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JR (Susie) wrote:NoMoJo wrote:"Perry did Steve Smith a favor in firing him"
Agreed.
Too bad he didn't fire Neal, as well..
Bravo! Interesting thought. Where would the band be today if he did that?
larocque6689 wrote:I don't think he had any business firing anybody, and someone should have stood up to him.
STORY_TELLER wrote:Dean is good, but he's a one trick pony. A pounder who has the same solution for every song.
STORY_TELLER wrote:I always felt and still feel that Steve Smith was integral to the Journey sound. The article says Perry fired him because he wanted "a more soulful drummer"? I don't believe Perry felt that. I think he was looking to make a change to the Journey sound out of artistic desire (or boredom/frustration with the idea of making another Escape or Frontiers sounding record).
In fact, Smith, to me, is the only drummer they've had who knew how to infuse soul into a song. Dean is good, but he's a one trick pony. A pounder who has the same solution for every song. Don't get me wrong, he's better than Dunbar, but he's no Steve Smith. You should have seen Smith wipe the floor with him and Dunbar both at the house of blues concert following the walk of fame induction. Dean himself literally fell over backwards in awe of what Smith did on Dean's own drum kit. It was a sight to behold. The guy has actually gotten better over the years.
As much as I like the ROR album, the song that to this day stands out to me is "Why Can't This Night Go On Forever" and it's because of Smith's drumming. There's emotion in those beats. As good as the other tracks are, I can only imagine what the rest of the album would have sounded like had Smith been the drummer on the whole album.
Check out this clip of Party is Over and pay special attention to the jam at the end of the song and you can see the magic that is Steve Smith. He's artistic and inventive, soulful and can rock. Every band should have a Steve Smith on the pads.
http://www.youtube.com/watch?v=ftBqKk_Bv5U
brandonpfn wrote:BTW, I'd much rather hear Steve Smith circa 1975 - 1990, and particularly his playing in Journey...I know he's a drum scholar and all...
NoMoJo wrote:"Perry did Steve Smith a favor in firing him"
Too bad he didn't fire Neal, as well..
bladezuk wrote:Steve Smith on the other hand - that guys abilities are scary, but would he have evolved into how good he is now if he had stayed in Journey?
STORY_TELLER wrote:bladezuk wrote:Steve Smith on the other hand - that guys abilities are scary, but would he have evolved into how good he is now if he had stayed in Journey?
I think he was always that good. He just didn't have the opportunity to show it in Journey because Perry subdued his drum choices. Even live Perry would turn to smith and "bite his fist" as a sign for Smith to pull back on his beats. (read that in an interview with Perry somewhere)
As for Dean? Well, I don't think he's being subdued (except on the Arrival album where he was told to follow the drum tracks Neal and Jon laid down prior to his joining). If you listen to Red13 and Generations, drum wise, each song sounds the pretty much the same. He's good, he's just no Steve Smith.
brandonpfn wrote:
One need only listen to the "Enigmatic Ocean" album by Jean-Luc Ponty. Smith was 17 at the time of recording that album. Absolutely brilliant drumming throughout...
brandonpfn wrote:http://www.youtube.com/watch?v=ftBqKk_Bv5U
Once again, did anyone record this show?!?! Damn...Here here on Smitty!
johnroxx wrote:brandonpfn wrote:
One need only listen to the "Enigmatic Ocean" album by Jean-Luc Ponty. Smith was 17 at the time of recording that album. Absolutely brilliant drumming throughout...
Actually, he was 23 when the album was released. But his work on it is indeed phenomenal. Great album all around.
It was that album and Ponty's 1978 release, Cosmic Messenger, that sparked my initial interest in jazz/rock fusion..
;^)
STORY_TELLER wrote:I always felt and still feel that Steve Smith was integral to the Journey sound. The article says Perry fired him because he wanted "a more soulful drummer"? I don't believe Perry felt that. I think he was looking to make a change to the Journey sound out of artistic desire (or boredom/frustration with the idea of making another Escape or Frontiers sounding record).
In fact, Smith, to me, is the only drummer they've had who knew how to infuse soul into a song. Dean is good, but he's a one trick pony. A pounder who has the same solution for every song. Don't get me wrong, he's better than Dunbar, but he's no Steve Smith. You should have seen Smith wipe the floor with him and Dunbar both at the house of blues concert following the walk of fame induction. Dean himself literally fell over backwards in awe of what Smith did on Dean's own drum kit. It was a sight to behold. The guy has actually gotten better over the years.
As much as I like the ROR album, the song that to this day stands out to me is "Why Can't This Night Go On Forever" and it's because of Smith's drumming. There's emotion in those beats. As good as the other tracks are, I can only imagine what the rest of the album would have sounded like had Smith been the drummer on the whole album.
Check out this clip of Party is Over and pay special attention to the jam at the end of the song and you can see the magic that is Steve Smith. He's artistic and inventive, soulful and can rock. Every band should have a Steve Smith on the pads.
http://www.youtube.com/watch?v=ftBqKk_Bv5U
squirt1 wrote:Steve Smith was willing to tour for TBF. That either means he didn't have a problem with Perry or knew that was where the money would be and then left when Perry couldn't tour.
STORY_TELLER wrote:brandonpfn wrote:http://www.youtube.com/watch?v=ftBqKk_Bv5U
Once again, did anyone record this show?!?! Damn...Here here on Smitty!
I seem to recall someone else on another board saying this wasn't from a concert but rather a showcase for music execs or something. Don't know how many other songs were performed at this showcase, if any. I love the raw quality of the music here. Sounds like it was just a (really fucking talented) garage band jamming out a tune. Love it, love it, love it.
That being said, I second the motion. If anyone has any other video and/or audio from this performance, PLEASE share!
brandonpfn wrote:For the record - Anyone know of (or have heard about) a recording of the House of Blues gig that Steve Smith and Ansley Dunbar showed up to? (right after Hollywood Walk of Fame ceremony)
brandonpfn wrote:For the record - Anyone know of (or have heard about) a recording of the House of Blues gig that Steve Smith and Ansley Dunbar showed up to? (right after Hollywood Walk of Fame ceremony)
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