Moderator: Andrew
T-TIME wrote:here is a question that i just can't get past. high majority of posters seem to keep refering back to neil and cain having these huge egos and that is what caused the demise of jss. why would these two make such a decision that is so against what the fans are diggin? wouldn't the egos want the credit for making such a clutch decision bring jss on board and taking them to new heights? something else has to be bigger. lead singers always get the most attention. they are the front man. anyone in front of journey (past or present) will always command the attention. good or bad. they have done it the right way for so many years, it's hard to believe they would suddenly forget how.
Soto All The Way wrote:T-TIME wrote:here is a question that i just can't get past. high majority of posters seem to keep refering back to neil and cain having these huge egos and that is what caused the demise of jss. why would these two make such a decision that is so against what the fans are diggin? wouldn't the egos want the credit for making such a clutch decision bring jss on board and taking them to new heights? something else has to be bigger. lead singers always get the most attention. they are the front man. anyone in front of journey (past or present) will always command the attention. good or bad. they have done it the right way for so many years, it's hard to believe they would suddenly forget how.
First learn how to fuking type. U place capitols at the beginning of each sentence. I got a head ache reading your post....
Two.....U answered your own question.....JSS got bigger and better responses than the two fucking morons on either sie of him.........POOOOF!!!! He's Gone!!!
e-![]()
T-TIME wrote:here is a question that i just can't get past. high majority of posters seem to keep refering back to neil and cain having these huge egos and that is what caused the demise of jss. why would these two make such a decision that is so against what the fans are diggin? wouldn't the egos want the credit for making such a clutch decision bring jss on board and taking them to new heights? something else has to be bigger. lead singers always get the most attention. they are the front man. anyone in front of journey (past or present) will always command the attention. good or bad. they have done it the right way for so many years, it's hard to believe they would suddenly forget how.
rdekker wrote:JSS was not what the fans wanted, it's only a handful of fans that regularly post on these forums.
rdekker wrote:JSS was not what the fans wanted, it's only a handful of fans that regularly post on these forums. The majority of the so called 'fans' that visit the concerts don't even know that Perry left and they expect journey to sound like Journey, therefor this decision was made.
rdekker wrote:JSS was not what the fans wanted, it's only a handful of fans that regularly post on these forums. The majority of the so called 'fans' that visit the concerts don't even know that Perry left and they expect journey to sound like Journey, therefor this decision was made.
Little Lenny wrote:Who knows what goes on behind closed doors? No one will know unless they are told.
However, I do think you answered your own qustion T-Time. Jeff has been popular in Europe for a long time, and I think when he joined Journey they didn't realise his full potential. He's more than just a singer, he actually participates with the audience, he is a real showman, and unfortunately I dont think that was something that was taken into the equation...
Soto All The Way wrote:First learn how to fuking type. U place capitols at the beginning of each sentence. I got a head ache reading your post....
Two.....U answered your own question.....JSS got bigger and better responses than the two fucking morons on either sie of him.........POOOOF!!!! He's Gone!!!
e-![]()
NoMoreTails wrote: If NS and JC are concerned about being the center of attention, that's something they'd never consider.
NoMoreTails wrote: .... doesn't Irv now hold considerable interest in the company that controls all the best venues?
Clasicrockldy wrote:Little Lenny wrote:Who knows what goes on behind closed doors? No one will know unless they are told.
However, I do think you answered your own qustion T-Time. Jeff has been popular in Europe for a long time, and I think when he joined Journey they didn't realise his full potential. He's more than just a singer, he actually participates with the audience, he is a real showman, and unfortunately I dont think that was something that was taken into the equation...
Frack (Neal) knew already Jeff's full potential, since Frack worked and toured with Jeff during the Soul Sirkus days, so I don't buy that argument. Journey got the best reviews from the critics in years !
Frick and Frack should of kept Jeff in there. They could of still done the dirty dozen, plus do new music. Frick and Frack's egos always get in the way, and for them now to think of their legacy, it is a little too late for that.
Red13JoePa wrote:Damn, TNC was right again. Irv has MEGA power and pull.
http://lefsetz.com/wordpress/index.php/archives/2007/05/15/jockeying-for-position/
Lefsetz Letter Archives Subscribe to the Lefsetz Letter
Oh, PeyoteIn My LifeJockeying For Position
Who’s going to win the music business war?
It certainly won’t be Sony, or BMG. Sony wants out of the music business. As does BMG. Unfortunately, no one can meet their price, so they’re holding for now. But they want to get out. Oh, there’s an expansion into music publishing, but no non-traditional ventures are being contemplated. It appears they’re going to run the ship until Clive Davis dies or becomes too frail to work, then they’re going to freak out. As for Rick Rubin’s recent deal with Columbia? If only you could sell CDs, if only online weren’t about singles. If only revenue were growing instead of collapsing.
Then there’s Universal Music. With the biggest market share, operating in a vacuum. Doug Morris and Jimmy Iovine wanted to be innovators at the turn of the century, with the Farm Club and PressPlay, but after being burned they’ve changed strategy. Now it’s all about the check. They’re sitting upon a huge copyright asset, if you want to distribute music in the new world, you’ve got to go through them, and you’ve got to pay for the privilege. Planning for the future, insuring their place in the coming landscape? Not really an issue. Especially since the OWNER of the operation wants out, but like Sony and BMG can’t find anybody to sell to, not at a reasonable price.
Then comes EMI. EMI has Ames, but not much else. Roger Ames knows where every dollar in a record deal is buried. He’s what Warner needs. But EMI does not have the assets of Warner. EMI is in survival mode.
