Matthew wrote: The_Noble_Cause wrote:
It’s an original song, and he sounds great. Cherone’s decent Hagar impression on Van Halen III did little to detract from the few good songs on it. I really don’t have a big problem with this.
I'm still failing to grasp why you have no problem with impersonators on original songs....yet feel compelled to thunder on about how shameful it is when when the impersonator sings the classics. But at this late stage of the conversation maybe it's time to let it go...
If a song is an original work, what's being impersonated?
In such a case, there is only a particular style an artist may pay tribute to.
And it’s only one song, so who gives a fuck?
Matthew wrote: The_Noble_Cause wrote:
Irrelevant.
I notice this is the word you often use when you clearly have no clue about how to respond...
To tell ya’ the truth, I feel this way about every one of your posts. Last week you were defending Arnel tooth and nail, and now you wish to debate the ethics of hiring soundalikes. It seems to me, as Strange Grey intimated earlier, you are just taking up the cudgels for the sake of shit starting. It’s all very tiring. If you’re not secretly Reardon pulling my plonker and having a cheap laugh, I truly pity you.
I deemed your comment “irrelevant” because you admitted Perry stole another singer’s style (i.e. Sam Cooke), but then offered up the thinnest of excuses that since Cooke sang a different genre this type of vocal thievery is somehow OK.
Matthew wrote:The_Noble_Cause wrote: I would say that on this particular song, Arnel is interpreting the material in a Perry fashion. That the band wanted to carry on in the “legacy sound” is not some KFC 11 secret herbs and spices-type trade secret. Their intentions are clear. Though sheerly as a vocal sleight of hand, it is a masterful one.
I love this: "interpreting the material in a Perry fashion." With this gift for euphemism you ought to get a job in the press department of the Pentagon, TNC.
I have no horse in this race. I don’t care if Arnel is deported tomorrow.
However, if a song is an original, I fail to see how he is “impersonating” Perry's vocal, or using a “phony voice.”
He is using Perry's inflections, the same way Perry used Sam's all his recording career.
Matthew wrote:Okay - I've spent about three minutes listening to Disc 2 and I can already detect about five 'nuances' or 'gradations' or 'flourishes' or whatever you want to call this subtle technique that allows Chalfant and Augeri a free pass from the criticisms you're leveling at Arnel.
For example, there's one at the 3.38 mark on Only The Young. Another at 3.50 on Don't Stop Believin'. I'm sure I could find about a hundred others if I didn't have a life I needed to get on with.
I never denied that differences existed, but they are few. Arnel extends a few notes longer than Perry, but, as others have noted, by and large, it sounds like Arnel is reciting these songs phonetically. Augeri and Chalfant never copied Perry’s phrasing. Augeri spoke of how he tried to relate the material in his own way. If you don’t hear it, I don’t care.