRESH, OR RELEVANT TO LISTEN TO ANYMORE???
Not sure if you can say that people are afraid to support new music.I'd say that the market is over-saturated with new music that no one cares about .
Too much work,too little time,at least for the average music consumer.
Or,some people just listen to the old stuff they know.They might be too lazy to search for something new,or even be interested in new names as long as they have something familiar to listen too.Perhaps this is one of the reasons why cover bands can make a decent living
On the other hand,indeed,most of the new music IS irrelevant.It's like almost everything's been said and done,I don't hear true inspired songs anylonger coming from unknown acts,so why bother perusing through all these new names?
Not saying that I do that,no.Fortunately I love discovering new names and listening to new songs.I am searching for new music.
But the majority of the people can live without this,they're simply not interested to find new music.And when the new music gets to them instead,they're too busy,lazy or apathetic to give it a chance.
Not necessarily related to what you have asked,Nora,but I remembered one of Bob Lefsetz articles...Echoes my feelings exactly.
Ever read this one?
Might give you a few answers about how much everything has changed....
"I can't get over what a non-event the release of an album is today.
Oh, the media trumpets the dropping of these discs like the second
coming. But no one's paying attention. Well, that's not really true, VERY
FEW PEOPLE ARE PAYING ATTENTION!
We used to live in a small universe. Fewer than 5,000 albums were
released a year. And people like us, we knew every one. Now nobody knows
every one, and not many people care that they're uninformed. But it
gets worse, sales superstars like Avril Lavigne release "monster hit
singles" that nobody hears. "Girlfriend"? A hit in the media, but most of
America has never heard it.
Then there's Patti Smith's covers album. She just got inducted into
the Rock and Roll Hall of Fame, she's riding a wave of publicity she
hasn't been the beneficiary of since the seventies. But will anybody buy
her record?
Not many.
Doesn't matter how good it is, most people don't care.
And it's not Patti. If you're a heritage artist putting out a new
record...nobody wants it. They just want to hear your old stuff.
And if you don't have a big time rep, then you're not going to break
through, unless you sell your soul to the promotion/marketing machine,
and then you STILL won't go platinum probably, and you'll just be a
footnote in the history of music.
What the hell is going on?
Back before publications like the L.A. "Times" printed new album
previews, we were hungry for the new discs of our favorite bands. We wanted
to hear all the new albums, maybe someone would surprise us and we'd
BECOME a fan. Now, an act has a hard core of dedicated fans and that's
IT!
But it gets worse. Household names? They don't have a dedicated sales
base. Oh, they might be able to tour if they're from the classic rock
era, but all those famous people from the last forty years, they can't
sell tonnage. NOBODY CAN SELL TONNAGE!
Oh, let's not make it black and white. There might still be phenomena.
Nickelback is a phenomenon. Then again, their initial monster hit
predated this new era. People were still listening to Top Forty radio
and watching MTV when "How You Remind" me broke. Same band releases same
initial single today? Much less impact. Hell, let's look at it this
way, if Nickelback's latest album had come out at the turn of the
decade, at the height of CD sales, it would have gone diamond, done in
excess of ten million in the U.S., I have no doubt. KID ROCK went diamond,
and he had FEWER HITS!
We read about these new discs, it's as if these acts can sell records,
but they can't. And sure, there's no more Tower and the big boxes are
stocking fewer albums, but the real story is there's just no focus.
There's a coterie of not quite adolescent girls following the mainstream,
and then everybody else is off in his own niche.
Used to be an album release was just the beginning. It was like
starting a fire on "Survivor". Once you had your flint and your logs, you
were gonna blow on the tinder, if you did it right you were gonna have a
CONFLAGRATION! Now the PEAK is when the record drops. It's all
downhill from there. Oh, a few discs build. But most just fade off into
oblivion. They're run up the flagpole and then they disappear, as the
media runs another record up the flagpole.
Acts used to be excited. We've got an album coming out! We and the
label are going to build it into a raging success! No you're not, if
you're lucky you already have a road audience and you'll sell the disc to
the people coming to the show, or actually AT the show.
Don't buy the hype. All those stories, all the reviews, almost
nobody's paying attention! Who could, it's overwhelming!
But the media and the music business don't stop. If the public isn't
interested in reading the reviews of a zillion new records and stories
of how they're being made, how come they're printing this stuff ANYWAY?
And if you can't release a record with the hope of it going platinum,
why are you investing so much money, time and effort? If you're only
going to sell 25,000, maybe you should cut the album more cheaply and
maintain a really good mailing list to get the word out, rather than
employing high-priced publicists who try to reach the masses who don't
give a shit.
This is reality. The blockbuster era is done. The business is living
a giant lie, the purveyors are participating in a giant circle jerk.
The public has tuned out, and is only listening to each other.
It's not about beating acts or labels up. It's actually depressing
that the scene is so saturated and there's so much choice that it's almost
impossible to go gold. In the future there could be a new avenue of
exposure that builds hit acts, then again, maybe not.
So don't be impressed when you read about so and so's new album.
There's nothing going on other than this story. It's a cardboard facade
with carney-level sales figures behind.
And if you're a musician, realize that it's about those who you know,
serving your fan base, growing it organically. Your dream of a big
break and mass appeal? That's not gonna happen. And, if it does, like a
flash mob, the audience will move on to something new soon thereafter."