And then there’s Warner. Unlike his compatriots owning major labels, Richard Parsons decided to get out, he didn’t want to weather the storm, he wanted his money now, before the asset went down in value even further. So, the company was sold to private equity interests. Although Warner is embracing digital strategies, there’s no overall music business play. Oh, they want to strong-arm their artists into giving them rights, but there’s no desire to truly get into the touring or management businesses. Hell, their interest in Azoff’s company was just sold to Barry Diller.
Irving Azoff. Is it now his time? Is this his David Geffen moment? Now that DreamWorks has failed, now that Geffen is a billionaire without portfolio, is Irving plotting to take over the music business?
Well we read that Jeff Kwatinetz was taking over the music business. But Firm clients come and go, as do their managers, Jeff’s always striking up innovative record deals that generate no heat. His moment appears gone.
And then there are our friends up north, Terry McBride and his Nettwerk crew. They’re the ones talking innovation, but that’s all in service to their artists, they’re managers through and through. As are their east coast counterparts at Q Prime. Cliff and Peter experienced a debacle in venue ownership, they’ve now got Snow Patrol and Jimmy Page, but they’re hands-on managers, they’re not interested in the tectonic plates, tilting the world at large.
But Michael Rapino is.
Michael Rapino is younger than most of the household names. He hasn’t made his fortune yet. This is his time to make a move. He’s sold what doesn’t interest him, and bought what does. He’s got not only Trunk, but MusicToday. And suddenly, he’s in ticketing.
But isn’t that the domain of TicketMaster?
The coming music story is how new players akin to Microsoft will enter the sphere and eat up market share. Computer-savvy tots with their ears to the ground, who know what the public really wants. No deals will be made with majors, if there are record companies at all, you presently don’t know their names. But these acts WILL have to play live. And who will control that arena?
Yes, right now we’ve got a giant struggle over the live business. Who will be the gatekeeper, who will cash the check. The record companies are also-rans. And the online distributors? With licensing so complicated, on such onerous terms, smart money is staying out, there’s no movement in that world, it’s been ceded to iTunes.
But in the physical world, we’ve got a jockeying for position heretofore unseen.
And it all comes down to Irving.
Is Irving just in it for the check? Or does he want the power?
Who knows. But if you want to know what happens in the future, watch him.
Irving assembled a management powerhouse to neutralize the labels, to prevent them from dictating to him. FRONTLINE’S policy would be of equal weight to the label’s policy.
But you’ve got to look back further. To AEG. Irving Azoff built AEG. By resuscitating ConcertsWest. Eventually Irving sold his interest to Anschutz, and Randy Phillips took the day to day reins, but Irving’s got a special place in their board room. He’s entitled to favors. And he returns favors. That Live Nation doesn’t get.
But Live Nation needs Irving’s acts. Irving’s partner Howard Kaufman has kept the sheds alive for years. Albeit at high prices, but you’ve got to have SOMEBODY to bring in the customer.
Can you say Def Leppard/Journey? Can you say Chicago/Earth, Wind & Fire/this year’s oldie? Can you say Fleetwood Mac?
Michael Rapino cannot afford to piss off Irving Azoff. Now more than ever, Irving’s got the biggest stable of acts, and concert promotion is all about the acts.
But now Irving has made Rapino’s life even worse. He’s gotten in bed with the thorn in Rapino’s side, TicketMaster.
Oh, there’s been a link forever. With the name Larry Solters. Yes, Irving’s positively old school, he knows it’s about relationships, and information, and he’s got both.
So now what?
Well, IAC/TicketMaster bought the Thomas H. Lee/Bain stake. But Warner’s still got a piece of Frontline. Is this significant? Well, maybe to the point that Irving’s got a special relationship with Warner. At least until he gets frustrated and makes their life hell.
But it’s Irving who controls the landscape now. Suddenly, Irving’s a linchpin in Warner, Live Nation, IAC/TicketMaster… Suddenly, the brilliant poker player has more cards than anybody. How’s he going to play them? What does he WANT?
Warner, Live Nation and TicketMaster are fighting for their lives. Good idea to line up with TicketMaster, kind of like Sirius buying Howard Stern. If Rapino sells his own tickets, TicketMaster is fucked. But if Irving’s in between, does TicketMaster keep its deal?
And Irving controls the only thing that counts. The talent. It’s not like movies or TV, you can’t create a new roster out of thin air.
Maybe Irving just wants a check. He’s certainly sold for a price in the past. Or maybe he wants to control the business. If not in name, then reality.
One thing is clear. The wagons are circling, we’re in the final throes of consolidation. Everyone thought it was about the labels, but really it’s about the gig. Who controls the gig.
Right now, Irving Azoff controls the gig.
By: bob | 2007/05/15 | Music Business | Trackback | Comments [RSS 2.0]
Socratic Methodist wrote:Couldn't this be included in EVERY thread in the past 30 days?
Blue Radio Girl wrote:Socratic Methodist wrote:Couldn't this be included in EVERY thread in the past 30 days?
Not every thread... but I'll say 95% of them.
I'm shocked people keep asking the same questions instead of reading the answers to when they were asked the first 40 times.
CatEyes wrote:From my fave bob lefsetz http://www.lefsetz.com
T-TIME wrote:
First learn how to fuking type. U place capitols at the beginning of each sentence. I got a head ache reading your post....
e-![]()
Users browsing this forum: No registered users and 57 guests